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Japan, April 1996

Miya Jima, April 18, 1996

Miya Jima is a small island across the bay from Hiroshima. It is the site of Itsukushima Shrine, one of the most famous in Japan, and a place of spectacular beauty.

One reaches Miya Jima by taking a ferry from Hiroshima harbor. The trip takes less than half an hour and is worth going on in itself.

Itsukushima Shrine is most famous for its “floating torii,” the red-orange gate built a few feet off the shore which at high tide appears to be floating in the water. At low tide, one can see the base anchored in the mud of the sea bottom. The buildings of the shrine itself extend over the water, constructed on piles driven into the sea bottom. I would guess that in a few years their interiors will be flooded by rising sea levels. The torii and the shrine proper present a striking appearance as one approaches the shore and are equally stunning as seen from the shore itself.

At the water’s edge near the shrine, I encountered sika deer being fed by local women. As in Nara, the deer are considered sacred – indeed, so is the entire island, and everything on it. For example, trees are sacred and may not be cut down.

The island is also part of Setonaikai National Park, the largest national park in Japan, a huge area which encompasses 3,000 islands and the waters around them.

After touring the shrine, I wandered about the paths of the lower island for a while before taking the sacred cable car to the top of the sacred mountain, Mt. Mizen. Early on I encountered a colorful statue out of a comic book, looking somewhat like a pirate, who appeared to be directing traffic or, more likely, telling cars to turn around and go home. I never found out who this figure was supposed to represent, but he was a welcome relief from the general solemnity of the shrines.

Shortly afterward I came across Toyokuni Shrine with its striking red five-story pagoda, built in 1407, which I had glimpsed earlier from the ferry. It stands near the Senjokaku Pavilion, the largest building on Miyajima; its name means “Thousand-tatami pavilion.” Its construction was initiated by Hideyoshi Toyotomi (the “Taiko” Nakamura of Clavell’s novel Shogun) in 1598 as a place for chanting Buddhist sutras for Japanese warriors killed in battle in his many campaigns. Hideyoshi was the second great unifier of Japan at the end of the chaotic Sengoku Jidai period of the 16th century; he was a talented general of peasant origin who quickly put down the rebellion of Akechi Mitsuhide, assassin of Oda Nobunaga, and in short order repeated Nobunaga’s achievement in bringing the powerful warlords, the daimyo, to heel. Then, in 1592, to keep the daimyo occupied and glorify himself, he undertook an invasion of Korea, conceived as a first step toward the conquest of Ming China and then of all East Asia, if not the world. After spectacular initial successes, the invasion was frustrated first by the decrepit but still functioning Ming government, which dispatched a relief army to the aid of the Koreans; and finally by the Korean navy, under Admiral Yi Sun-sin, which eventually destroyed the Japanese fleet, leaving the Japanese army stranded and unable to resupply itself. When Hideyoshi died in 1598, the regents who first took over from him ended the Korean adventure and discontinued work on the Senjokaku Pavilion, which was also left unfinished by the succeeding Tokugawa Shogunate. In 1872, following the Meiji Restoration, the Senjokaku was converted to a Shinto shrine and rededicated to the memory of Hideyoshi.

Near the 5-story pagoda and the Senjokaku Pavilion stands a small but elegant Shinto shrine, the name of which I never found out.

While wandering amidst peaceful rustic lanes teeming with cherry blossoms, I stumbled into beautiful Momojidani Park, famed for its more than 200 maple trees of several different species. In autumn, when the maple leaves turn red, yellow and orange, the park presents a riot of color. It is a mecca for picnickers and also has one of the loveliest bridges in Japan.

From Momojidani Park it was a hop, skip and a jump to the cable car terminus at the base of Mt. Mizen. (They call the cable car a “ropeway,” but the ropes are of course steel cables.) It has two stops, one halfway up the mountain and another near the top. I got off at the first terminal and took a stroll along the paths there, before continuing on to the upper terminal.

The observation deck at the top of Mt. Mizen affords breathtaking views of Hiroshima Bay and the Inland Sea.

I wandered around the paths near the summit of Mt. Mizen for a while. This was the area that the sacred monkeys – Japanese macaques – were said to frequent, and indeed there were signs posted cautioning visitors to be wary of them, not to feed them, not to approach them, and even to avoid looking them in they eye – apparently they tended to regard that as a challenge. I had no problems; the few monkeys I saw were not interested in me or much concerned about my presence, and went about their business as if I were not there. However, Dave Winter said it was much different when he was there; wherever he went, the monkeys were lurking and they always looked him in the eye – he couldn’t avoid it. Maybe it had something to do with the season or phase of the moon. I have since read, however, that in 2010 the authorities decided to round up and deport the monkeys from Mt. Mizen, Stalinist-style, without asking them their preference, and transplant them to the Japan Monkey Center in Aichi Prefecture, near Nagoya. Actually, there was some justification for this, because it has since been determined that the monkeys had been watching Planet of the Apes and had thereby been inspired to plot the overthrow and subjugation of humans. Unfortunately, evicting the macaques from Mt. Mizen did not succeed in foiling their schemes; more recently, in Yamaguchi, a city down the coast from Hiroshima, a serious of ominous attacks on humans by macaques has taken place. Should anyone be unduly perplexed by this, I would like to point out that monkeys are primates, closely akin to humans, and share many of the vices and foibles of that species, including a penchant for violence. Also, one may speculate that the radiation released by the atomic bomb in 1945 quite likely could be responsible for many mutations among the fauna of southern Honshu, including the macaques, who may have had their evolution thus accelerated to develop more advanced intelligence, and used it to conclude that maybe they should get rid of humans before humans exterminate all other primates as well as themselves.

