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Danube River Cruise, June 2023

Regensburg, June 22, 2023

The Monarch Queen was unable to make it to Regensburg because the water in the Danube was too low for navigation; instead she had to dock at Vilshofen an der Donau, about 100 kilometers downstream, not far west of Passau. A bus came to pick us up and take us to Regensburg.

The bus took us through a lot of pretty Bavarian countryside. We saw lots and lots of verdant fields and prosperous-looking farmhouses, several charming little towns whose names I forget, with their picturesque churches. We also saw a few things which had not been there during my previous visit to Bavaria in 1964: solar panels and electricity-generating windmills.

As we neared Regensburg, we caught a glimpse of a neo-classical building sitting on a hill on the north bank of the Danube. This turned out to be the Walhalla, a memorial named after Valhalla, the headquarters of the Norse pagan pantheon. It was conceived in 1807 by then Crown Prince Ludwig of Bavaria as a means of fostering German unification by reminding Germans of the great figures of German history and their achievements. Unlike the mythological Norse Valhalla, which was reserved for warriors slain in battle, Ludwig intended his Walhalla to honor persons of high achievement in various fields – artists, musicians, scientists, clerics, poets, philosophers, etc. Women as well as men were to be included. After Ludwig succeeded to the Bavarian throne in 1825, he commissioned the building of Walhalla modelled on the Parthenon in Athens. It was opened in 1842.

The monument was little visited until 1889, when a private narrow-gauge railway called the Walhallabahn was opened to carry passengers the 8.9 kilometers between Regensburg and Donaustauf, where Walhalla is located. (The railroad was extended in 1903 to the larger town of Wörth an der Donau, 14.5 kilometers farther.) The Walhallabahn continued to carry passengers between Regensburg and Walhalla until 1960, when service was discontinued.

When we arrived in Regensburg, our tour bus deposited us at the edge of Stadtamhof, a district which was incorporated in Regensburg only in 1924. The bus terminal also turned out to be the open-air Museum of the Walhallabahn, featuring Locomotive #99-253, built in 1908 and retired in 1960, as the primary exhibit. Here we met our local guide, who turned out to have the improbable name of Paco Garcia. He informed us that he was from Sacramento, California, but had been living in Regensburg for about 20 years.

As it reaches Regensburg, flowing from west to east, just before its confluence with the Regen River, which flows in from the north, the Danube splits into three channels. The Stadtamhof district is actually an island bounded by branches of the Danube to the north and south. The north branch of the river is part of the Rhine-Main-Danube canal, a navigable waterway. The middle branch separates Stadtamhof from another island, Wöhrde, and the south branch divides Wöhrde from the Inner City (or Old City) of Regensburg.

Stadtamhof is crossed from north to south (and vice versa) by a wide boulevard, in contrast with the Inner City of Regensburg to the south, where the streets are all quite narrow. It takes only a few minutes to walk to the south side; just before reaching it we passed an institution whose spiffy appearance belies its age. This was St. Katherinenspital, founded in 1213 as a hospital for the poor. It became one of the earliest community hospitals in the Holy Roman Empire.

In medieval times, if you were rich and became ill, the doctor would come to your home to treat you. If you were poor, your only recourse would be to go to a hospital; most of these were maintained by monasteries and other religious foundations. St. Katherine’s was founded by the Bishop of Regensburg, Conrad IV, in a joint venture with the citizens of Regensburg, who were expected to provide financing for the establishment. But this was at a time when the city of Regensburg was undergoing a transition from a dominion of the Duke of Bavaria to a Free Imperial City of the Holy Roman Empire, and the political situation was highly unstable. Eventually the citizens of Regensburg successfully asserted their independence from Bavaria, except for Stadtamhof, which remained under Bavarian rule. The status of St. Katherine’s remained unclear, however, and in dispute. I suspect this was because the Bavarians would not have been overjoyed about footing the bill for the hospital, which existed mainly for the benefit of the citizens of Regensburg; and for their part, the Regensburgers were wary about footing the bills for a property over which they had no supervision. Thus the admininstration and funding of the hospital underwent many ad hoc changes until the 19th century, when both the Kingdom of Bavaria and the city of Regensburg were incorporated into a unified Germany. Even then not all matters were settled, and St. Katherine’s continued to undergo not only administrative but also functional changes: today it is no longer a full-service hospital but a retirement and nursing home for the elderly.

Passing by St. Katherinenspital, we embarked on the Steinerne Brücke, the Old Stone Bridge that connects Stadhamhof with the main part of Regensburg. Built in the mid-12th century, it is considered a masterpiece of medieval engineering. For 800 years it was the only bridge across the Danube at Regensburg. It remains one of the two major emblems of the city, along with the cathedral. The bridge consists of 16 stone arches and is supported by piers on the islands and in the river itself. Stone abutments were constructed to protect the piers from being undermined by the river currents. The Regensburg Stone Bridge became a model for a number of other medieval bridges, including London Bridge (the one which is now in Arizona, not the Tower Bridge which remains in London).

The Stone Bridge has long been an impediment to navigation on the river, because of the narrow passages between the abutments, the low clearances of the arches, and the strong currents it causes downstream. Formerly vessels going upstream had to be towed past the bridge. Nowadays, only small recreational and excursion boats use this stretch of the Danube; larger vessels bypass it by diverting to the canal north of Stadtamhof, which we had seen upon our arrival there. I don’t know where the Monarch Queen would have docked if it had been able to come all the way to Regensburg, but it would certainly not have passed under the Stone Bridge.

No trolls popped up from under the stone bridge to challenge our crossing, but about halfway we encountered something similar: a stone figure of a man, seated on top of the pointed roof of a miniature toll house, facing south, and shielding his eyes with his right hand. This was the famous Bruckmandl, or Bridge Man, about whom a number of legends circulate. My favorite is that he is the builder of the bridge, who supposedly made a wager with the builder of the cathedral as to who would finish first, and is looking toward the cathedral site to the south in apprehension that the cathedral builder was making alarmingly swift progress. To ensure that he won, the bridge builder then made a pact with the Devil. The payment for Satan’s help would be the souls of the persons associated with the first eight feet that crossed the bridge. The builder cheated Satan by sending a rooster, a hen and a dog across the bridge first. Satan, in his rage at being fooled, attempted to destroy the bridge but failed, only succeeding in bending it (the bridge does have a bend in the middle). In fact, the legend has no substance because the cathedral was built a century later than the bridge, but it’s a fun story.

At the south end of the Stone Bridge is the Bridge Tower (Bruckturm), built around 1300. It has a clock, added in 1648, and an arch through which one enters the Old City. It is in the middle of a cluster of buildings which includes the Salzstadel (salt warehouse) on its left (east) and the former toll house (originally a chapel) on its right.

To the east of the Salzstadel is the Historische Wurstküche, Historic Sausage Kitchen, about which more later, and a little further down the riverbank is the Anlegestelle Donauschifffahrt, or Danube Shipping Wharf, which appears to be the most likely place where river cruise ships such as the Monarch Queen tie up when water levels are high enough for them to come to Regensburg. (They would then turn around and go back rather than continuing west under the Stone Bridge.) There was in fact a river cruise boat tied up at the wharf, but it was smaller than the Monarch Queen. While we were crossing the bridge I saw (and photographed) a very odd-looking craft, long and narrow and looking a bit like a Venetian gondola, with two very long poles or oars (they had flat blades on the ends) hanging on the stern. The boat pushed off the wharf, then shot under the bridge and off to the west. My guess is that it was an excursion boat of some sort, and the long poles or oars were there to provide a way of pushing off sand banks or away from navigational hazards, perhaps even to paddle the boat if the motor should fail. Later I found out that there are day cruises to the Walhalla memorial in Donaustauf which leave from the same wharf.

Passing under the Bridge Tower arch, we entered the Old City on Brückstrasse, Bridge Street, where the first house on the right had a prominent round tower on the corner. I had of course seen such towers on residential buildings in Germany and Austria before, but they seemed ubiquitous in Regensburg; I saw at least one of them on almost every street corner we passed in the Old City.

Regensburg is a very old city and was important even in Roman times. In 179 AD Emperor Marcus Aurelius had a major new camp called Castra Regina built at what is today the Old City of Regensburg. All that remains of that camp today are the ruins of the Porta Praetoria, which was the main gate of the fortified camp: a pile of stone blocks that have been cleverly integrated into what used to be the Bishop of Regensburg’s palace. Some of the stone blocks constitute part of the lower section of a corner tower, and others have been used to form an archway for a portal nearby.

From the Porta Praetoria, our guide led us west toward the city center. On the way we passed the Goliath House, a “city castle” built in 1260 for a patrician family. It is noteworthy chiefly for a huge mural of the battle between David and Goliath on the street side of the building. The painting, created in 1573 by Melchior Bocksberger, must have been refreshed, renewed and repainted several times over the centuries since it looks like it was done yesterday. Our guide informed us that Oscar Schindler, of Schindler’s List fame, had lived in the Goliath House for a while after World War II before emigrating to Argentina.

As we continued west along Goliathstrasse, I caught sight of a high tower with Gothic windows on a side street and paused to take a picture. This turned out to be the Baumburger Turm, a 7-story tower constructed during the 13th century. During that era there was competition among the patrician merchant families of the city as to who could build the highest and most grandiose family residence. The Baumburger Turm, at 28 meters (92 feet) high, is only the second highest — the Goldener Turm (Golden Tower) on Wahlenstrasse, which we would see later, tops it at 50 meters or 164 feet — but it is considered to be the most beautiful of the 20 surviving towers. It was built in 1270 by the Ingolstetters, one of the great patrician families of the time, but in the 14th century it was acquired by the Baumburgers, and their name stuck.

Emerging from Goliath Street, we found ourselves in the Kohlmarkt, a square which in days of yore had been the place where charcoal, a very important commodity for blacksmiths and everyone else, was sold. As far as I could tell, charcoal is no longer being sold there; instead it is a pleasant area to relax and enjoy an ice cream or coffee at Crema Gelato or lunch at one of the several cafés located there. It is also the site of a fountain called the Lebensbrunnen, or Fountain of Life. This is not part of the historical ambience of the square but a modern implant, in the form of a granite cup with melting sides, such that it gives the appearance of a grotto. Water spouts below the cup fill a basin which in turn spills into four smaller basins around the base. The fountain is the work of sculptor Günter Mauermann and was installed in 1985 as part of a city beautification project.

Kohlenmarkt leads right into the Rathausplatz, the seat of city government in medieval and early modern times. There is located the Altes Rathaus, the Old City Hall, which consists of several separate structures, built at different times in different styles. The oldest is the 55-meter (184 feet) tall Council Tower, built in the middle of the 13th century in the style of the patrician family towers such as the Baumburger Turm. Next came the Reichsaale building, constructed around 1320, to the west of the Council Tower. It was originally intended as a free-standing building for hosting municipal assembly and festival hall, but it soon found another use. The second story was originally accessed only via an outside staircase, but this was remedied in the 15th century by the construction of the Portal building, which provided inside access to the second floor and in 1564 was extended to connect to the Council Tower as well. Also in 1564 a new Baroque wing was added to the complex on the east side of the Council Tower.

But this was not the end of the story. In the second half of the 16th century Regensburg became the preferred meeting place of the Reichstag (legislature) of the Holy Roman Empire. The city fathers felt an obligation to give the Rathaus complex an appearance commensurate with its importance. One way of doing so was by painting the buildings, and in 1575 the town council gave Melchior Bocksberger, the same artist who painted the mural on the Goliath House, a commission to do something similar for the Rathaus. Unlike the Goliath House murals, however, his paintings on the Rathaus buildings have long since vanished.

To the east of the Rathausplatz, on Kohlmarkt, another structure, called the Market Tower, had been standing for centuries. In 1706 it burned down, and a few years later, in 1721, a new southern extension of the Baroque wing of the Rathaus was built on its foundations. As well as municipal offices, this edifice now houses a restaurant called the Ratskeller.

The Imperial Diet, the Reichstag, met in the Reichsaale, which has an elaborate bay window on its western façade, where the Emperor appeared on occasion to make proclamations and receive the homage of the people. After 1594 the Reichstag met exclusively in Regensburg, which in effect became the co-capital of the Holy Roman Empire with Vienna, and after 1663 it became known as the Perpetual Reichstag because it was in permanent session, never dissolved. It was also never a real representative legislature, but in effect only a convocation of the Imperial Estates, i.e. the territorial and ecclesiastical princes and Imperial free cities, which meant in practice — at least in its later years — an assembly of the ambassadors of the constituent states of the Holy Roman Empire.

Directly across Rathausplatz from the Ratskeller we found the Café Prinzess, which claims to be the oldest coffeehouse in Germany, operating continuously since 1686. A bit skeptical of the claim, I did a little online research later on and found that the earliest coffeehouses in Germany were opened in Bremen and Hamburg in the 1670s — which would seem reasonable, since these cities are closer to the Atlantic and therefore would be more likely to be exposed to imports from the New World before inland locations such as Regensburg. Another coffeehouse was opened in Nuremberg in 1686, the same year as the Café Prinzess. So the Prinzess’ claim is perhaps legitimate, as long as one qualifies the area as South Germany rather than Germany in toto.

From the Altes Rathaus our guide led us south on Wahlenstrasse – “Election Street” – toward Neupfarrplatz (New Parish Square). The main attraction on Wahlenstrasse is the Goldener Turm (Golden Tower), the highest of the medieval family towers – not only in Regensburg, but the highest north of the Alps. Its construction was begun in 1250 by the Waller (or Woller, nobody seems to know for certain) family, but the upper stories were completed later, in the 14th century, and the pyramid roof around 1600. The name “Goldener Turm” has nothing to do with any material used in the construction of the tower, but rather with an inn by that name which existed there in the 17th century.

As I’ve already mentioned, the Market Tower on Kohlmarkt burned down in 1706. It had been serving as the city’s watchtower, and with its demise, the Golden Tower was pressed into service as its replacement. Various modifications were made to make it more accessible and comfortable for the guards manning the tower.

In 1985 the Golden Tower was renovated and given over to the local student union to serve as a student housing facility for the University of Regensburg. It has 43 apartments, most of them in shared-living arrangements where the occupants share a common kitchen and bathroom.

Our guide, Paco Garcia, showed us into the attractive courtyard of the Golden Tower, which is surrounded by Renaissance arcades on three sides and has a dogwood tree in one corner. Parking is available for bicycles in the courtyard, but cars are not allowed.

Resuming our progress on Wahlenstrasse, we continued south to Neupfarrplatz. It came as a surprise to me – not being an expert on German history – that Regensburg was a major center of the Protestant Reformation in Germany. I hadn’t known that by 1542 the town council was entirely Lutheran, and in that year the city officially adopted the reformed faith. Catholics were in the minority and were deprived of civic rights, though they were not driven out (that only happened to the Jews, in 1519). The Bishop of Regensburg maintained his seat, and the Catholic cathedral continued to operate, along with several abbeys. The Imperial Diet continued to meet in Regensburg. Emperor Charles V, a devout Catholic who was determined to roll back Protestantism in the Holy Roman Empire, continued to show up in Regensburg in the course of his official activities and sometimes stayed for extended periods.

Back in 1519, as I already noted, the good people of Regensburg had, in their immeasurable kindness and mercy, decided to drive out the Jews living there. Actually this sentiment had been accumulating for some time, and both the bishop and the town council had repeatedly applied to the Emperor to be allowed to expel the Jews, but Maximilian I, the Holy Roman Emperor at the time, had refused permission. In January 1519 Maximilian died, and a month later the Regensburg city council, taking advantage of the interregnum, took matters into its own hands. The Jews were given two weeks to leave the city. Their houses and their synagogue were razed to the ground. Meanwhile, plans had been drawn up to build a new church on the site of the synagogue, and construction began immediately, using rubble from the demolished Jewish buildings. At that time Regensburg was still Catholic, and the new church was to be named St. Mary’s. Then, in 1528, funds for the construction ran out and work had to be halted, leaving the church only partly complete. When Regensburg converted to Lutheranism in 1542, the city council decided to make the incomplete St. Mary’s the first Protestant church in town and renamed it the Neupfarrkirche, or New Parish Church. But it was not finally completed until 1860.

The Neupfarrplatz, which surrounds the Neupfarrkirche, is thus the old Jewish quarter of Regensburg. At its west end, where we came in from Wahlenstrasse, stands the elegant Baroque Reichsstadtbrunnen, or “Imperial City Fountain”, which dates from 1721. Between the fountain and the New Parish Church is the Synagogengrundriss, also known as the Misrach monument. In 1995-97 excavations were conducted which unearthed the remains of the old Jewish synagogue on Neupfarrplatz; a decade later, an Israeli artist named Dani Karavan created on that site a replica of the floor plan and foundation of the synagogue using white granite blocks.

In 1611, on the east side of Neupfarrplatz, a wooden structure called the Hauptwache (Main Guard Station) was built to house the town militia. This body was made up of citizen soldiers, although after 1663 the city hired mercenaries to fulfill their duties instead. These duties included maintaining order in the city, performing guard duty at the gates, and providing military contingents for Imperial forces in times of crisis as required, for example during the siege of Vienna by the Turks in 1683.

In 1820 the wooden Hauptwache was replaced by a stone building with a Tuscan portico, supported by eight columns made of green sandstone. In 1875 a second story was added to the house. After World War II, the building — by this time known as the Alte Wache (Old Guard House) — was used to house the city library, but in 1973 it was demolished to make way for a new indoor shopping mall, the Galeria Regensburg Neupfarrplatz. However, the façade was retained and incorporated into the new mall, and thus still may be seen today.

From Neupfarrplatz it was just a short walk northeast to Domplatz —Cathedral Square. The Gothic cathedral of Regensburg was begun in 1280, after the previous one burned down, at a time when the economic fortunes of the city were at their height. The design was grandiose – a French architect was hired for the purpose, so the cathedral was built in the French Gothic style. It is the only Gothic cathedral in Bavaria. Construction continued for over two centuries, but then Regensburg fell upon evil days; economic downturn, religious upheaval and civil unrest led to the cessation of work on the cathedral in 1520. Although a few additions and modifications were made during the next three centuries, it remained unfinished, and in particular the towers with their spires remained mere stumps, about half as high as planned. It was not until the 19th century that any further progress was made. Following the Napoleonic Wars, Regensburg was incorporated into the Kingdom of Bavaria, and its King, Ludwig I, started taking an interest in the cathedral. Ludwig commissioned a neo-Gothic renewal in the 1830s, and in the 1860s the cathedral was finally completed with the addition of the towers and spires. In honor of his patronage, an equestrian statue of King Ludwig erected in 1903 stands on the south side of the cathedral.

We did not see the inside of the cathedral because it was now time for lunch, and our luncheon spot was right next door to the Cathedral. It was the old bishop’s palace, now a 4-star hotel, the Bischofshof am Dom. It has an open-air restaurant, the Bischofshof Biergarten, in its courtyard, and there we enjoyed an excellent lunch of beer and sausages.

After lunch we were turned loose to wander about as we pleased, with the proviso that we wander back to the Walhallabahn Museum to reboard our bus by the appointed time. I chose to wander west on Goliathstrasse toward Keplerstrasse, a street named after a famous astronomer who had once lived there. Keplerstrasse is a block or two north of Goliathstrasse and to get there, I took a right turn at Zieroldsplatz, which runs along the east side of the Altes Rathaus. On Zieroldsplatz there is a statue of Don Juan of Austria, which I had seen from Goliathstrasse earlier, but now I had a chance to stop and get a better photo of it, which I did.

I would not have expected to see a monument to Don Juan of Austria in Regensburg or anywhere in Bavaria, because his career was associated almost entirely with Spain and not at all with Germany — except for his birthplace, which was Regensburg. It turns out that Emperor Charles V made his last visit to Regensburg in 1546, during the Schmalkaldic War, when he was attempting to subdue a league of unruly Protestant princes. He stayed at the Goldenes Kreuz (Gold Cross) Inn on Haidplatz, a favorite hostel for princely visitors, and while there had an affair with a woman named Barbara Blomberg. His wife, Isabella of Portugal, had died in 1539 and he had not remarried. Barbara, as the daughter of an artisan, was a commoner and would not have been considered eligible to marry royalty. The birth of Don Juan, which occurred on January 24, 1547, was kept a closely guarded secret. Charles V shortly left Regensburg and won an overwhelming victory over the Protestants at the Battle of Mühlberg in April 1547. Don Juan was taken to Valladolid, Spain, in 1554 to be raised by a Spanish noble family. He did not meet his father until just before Charles’ death in 1558. In his last will, Charles expressed an intention to have the boy take holy orders and pursue an ecclesiastical career.

Don Juan, it turned out, had other inclinations, which were toward a military vocation. He earned his spurs fighting pirates in the Mediterranean and then by suppressing the rebellion of the Moriscos in Spain in 1568-71. In 1571, he was made commander-in-chief of the armada of the Holy League, an alliance between King Philip II of Spain (Don Juan’s half-brother), the Pope and other Christian powers against the Turks. On October 7, 1571, the Christian forces met and annihilated a much larger Turkish fleet in the Battle of Lepanto, and Don Juan was hailed as a hero. A statue of him was sculpted and installed in Messina, Sicily, where the Christian fleet had sailed from. The statue in Regensburg was erected in 1978 and is an exact copy of the one in Messina.

Don Juan was less successful in his next major assignment. In 1576 Philip II sent him to quell the revolt of the Netherlands, which the king’s uncompromising religious policies had provoked. He was initially successful, winning a great victory over the Protestants in the Battle of Gembloux. But six months later he suffered a defeat at Rijmenam, and two months after that he contracted a fever (probably typhus) and died on October 1, 1578, at the age of 31. He is buried in the Escorial, Philip II’s monastery-palace near Madrid.

From Zieroldsplatz I continued north to Fischmarkt, which if one turns west becomes Keplerstrasse. At Keplerstrasse 5 I found the Keplergedächtnishaus, or Kepler Memorial House. I was a bit disappointed to learn that Kepler lived there for only a month in 1630. He lived most of his life, and did all his significant work, in Graz, Linz and Prague.

Kepler was born in 1571 in another Free Imperial City, Weil, in the German state of Württemburg, and attended the University of Tübingen, also in Württemburg. He wanted to become a minister (Protestant), but poverty, along with his skills at mathematics and astronomy, led to his taking a position as astronomer with a Lutheran school in Graz, the capital of the province of Styria in southern Austria, in 1594.

It was Kepler’s misfortune to live during the height of the Catholic Counter-Reformation, when the Habsburgs were undertaking a concerted effort to roll back the Protestant tide in Germany. Leading the charge was the Archduke Ferdinand, who became ruler of Inner Austria (Styria, Carinthia and Carniola) in 1597 and the next year expelled Protestant teachers and preachers from his domains. (He would eventually become Holy Roman Emperor in 1519.) By that time Kepler had made a name for himself and was able to land a job with the Imperial Court Astronomer, Tycho Brahe, in Prague. When Brahe died suddenly in 1601, Emperor Rudolf II immediately appointed Kepler to step into Brahe’s shoes. Rudolf was mostly interested in astrology – in those days astronomy and astrology were not distinct disciplines – and Kepler was required to cast horoscopes for the monarch. Nevertheless during his time in Prague he published some of his most significant works, including Astronomia Nova (1609), in which he set forth his laws of planetary motion, which asserted that planets orbited the sun in ellipses rather than circles.

Although Rudolph’s successor Matthias confirmed Kepler’s position as court astronomer after his predecessor’s death in 1612, the imperial treasury was empty and Kepler’s salary was not being paid. In the same year Kepler accepted a position in Linz as mathematician to the states of Upper Austria, without resigning as court astronomer. Kepler’s residence in Linz was not devoid of travail. Although he steadfastly refused to convert to Catholicism, his independent views on religion earned him the enmity of the Lutherans, who made what trouble they could for him. This included an accusation of witchcraft against Kepler’s mother, still living in Württemburg, and he had to take several months off work to defend her, in which he was successful. The Thirty Years’ War, which broke out in 1618, at times threatened to engulf Linz, which was besieged in 1626-28. Amidst all the chaos, Kepler’s patrons had other priorities than astronomy and failed to come up with the sums they had committed to pay. In 1830, Kepler decided to seek restitution from the Imperial Diet, and on October 8, 1830, he set out for Regensburg, where it was meeting. Worn out by the rigors of a long ride on horseback, he soon fell sick and died a month later, on November 15, at the age of 59, in the house he had rented, on the street that many years later was named after him.

I continued down Keplerstrasse a little way, then turned around and went back to Fischmarkt, taking photos as I went. There was much to see: elegant Baroque buildings with rounded corner towers and bay windows; upscale restaurants, cafés and pubs; a ceramics shop with exquisite wares; and two pretty fountains, the Fortitudobrunnen on Fischmarkt and the Wiedfangbrunnen at the corner of Goldene-Baren-Strasse and Am Wiedfang alley. The Fortitudo Fountain is supposedly part of a trio representing the cardinal civic virtues of Fortitude, Justice and Peacefulness. (I did not see either of the other two, assuming they still exist.) Fortitude is depicted as a figure of a youth standing on a dolphin, holding a fish in his left hand. The Wiedfangbrunnen is actually an old well, built in 1610 and renovated many times over the years, so that it looks almost like new. It is no longer used as a well, of course, and is blocked by a grating.

At Am Wiedfang I took a left and went north to the riverbank, with the aim of shooting some photos of the Stone Bridge from the side. I noticed that the closer I drew to the river, the more graffiti I saw, and when I reached the riverfront, the graffiti were ubiquitous. So I photographed the graffiti, too. I gather that graffiti are a common sight in European cities these days; I had seen them in Spain and Portugal in 2017, and in Vienna a few days earlier. Disregarding the graffiti, though, the south bank of the Danube in Regensburg has a nice long promenade, with stone benches where people can take a break.

By now it was time to return to the bus and say farewell to the marvellous medieval city of Regensburg. Before I crossed back over the Stone Bridge, I stopped by the Wurstküche. I didn’t have time or appetite to sample any of its famous sausages, but I did take a couple of pictures.

The Historic Sausage Kitchen of Regensburg began as the construction office for the Stone Bridge in 1136. When the bridge was finished in 1146 the little building was turned into a restaurant which served boiled meat. The customers were dockers, sailors, cathedral workers and other local people. Around 1800 the menu was changed to feature charcoal-grilled sausages. Currently it serves around 6,000 sausages per day. You can get them with sauerkraut and mustard; other dishes are available as well. The tiny restaurant only seats 35 people, but there is an outside dining area which can be used in fair weather.

The Regensburg Sausage Kitchen has been in business continuously for over 800 years, and claims to be “the oldest continuously open public restaurant in the world.” But the day before, I had been assured that St. Peter’s Stiftkulinarium in Salzburg was the oldest restaurant in the world, having been opened around 800. Which claim should I believe? Perhaps it depends on the wording. Maybe St. Peter’s was not continuously open during the entire period of its existence, or perhaps it was not public for part of its existence. Regardless, the Wurstküche has been around for a long time.

Crossing back over the Stone Bridge, I observed some sunbathers relaxing in the grassy area on the Stadtamhof side, as well as people taking a dip in the river there. This locale turned out to be a park with the formidable name of Naherholungsgebiet Steinerne Brücke, “Local Recreation Area Stone Bridge.” Lacking a sandy beach, the city of Regensburg instead provided this pleasant grassy area for sunbathers and picnickers, pleasantly shielded by wooded Wöhrde Island from the traffic on the main branch of the Danube.

By this time I was quite worn out and ready to board the bus back to Vilshoven – I think I slept most of the way. Back on the Monarch Queen, we had some festivities to celebrate our last night on the ship, but I stole some time to take a few last pictures of the river as well as some telephoto shots of the town of Vilshofen from the top deck of the ship. As I was thus engaged, a pair of lovely white swans swam up near the riverbank next to the Monarch Queen. It was a delightful conclusion to a memorable day and a fairytale cruise on the Danube.

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Danube River Cruise, June 2023

Salzburg, June 21, 2023: Afternoon

I figured that the most interesting thing I could do after lunch would be to investigate the Hohensalzburg Fortress on top of its mountain, so I set out in its general direction and immediately found myself in the St. Peter’s Abbey cemetery, known as Petersfriedhof. I’m not normally a great fan of cemeteries, even historic ones, but Petersfriedhof proved to be a very unusual and beautiful place and I’m glad I didn’t miss it.

The cemetery is actually older than the abbey, having been used as a burial place by Christians from late antiquity. The graves are beautifully decorated, and when I was there in June the grounds were lush and verdant, with flowers in bloom throughout. But what really Petersfriedhof an extraordinary place is the chapels, the arcade crypts and the catacombs. At the back of the cemetery, right up against the mountain, is a long row of crypts fronted by elegant wrought-iron gates, containing tombs where the members of wealthy and aristocratic families are buried. These crypts are attractively decorated in various ways, some with frescoes, others with elaborate headstones, and included in the rent paid for the crypts is a floral service which places fresh flowers in each crypt every month.

Carved into the mountain above the crypts are catacombs, thought to have been built in the Roman era, possibly by Christians as places of shelter and refuge from persecution.

Among the notable persons buried in Petersfriedhof are the composer Michael Haydn, younger brother of Joseph Haydn; Maria Anna “Nannerl” Mozart, Wolfgang’s older sister; and Harry J. Collins, an American general who led the 42nd Infantry Division in the invasion of Germany at the end of World War II, liberated the Dachau concentration camp, served as military governor of western Austria after the war, and later retired to Salzburg, where he died in 1963.

Inevitably, Petersfriedhof also figures in The Sound of Music, which has a famous cliff-hanger scene set there: with the aid of the Mother Abbess of Nonnberg Abbey the von Trapps hide from the pursuing Nazis in the catacombs as they prepare to escape to Switzerland. (This episode is of course entirely fictional.)

After meandering around Petersfriedhof a bit, I came out on the north end of a small triangular plaza where I found an old waterwheel, slowly turning under the impulse of a stream that runs underneath. This wheel, or Wasserrad in German, powers the mill of St. Peter’s Abbey Bakery next to it. It’s a proud relic of an older time when technology was relatively primitive and yet provided an efficient and reliable way of harnessing the forces of nature. According to a local guide, there is a local legend to the effect that the Wasserrad was once part of a series of “talking” wheels, believed to whisper prophecies to those who listened closely on moonlit nights.

Across the court from the waterwheel and its bakery stands a statue of the Bohemian martyr St. John of Nepomuk (Johannes or Jan Nepomuk, 1345-1393). He is venerated in the Roman Catholic Church as the “martyr of the seal of confession,” because, as the confessor of the Queen of Bohemia, he supposedly refused to divulge the secrets of her confessions to King Vaclav IV, who had him drowned in the Vltava River in retaliation. Because of the manner of his death, he came to be considered a protector against floods and drowning, and touching his statue is thought to bring good fortune, especially for those about to embark on a journey over water.

Exiting from the courtyard of the Wasserrad into a narrow street called Festungsgasse – “Fortress Alley” – I shortly came to the lower station of the Festungsbahn, the funicular railway that transports people to and from the Hohensalzburg fortress. Near the entrance to the Festungsbahn is a pool with several intriguing fan-shaped contraptions which appear to be windmills operating water pumps, perhaps to irrigate the vegetation in the cemetery – that’s my guess, because I didn’t see any signs or plaques describing them. But tucked in behind the pool, next to the Festungsbahn station, is a small rock-walled tunnel, apparently quite old, called the Liebesgrotte, or Love Grotto. At the entrance there is a plaque which reads, in old-style German letters, “Küsst man sich in der ‘K & K Liebesgrotte’, wird die Liebe ewig währen,” and beneath it in English, “One kiss in the ‘love grotto’ and your love will be everlasting.” A second plaque reads “One Kiss: 1€”. A box beneath the second plaque with a slot in the top makes it obvious that one is expected to drop a 1 euro coin in the box for the privilege of kissing in the Love Grotto, though there is nobody standing by to enforce it. The “K & K” in the German inscription stands for “Kaiser und Königliche,” i.e. “Imperial and Royal,” referring to the fact that the ruler of the Dual Monarchy was both Emperor of Austria and King of Hungary. Since the Dual Monarchy was established in 1867 and ended with the First World War, the reference to it would imply that the plaque was made during that period; but the fact that it is also in English suggests that it was made much more recently, since large numbers of English-speaking tourists would not have been common until some time after World War II. So I found it a little puzzling. In any case, since my wife was absent, I didn’t have an opportunity to test the promise of the Love Grotto.

The Festungsbahn has been in existence since 1892, although it has been updated several times since then, most recently in 2011. It is a single-track railway with a passing loop, and is 191 meters (627 feet) long; 99 of those meters (327 feet) are vertical, with a maximum grade of 62%. Two cars are operated, with a maximum rated capacity of 55 passengers each; I found it hard to believe that 55 passengers could fit into one car, and certainly not more than 20 were in the each of the cars I rode in. The ride up to the fortress takes only one minute.

It turns out that there is another railway that provides access to the fortress; it is used for hauling supplies, and it is far older than the Festungsbahn. The Reisszug is a privately operated cable railway running from the Nonnberg Abbey on the east side up to the central courtyard of the fortress. It was already in operation by the early 16th century, which would make it the oldest cable railway – or perhaps the oldest railway of any kind – still in existence. The cars then were equipped with wooden wheels and ran on wooden rails, and human or animal power was used to pull them to the top with hemp ropes. I pity whomever was called upon to provide the motive force, because the gradient is 65%. This situation prevailed until 1910, when the railway was updated with steel rails, steel cables and an electric motor for traction. It has only one car, which can carry 3 passengers or 2,500 kilograms (5,500 pounds) of freight.

The Hohensalzburg, sitting atop the Festungsberg (Fortress Mountain) at an altitude of 506 meters (1660 feet), is one of the largest medieval castles in Europe. Although there was a Roman fortification atop the hill in ancient times, construction of the medieval fortress began in 1077 under Archbishop Gebhard von Helfenstein. During the Investiture Controversy, which pitted the Holy Roman Emperor against the Roman Catholic Papacy, Gebhard was a supporter of Pope Gregory VII against Emperor Henry IV. Fearing the prospect of Henry’s wrath, and anticipating the need to defend his realm against Imperial forces, Gebhard had a basic motte-and-bailey castle – a bastion or keep with wooden walls – built atop the Festungsberg. It did him no good; Henry chased Gebhard out of Salzburg and installed an anti-archbishop in his place. (Gebhard eventually regained his archbishopric in 1086 with the support of the powerful Duke of Bavaria.)

The fortress was greatly expanded in the 15th and early 16th centuries, just in time for the Reformation. This was fortunate for Prince-Archbishop Matthäus Lang von Wellenburg, Prince-Archbishop from 1519 to 1540, who was besieged in the fortress in 1525 by local insurgents — the only time the fortress came under siege during its entire existence. Lang, a strong supporter of the Catholic Church and Emperor Charles V, had made himself unpopular in Salzburg, and a group of miners, peasants and townspeople wanted to get rid of him. But they failed to take the fortress, and the Archbishop called in help from outside to suppress the revolt. During the Napoleonic Wars, in 1800, French troops took the fortress, but they did not need to besiege it, because it was surrendered without a fight, and the last Prince-Archbishop, Hieronymus von Colloredo, Mozart’s nemesis, ran away to Vienna. Unfortunately Mozart was no longer alive to savor the Archbishop’s discomfiture.

After the Napoleonic Wars, with the imposition of direct Habsburg rule on the former archbishopric of Salzburg, the fortress became Imperial property and was used as a military barracks, storage depot and prison until 1861, when the government turned it over to the city of Salzburg. After the building of the Festungsbahn funicular railway in 1892, it became a major tourist attraction. However, during World War I it was again used as a prison, this time for Italian prisoners of war; and again in the 1930s, when the Austrian government incarcerated unruly Nazis there until the Anschluss of 1938, after which the inmates took over the asylum, in effect.

Since World War II, Hohensalzburg has become one of the pre-eminent tourist magnets in a city which is full of fascinating attractions. The fortress contains several enticing museums, which I would have loved to visit, but I only had enough time to do a superficial walk-through of the passages and courtyards. Even that took over an hour; I could have spent an entire day there. The Prince’s Chambers in the Hohe Stock are said to be quite impressive; on the ceiling of one room, the Golden Chamber, is a simulation of the night-time sky, consisting of gold stars on an azure background. I also regret to have missed the Salzburg Bull, which is not a bovine but a 500-year-old wheel-driven auto-playing barrel organ. But you can see and listen to it, as I did, on YouTube, via the fortress’ website.

The Salzburg Bull was installed during the tenure of Prince-Archbishop Leonhard von Keutschach, who was responsible for a number of major improvements to the fortress. There is a monument to him in the wall of St. George’s Chapel in the main courtyard of the fortress. He was elected Archbishop in 1495, and proved to be a highly effective administrator; during his reign Salzburg became one of the richest principalities in Europe. He stabilized the archbishopric’s finances and undertook important economic initiatives, including the reorganization of the salt trade and the development of silver and gold mining. He strengthened the defenses of the city and the fortress, and had several new castles built in his domains to improve its security.

But there was a dark side to his reign also. In 1404 the Jews had been expelled from the city, but since then had been allowed to return; Leonhard expelled them again and destroyed their synagogues. In 1481 Holy Roman Emperor Frederick III had granted the citizens of Salzburg the right to elect their own city council and mayor, a reform which was most unwelcome to the Archbishops. But Leonhard found a solution to that: in 1511 he invited the city officials to a posh banquet, where he had them clapped into prison and held there until they agreed to renounce the rights granted by the Emperor. He was also notorious for nepotism, placing his relatives in important positions throughout the archdiocese. Perhaps on account of these transgressions, in 1514 the Pope appointed a coadjutor to the archbishop. A coadjutor in the Roman Catholic Church is a kind of co-bishop appointed to assist in the administration of the diocese, and perhaps to keep an eye on the bishop if he is thought to be in declining health, or is incompetent or suspected of malfeasance. A coadjutor also has the right to succeed the current bishop on his retirement or death. Leonhard von Keutschach’s coadjutor was Matthäus Lang von Wellenburg, and the two did not get on well. The situation was resolved, however, when Leonhard died in 1519 and Matthäus Lang succeeded him.  As I have already noted, Lang was no more popular with the citizenry of Salzburg than his predecessor, but he greatly benefited from Leonhard’s upgrades to the fortress, which helped him to weather the revolt of 1525.

Two of Leonhard’s predecessors, Burkhard von Weisbriach (1461-1466) and Bernhard von Rohr (1466-1481), had already made some significant additions in 1462, consisting of ring walls and towers. Leonhard picked up where they had left off, adding new walls and towers, strengthening the existing ones, and installing cisterns to safeguard the water supply. He was also responsible for the creation of the luxurious Prince’s Chambers in the Hohe Stock, for the construction of St. George’s Chapel, and for the acquisition of the Salzburg Bull organ. The Reisszug cable railway was established during his tenure. It was in his time that Hohensalzburg essentially acquired the form in which we see it today.

In addition to all the other enhancements he sponsored, Leonhard gave the fortress a new coat-of-arms, with a rather whimsical design taken from his own coat of arms, which depicts a lion and a turnip. The turnip was part of the von Keutschach family heritage; their coat-of-arms displays a white turnip on a black field. Although the coat-of-arms is displayed prominently on the wall of the chapel, I missed it and didn’t get a photo, but a good one can be seen on the Hohensalzburg page of the Exploring Castles website.

As one might expect, the views of the city and countryside from the parapets of Hohensalzburg are magnificent, and I did my best to shoot a full 360-degree panoply of photos in the limited time I had.

The view to the north overlooks the Aldstadt, the Old City, in the foreground, with the Cathedral, St. Peter’s Abbey, the Franciscan Church and the University Church all prominently in view. Behind them the Salzach River winds through the city, heading toward its rendezvous with the Inn River far in the north. Across the Salzach one may discern the major landmarks of the Neustadt: the Kapuziner Kloster – Capuchin Monastery – on the Kapuzinerberg; the Dreifaltigskeitkirche (Holy Trinity Church), a Baroque church with a large dome; the Andräkirche (St. Andrew’s Church), a neo-Gothic church on Mirabellplatz; and, of course, the Mirabell Palace with its gardens.

Immediately to the west lies Mönchsberg – Monks’ Mountain – named after the monks of St. Peter’s Abbey. It extends 500 meters () from the Festungsberg and is 508 meters ((1667 feet) high at its highest point, but its top is a plateau rather than a peak. It is largely unspoiled, with extensive woods and meadows and many hiking trails, making it a popular recreation area for locals as well as a tourist magnet. It has a number of picturesque old fortifications and several small palaces, including the Marketenderschlössl, formerly owned by the Catholic Pallotine Order but now a study center run by the University of Redlands in California. As I have noted in my previous post, half of the Salzburg Museum of Modern Art (Museum der Moderne) is also located on the Mönchsberg.

To the east of the fortress may be seen the Nonnberg Abbey, where Captain von Trapp and Maria from The Sound of Music were married in real life; the Sportunion Sportplatz and the Sportzentrum Salzburg Mitte, a sports complex; the Nature and Life-Sciences Department of the University of Salzburg; and various other educational institutions.

The most stunning views for me were toward the south. That way lay the Berchtesgaden Alps, Untersberg, and the Tirol. The south view was filled by the Untersberg massif, with its lopsided peak of Berchtesgaden Hochthron. To the southwest and southeast, the Alps seem to march off endlessly into the distance.

At the foot of the Festungsberg, beneath the fortress ramparts, there is a broad squarish green space with a solitary small house in the middle. I found out later that this was the Krautwachterhaus (“Vegetable keeper’s house”), so called because from the time of its construction in 1380 down to the 19th century it was the dwelling of the caretaker of the vegetable gardens of St. Peter’s Abbey. The vegetable gardens are now a park called Krauthügel (“Veggie Hill”), and the house is a monument protected by law. There is also a local legend that the house has no other dwellings near it because it once belonged to the city executioner, and nobody wants to live near an executioner; but this is apocryphal.

The park is also the site of the Krauthügel Art Project. Supposedly, every summer an artist affiliated with the Project creates a new work of art and displays it there. What I saw was a figure made of lines of white material – it turned out to be concrete – taking the shape of a square, with lines running from the edges of the square and forming a design in the middle. I had no idea what to make of it, but from later research I discovered that the name of the artwork is “Fallen Star,” and that is what the design in the middle is supposed to represent. The artist is an American, Paul Wallach, who lives and works in Paris. From my high perch on the parapets of Hohensalzburg, I could see no evidence of any other artworks in the park, and it seems that the Fallen Star has been there since 2018.

After descending from the fortress, again via the Festungsbahn, I had about a half-hour to get back to the rendezvous point at Marko Feingold Bridge by the appointed time of 3:45, so my picture-taking time was limited to quick pauses along the way. However, I did manage to see Kapitelplatz, which I had missed on the way in. This is the square just south of the Cathedral, and there I encountered a huge golden ball resting on an iron frame with a man standing on top clothed in what appeared to be dark pants and a flannel shirt. This is the Salzburg Sphaera, a work of art by the German sculptor Stephan Strahlhol (or Stangenhol, or Balkhol — he evidently goes by several different family names and nobody seems to know which is the real one). I felt sorry for the man standing immobile on top all day until I realized that he is just a statue of Paul Fürst, the confectioner who created the Mozartkugel in 1890, and the golden ball (Goldene Kugel in German) is a grandiose facsimile of a Mozartkugel. The Goldene Kugel, is made of reinforced fiberglass, weighs 2 tons, and sits on a wrought-iron frame weighing 3.5 tons. The statue on top weighs 300 kilograms (661 pounds) and the whole ensemble is 9 meters (30 feet) high.

There is no fence or other barrier around the Goldene Kugel and the lower part of its surface is within easy reach of a person standing next to it, so of course that expanse of the ball – which, if the ball were the Earth, would be about the area within the Antarctic Circle – is covered with graffiti. However, the graffiti extend up much farther than that, up to about the Tropic of Capricorn, 23° 26′ 22″ south of the Equator, so some people must have had ladders or stood on others’ shoulders to write their graffiti. The most prominent graffito was by someone from the city of Yaroslavl in Russia (a place which I visited in 1973 and where I walked on the ice-covered river Volga) and consists simply of the inscription “YAROSLAVLЬ 09.07.2019”. (The character Ь at the end of the city name is the result of a misguided attempt to retain the final Russian letter while transliterating the name into Latin letters. The usual way to represent the Russian letter Ь in Latin type is with an apostrophe, so the city name would come out as Yaroslavl’.)

Threading my way back to the rendezvous point through the narrow streets of the Altstadt to the Marko Feingold footbridge, I encountered a number of tempting establishments I would have loved to patronize if there had been time. On Goldgasse I passed a gin bar named the “5020 Destillerie” where the gin is distilled on the premises, and they will make drinks to go, which would probably be illegal anyplace in the USA. On Judenstrasse I came upon a café named the Goldene Kugel, after the artwork in Kapitelplatz. Looking it up online afterward, I found that it gets generally good reviews.

I made it back to the rendezvous point on time, boarded the bus and slept most of the way back to the ship. Thus ended my second visit to Salzburg, which turned out to be far more pleasant and edifying than the first.

Categories
Danube River Cruise, June 2023 Adventures Abroad

Salzburg, June 21, 2023: Morning

I have to confess that I was a bit apprehensive about going to Salzburg, because on my first visit there I had become a wanted criminal, and I was concerned that I would be recognized and detained in one of the dungeons of its grim fortress, never to see daylight again.

Let me relate the circumstances. In June, 1964 I had joined a small party of fellow-students at the Institute for the Study of the USSR in Munich, Germany, who wanted to go on a trip to Italy in a Volkswagen beetle. We set out and somehow found ourselves in Salzburg, where we decided to stop for lunch. We investigated this one place – I don’t remember what it was called, but I do remember it had a terrace, as well as a large parking lot. For some reason, we decided not to have lunch there – maybe it was too crowded, and we didn’t want to wait – so we got back in the car and started to drive away. On our way out we slightly sideswiped a Mercedes, putting a dent in the bodywork. The owner of the Mercedes was having lunch with several other people on the terrace, and they all jumped up and began shouting for us to stop and wait for them to come so they could get our insurance information. Instead we got the hell out of there as fast as we could, and made it to Italy and back to Munich without being detained in Austria.

Okay, I wasn’t really worried that the local police would recognize me after 59 years or even that they had any record of the incident after so long. But it was an unpleasant experience and I did not have a good memory of the city, or especially high expectations for my second visit. But Salzburg not only exceeded expectations; my visit there proved to be one of the most memorable experiences of the Danube cruise.

To be sure, Salzburg is not on the Danube. It is in the Alps of Upper Austria, 120 kilometers and a two-hour bus ride from the river. The Monarch Queen docked at Aschach, a small town west of Linz, to let us catch the bus for Salzburg, while it went on to Passau. Those who did not go on the Salzburg excursion got to see Passau that day instead. Sandie, unfortunately, was not feeling well enough to do either and stayed on the boat.

After an hour or so on the road, the bus stopped a rest area by a lake named Mondsee, where there is also a town by the same name. The rest area had a gas station and a nice motel, the Landzeit, with a restaurant. Mondsee is in the Salzkammergut, a resort area in Upper Austria east of Salzburg. I should mention that on the previous night (June 20) the Monarch Queen had entered Upper Austria, which is so named simply because it lies upstream on the Danube from Lower Austria. Both are separate states of the Republic of Austria, and so is Salzburg (the others are Vorarlberg, Tirol, Styria, Burgenland, Vienna and Carinthia).

The Salzkammergut is not an official administrative division of Austria but rather a vaguely defined region of salt mines – the name Salzkammergut means “salt demesne” – which were formerly owned and operated by the Hapsburgs. Salt was a very important commodity in pre-modern times because its sources, in inland areas, were relatively few and often remote from the consumers, so it had to be shipped long distances, making it expensive. In Europe salt-mining and sale was frequently a royal monopoly and a lucrative source of income for the rulers. So it was in Salzburg, which owes its name (meaning “salt-castle”) to its control of the salt trade on the Salzach River.

Mondsee, the lake, is on the border between the states of Upper Austria and Salzburg. The lake is about 9 miles long, is privately owned, and the owner, Nicolette Wächter, has put it on the market for 16 million euros.

It was in Mondsee that we would start hearing what would prove to be continual references to the musical The Sound of Music. Although I had seen the 1965 movie starring Julie Andrews and Christopher Plummer, I was not a great fan of it and didn’t remember much about it. I had indeed forgotten that the movie was set in Salzburg and partly filmed there. I was soon reminded. As the bus passed the town of Mondsee on the A1 highway, our guide noted that the wedding scene between Captain Trapp and Maria in The Sound of Music was filmed in the medieval cloister church of Mondsee Abbey. (In real life they were wed in Nonnberg Abbey in Salzburg.)

From then on, allusions to The Sound of Music hardly ceased. Our tour bus dropped us off at Mirabell Palace, a 17th-century Baroque affair with ornamental gardens. There we learned that the steps we had just come down from the street to the garden, and the stunning Pegasus fountain nearby, were a setting for a scene in which Maria and the children sang “Do-re-mi” dancing around the fountain and using the steps as a musical scale.

The builder of Mirabell Palace, Prince-Archbishop Wolf Dietrich von Raitenau (1557-1617), was a picturesque character who deserves some mention. He was elected archbishop in 1587 and, as an adherent of the ideas of Niccolò Machiavelli, ruled Salzburg as an absolutist Renaissance prince, with lavish expenditures on art and construction projects. His misfortune was that this was no longer the era of the Renaissance but of the Catholic Counter-Reformation. At first he enforced the measures of the Counter-Reformation rigorously, establishing the Capuchin Monastery as a stronghold against the Reformation and expelling the Protestants from his domain, but in the later years of his reign he relaxed his earlier posture, much to the dismay of the Vatican. In 1606, he built a palace on the north bank of the Salzach River for his mistress, Salome Alt, with whom he had fifteen children. But a few years later, he ran afoul of a much more powerful potentate, Duke Maximilian I of Bavaria, whom he challenged for control of Berchtesgaden. Maximilian prevailed, and Wolf Dietrich was deposed and imprisoned. His successor, Mark Sittich von Hohenems, booted Salome and her children out of her palace, and then renamed it Mirabella. In the next century, the palace was rebuilt in the Baroque style, and again in 1818 in Neoclassical fashion, giving it its present-day appearance.

We did not visit the interior of Mirabella Palace owing to lack of time, so we missed the acclaimed Marble Hall, which used to be the archbishop’s banquet and concert hall, and is now used for the same kinds of events by both public and private groups. Mozart performed there for his boss, Archbishop Hieronymous von Colloredo, whom he despised. It is still considered one of the most beautiful concert halls in the world.

From the palace, we proceeded south along the parterre of the Mirabell Gardens. The gardens were created somewhat later than the palace, in the late 17th century, during the administration of Prince-Archbishop Johann Ernst von Thun. Von Thun hired the noted architect Johan Bernhard Fischer von Erlach, a celebrated Baroque artist, for a number of projects in Salzburg, including laying out the Mirabell Palace Gardens, and he was responsible for the dominant feature of the parterre, the Four Elements Fountain. This consists of an octagonal basin with a single fountain in the center spewing a tall column of water vertically; around the fountain there are four groups of statues, depicting figures out of Greek mythology who are supposed to represent the four elements known to the ancients – Earth, Air, Fire and Water. The relationships between the elements and the statues are somewhat obscure in the absence of explanation, which I have provided in the captions of the pictures in the gallery following.

Farther south, there are two more groups of statues of ancient Greco-Roman deities, standing on two sets of stone balustrades that enclose the south end of the Mirabell Gardens. There is an inner balustrade for the goddesses and an outer one for the gods; both are split into two segments by the exit walkway. I photographed only the goddesses on the inner balustrade since the outer balustrade is screened by trees. All of the statues may be seen on the Salzburgwiki page for Mirabell Gardens, along with a more complete description of the Gardens than I can convey here.

In addition to the gods and goddesses, there are four statues on pedestals depicting pairs of fencers facing one another as if dueling across the exit walkway. Actually, these are identical replicas of a single ancient Greek statue found in 1611 in Italy. They are known as the Borghesian fencers because the original was housed for years in the Borghese villa in Rome. It is now in the Louvre in Paris, no doubt stolen by Napoleon.

Passing between the dueling fencers, we emerged onto Makartplatz, one of the major squares of the city. It has a number of attractions, including the historic five-star Hotel Bristol; the Salzburg State Theater; the birthplace of the conductor Herbert von Karajan; and a house where the Mozart family lived from 1773 to 1787 in a spacious 8-room apartment, now a museum. However, we did not tarry in Makartplatz, but went on to cross the Marko Feingold Steg, a pedestrian bridge across the Salzach River.

The Salzach River flows from south to north, but as it enters Salzburg it takes a turn to the northwest, then resumes a more northerly course as it leaves the city. Thus the Marko Feingold Steg crosses the river in a north-south orientation. The district on the northeast side of the river, where the Mirabell Palace and Makartplatz are located, is known as Neustadt, the New City. We were about to cross to the southwest side, which contains the historic heart of Salzburg and is known as the Altstadt, or Old City. And it really is old; it was an important town in the Roman province of Noricum, and it has been the seat of a Roman Catholic archbishop since the 8th century. After the collapse of the Western Roman Empire in the 5th century, it came under the rule of a German tribe, the Baiuvarii, the ancestors of the Bavarians, who then became Christianized and were eventually integrated into the Holy Roman Empire. Salzburg remained under Bavarian rule until the 14th century, when the archbishopric became an autonomous ecclesiastical principality of the Holy Roman Empire, with a Prince-Archbishop as its ruler. It remained so until 1803, during the Napoleonic Wars, when it was secularized and placed under the direct rule of the Austrian Emperor.

Neustadt came into its own during the 19th century, when the old defensive works which had protected Salzburg were demolished and the area which they were occupied was then redeveloped as a residential district.

The Marko Feingold Steg was built in 1904 as an Art Nouveau-style iron bridge, named Makartplatz Steg. I’m guessing that the original must have been destroyed in World War II, because the latest iteration, built in 2001, is a simple concrete span with chain-link fences. Its salient feature is the enormous number of locks fastened on the chain links by lovers, similar to the Fishermen’s Bastion in Budapest. It appears at first glance that every link of the fence is festooned with at least one lock, and yet a closer look reveals that there is still plenty of room for more.

The Marko Feingold Steg also displays ten or so placards at intervals along the fences. These have an educational purpose, namely to remind people of World War II and the Holocaust. They are also associated with the person for whom the bridge is named, a Jewish survivor of the Holocaust who came to live in Salzburg after World War II. Marko Feingold was born in 1913 in a town which was then in Austria-Hungary but is now in Slovakia. He was arrested in Vienna in 1938, escaped, was recaptured and deported to Auschwitz, but then transferred to other camps, ending up in Buchenwald, where he was liberated in 1945. Settling in Salzburg, he because a pillar of the local Jewish community, serving twice as its president. He also organized efforts to help other Holocaust survivors to emigrate to Palestine, in defiance of restrictions imposed by the British mandate authorities who then controlled (or thought they controlled) Palestine. He died in 2019 at the age of 106, after which the Makartsteg was renamed in his honor.

The Marko Feingold Steg is a very busy bridge, with about 20,000 people crossing it every day. The placards on the bridge inform them, among other things, that the Displaced Persons camps in which the Holocaust survivors were housed had been established by the Nazis as prisoner-of-war camps in World War II; that emigration to Palestine was illegal under the British Mandate until the establishment of Israel in 1948; and that schools were established in the camps for Jewish children, many of whom were too young to know what school was.

Our tour guide stopped at the bridge to give us a break and to inform us that we were to meet up there at 3:30 PM to board our bus to Passau, and that if we missed the bus, taxi drivers charged 500 euros for the same trip. Great views can be had from the Marko Feingold Steg and from the riverbanks nearby, and I made the most of the opportunity to capture them with my camera.

Resuming the tour, our guide led us through the narrow streets of the Old Town, past elegant (and pricey) boutiques and restaurants, to Hagenauerplatz, the location of the house in which Mozart was born in 1756 and lived until 1773, when the family moved across the river to Makartplatz.

A block away from the Hagenauerplatz is the Universitätsplatz, which as you might expect is is the site of the University of Salzburg, founded in the early 17th century. The university’s parish church, called the Kollegienkirche, or Collegiate Church, fronts on this square. Completed in 1707, it is a late Baroque church with white walls, a masterpiece of the architect Johann Bernard Fischer von Erlach, who as we have seen also laid out the Mirabell Palace Gardens. The University of Salzburg itself was founded in the early 17th century. A churchyard would seem to be an unlikely place for a farmers’ market, but it is indeed the site of the Grünmarkt (Green market), a traditional farm market established in 1857 – although having long since become a tourist attraction, it is said to have lost its authenticity.  More interesting to me were some of the burgher townhouses around the square, which date from the 14th century or even earlier, but have been restored many times since then and equipped with Baroque façades.

On the east side of Universitätsplatz is Sigmund Haffner Gasse. The name caught my attention because I knew that Mozart’s Symphony No. 35 was nicknamed the Haffner in honor of one of his patrons. It turns out that the street is one of the oldest in Salzburg, dating from 1140, although presumably it did not always bear the name, because the Haffners only became established in Salzburg in the 18th century. Sigmund Haffner the Elder was a wealthy businessman and mayor from 1768 until his death in 1772. The Haffner Symphony began as a serenade written for the ennoblement of his son, Sigmund Haffner the Younger, in 1782; in 1783 Mozart reworked it into a symphony which enjoyed a successful premiere in that year.

The Sigmund Haffner Gasse is the location of several noteworthy Salzburg landmarks, including the Franziskaner Church, a Gothic edifice built in the thirteenth century; the Gasthof zum Elefanten, an inn dating back to at least 1604; the Ritzerhaus, a building which was first documented in 1294 and since 1492 has hosted Austria’s oldest bookshop; and the Museum der Moderne (Modern Art Museum) at the Rupertinum, the Old City counterpart to the clifftop Museum der Moderne on Mönchsberg Mountain, which we had seen from the Marko Feingold footbridge.

From Sigmund Haffner Gasse the short street called Churfürststrasse leads to the Alter Markt (Old Market) square, the location of what is often billed as the oldest coffeehouse in Austria, the Café Tomaselli. What actually happened is that in 1700 a French immigrant, Jean Fontaine, opened a coffee bar on the nearby Goldgasse, called the Cafegewölb (“Vaulted Café“) Fontaine. After he passed away, the place changed hands several times, until it was purchased by Anton Staiger, who happened to be the major-domo to the Archbishop of Salzburg. The well-connected Staiger moved the coffeehouse to its current location in the Alter Markt in 1764, and under his aegis it became the “happening” place, frequented by the town elite, including Wolfgang Amadeus Mozart. It remained the Café Staiger until 1852, when Carl Tomaselli bought it and renamed it after himself. The café has remained in the hands of the Tomaselli family ever since, except for a period after World War II when it was commandeered by American occupying forces, who renamed it the “Forty-Second Street Café.” It was returned to the Tomasellis in 1950.

But the Alter Markt is also home to another, almost equally famous establishment, the Café Konditorei Fürst. In 1884, Paul Fürst opened a patisserie across the square from Café Tomaselli, in a building which had existed since 1391. In 1890, he invented the Mozartkugel, a confection with a core of marzipan coated with pistachio and nougat before being dipped in chocolate. Fifteen years later he was awarded a gold medal at an international exhibition in Paris. I’ll have more to say about the Mozartkugel when I come to the Kapitelplatz.

The Alter Markt is also the location of the narrowest house in Salzburg, and perhaps in the world. It is located next to the Cafe Tomaselli and is only 1.42 meters wide. It was built in the mid-19th century to close off a narrow alley. It now houses the Henri J. Sillam jewelry shop.

In the middle of the square is the Fountain of St. Florian, which has been there since 1488, when it replaced an even older fountain. However, the statue of St. Florian von Lorch on top was only added in 1734. St. Florian, a third-century martyr, is the patron saint of chimney sweeps, soapmakers and firefighters, not to mention Poland, Linz and Upper Austria.

Just as we were leaving the Alter Markt and crossing into the Residenzplatz, I spotted a miniature square tower standing on the sidewalk in a corner. It had a tall glass window on each of the four sides and an elaborate weather vane on top, and appeared to be mostly covered with gold. This turned out to be the Salzburg Wettersäule, or Weather Column, a mini-weather station erected in 1888, with instruments reporting the temperature, pressure and humidity displayed behind the glass windows. It was amazing to me that such a beautiful, and obviously costly (even if the gold isn’t real) object could be on public display, absent any apparent security, for so long without being vandalized or stolen.

The Residenzplatz is so named because for centuries it was the site of the Archbishop’s palace, or Residenz. There is an Alte Residenz, or Old Residence, and a Neue Residenz, or New Residence; both are located on Residenzplatz. The Alte Residenz has been in existence since 1120, when the Archbishop moved out of St. Peter’s Abbey; in the 16th century it was rebuilt as a Renaissance palace under the auspices of Wolf Dietrich von Rathenau, whom we have met earlier in connection with Mirabell Palace. Down to the end of their rule in 1803, the Prince-Archbishops continued to expand and enhance the palace, adding refinements such as a Baroque façade and new wings, exploiting its magnificence to the full to project their power and grandeur. After taking over Salzburg in 1803 the Habsburgs appropriated the Residenz for their own use. Nowadays it houses a renowned art gallery, the Residenzgalerie.

The Neue Residenz was begun in 1588 under Wolf Dietrich von Raitenau, who initially used it as housing for his relatives; later it served as a supplementary venue for state functions and public ceremonies. It was initially built with a 5-story tower, which Archbishop von Thun turned into a bell tower in 1702, equipping it with a carillon. Since 2005 the Neue Residenz has housed the Salzburg Museum, which is devoted to the artistic and cultural history of the city and its province.

Between the Alte and Neue Residenz, in the middle of the Residenzplatz, stands a striking fountain, the Residenzbrunnen. Thought to be the largest Baroque fountain in Central Europe, it was erected in the 1650s and is made of Untersberg limestone, as are many of the historic structures in Salzburg. Untersberg is a mountain sixteen kilometers south of Salzburg that straddles the border between Germany and Austria. It has a distinctive lopsided peak and is famous as the setting for scenes from The Sound of Music, including the one in which the von Trapps escape over the mountain to Switzerland. However, if the real Trapps had actually gone that way, they would have found themselves in Berchtesgaden, Germany, not Switzerland.

The Salzburg Dom, or Cathedral, is located on the south side of Residenzplatz. The main entrance is on the west side of the Cathedral, which has its own square, the Domplatz. To the south of the Cathedral is another expansive square, the Kapitelplatz.

There had been a cathedral in Salzburg since the 8th century CE, but the present cathedral was built in the early 17th century at the instigation of Wolf Dietrich von Raitenau, who hired the Italian architect Vincenzo Scamozzi to design a completely new Baroque version. The new cathedral was actually built under Wolf Dietrich’s successors and consecrated in 1628.

The cathedral is built of dark grey stone with façade and ornamentation of white Untersberg marble. On the day I visited, the façade was partially obscured by a scaffolding set up to stage the play Jedermann (Everyman), by Hugo Hofmannsthal, a modern version of a medieval morality play first performed in 1911 and now a traditional part of the Salzburg Festival. Known as Salzburger Festspiele in German, this festival, held annually for five weeks starting in July, features music and drama performances, especially the operas of Mozart. Because the scaffolding blocked the frontal view of the cathedral entrance, I shot a side view instead, focused on the four sculpted figures on pedestals flanking the portals: Saint Rupert (c. 660-710 CE), first bishop of Salzburg and abbot of St. Peter’s, who laid the foundations of the first cathedral; Saint Peter, holding the keys to heaven; Saint Paul, holding a sword; and Saint Virgil (c. 700-784), an Irish-born monk who became bishop of Salzburg in the eighth century and completed the cathedral begun by Rupert.

Out in front of the cathedral, beyond the scaffolding in the middle of the Domplatz, I found the Maria Immaculata (Immaculate Mary) column, erected in 1771, which depicts the Virgin Mary enthroned on a mountain of clouds and a globe made (of course) of Untersberg marble. She is surrounded by allegoric figures representing angels, the devil, wisdom, and the Church.

By now it was getting close to 1 o’clock in the afternoon, time for lunch. The walking tour had been precisely calculated to put us at St. Peter’s Abbey, next to the cathedral, at that time. We entered the abbey courtyard under an arch decorated with a gorgeous fresco, created by whom I’ve not been able to determine, then went through a doorway and climbed the stairs to the second floor, where we were welcomed to the St. Peter Stiftskulinarium, claimed to be the oldest restaurant still in existence in the world. The claim is based upon a vague reference in a document written in 803 by Alcuin of York, an English scholar who served both Emperor Charlemagne and the Bishop of Salzburg, and may or may not be true. But whether St. Peter’s is really the oldest restaurant in the world, I didn’t care. The food and drink were excellent and the ambience of the place was superb, and I was delighted to enjoy a meal in such an historic and illustrious establishment.

Lunch lasted from 1 to 2 in the afternoon, and afterward we were free to explore Salzberg at leisure. But we didn’t have much leisure, because we were due back at the Marko Feingold Steg at 3:45 to board our tour bus back to Passau, and nobody wanted to risk missing the bus and spending 500 euros to get back to the Monarch Queen in Passau. But I made the best of my one hour and forty-five minutes of free time, and since this post is already too long, I’ll start a new one to wrap up my stay in Salzburg.