I returned to Tokyo the next day aboard the super-fast Nozomi Shinkansen. While waiting at Hiroshima Station to depart, I shot a few pictures of the train in the terminal before boarding the train. To my surprise, there was someone asleep in the seat that my ticket assigned to me. I felt reluctant to wake him up and ask him to move, but fortunately just at that moment someone came up and asked me, “Can I help you?” This was a frequent occurrence in train and metro stations in Japan – people were extremely helpful and liked to practice their English – and I explained the problem, showing him my ticket with its seat assignment. He looked at it and said, “Oh, this is the Hikari. You want the Nozomi!” He thereby saved me from an embarrassing mistake – otherwise I might have found myself several hundred miles up the line on the wrong train, going to the wrong place.

The Nozomi sped me back to Tokyo at 180 miles per hour, covering the 821 km/513 miles in about five hours (stopping in Kyoto). I was able to shoot a few pictures from the train windows – mostly rather boring scenes of Honshu farmland, but at least I was able to verify that there are open spaces in Japan. Unfortunately I fell asleep and missed a great shot of Mt. Fuji, waking just in time to see it go by but too late to grab my camera and set it up for the picture before it disappeared from view.

I am quite disappointed that high-speed trains of the Shinkansen type have not caught on in the USA. Long-distance travel in the United States is far too dependent on airlines, which seem to be getting more crowded, expensive and unpleasant with each passing year. The high-speed trains I have taken in Japan and Europe are far more pleasant and comfortable to ride than any airplanes I’ve been on. It’s obvious that the vast distances of the North American continent limit the applicability of train travel to the longest trips, such as coast-to-coast. Yet for short and medium distances, such as LA to Las Vegas or San Francisco, trains would seem to be a far better choice than airplanes. Yet the California high-speed rail project, which was projected to enable travel from LA to San Francisco in 3 hours, has so far taken 14 years and $5 billion to lay tracks to…nowhere. Originally projected for completion in 2020, it’s now estimated to be on-line by 2030, but only from Merced to Bakersfield. More ambitious plans for a nationwide high-speed train network during the Obama administration foundered on a combination of inexperience, mismanagement and political opposition. Critics never tire of pointing out that the countries where high-speed rail has been successful generally have more centralized or authoritarian governments than the US, where the competing jurisdictions of federal, state and local governments, in addition to the cost of purchasing land from private owners, drives the cost of building high-speed railways to astronomical levels and dictates that rail travel will always be uneconomical compared with automobile and air. I don’t buy this. Autos and airplanes are currently dependent on fossil fuels, which are obsolescent and must be eliminated as a major energy source if humans are to survive on this planet. Even if electric cars and trucks replace gasoline and diesel-fueled vehicles, and hydrogen becomes a viable fuel for airplanes, trains make more sense in lots of ways.

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Japan, April 1996

Hiroshima, April 17-18, 1996

As a historian, an American and a citizen of the world, I felt an obligation to visit Hiroshima. I wanted to deepen my understanding of what had happened on the terrible day of August 6, 1945, and to pay homage to the thousands who died there as well as the survivors who continued to suffer from the effects of nuclear radiation and social discrimination. And I wanted to see how the city had recovered from the ghastly catastrophe inflicted on it.

I arrived in Hiroshima on the Shinkansen on a sunny April day and immediately found my ryokan, which was a short walk away. It was a very plain, unremarkable room, tucked away in a high-rise building, sort of a cross between a hotel and a traditional ryokan – the only traditional aspect I remember was that the floor was covered with tatami rather than rugs. I have no need for luxurious hotels in any case and I found it quite comfortable for the two nights I was there.

I had a memorable dinner in a tiny hole-in-the-wall restaurant near the hotel. It was a bar-and-grill type of place where you sit at on stools at the bar and the food is cooked right in front of you. The specialty of the house was oekenomiyaki, a type of pancake featuring all sorts of ingredients cooked together in a delicious melange. The oekenomiyaki were exceptionally tasty as well as inexpensive, and I downed them with beers, none of which I paid for; as soon as the other patrons noticed a gaijin in the bar they started buying me beers and continued to do so for the rest of the evening. I felt honored beyond measure and I’ll always be grateful for the hospitality and good feelings accorded to me in Hiroshima.

Next morning I began my explorations at the Genbaku (Atomic Bomb) Dome, aka the Hiroshima Peace Memorial. Prior to August 6, 1945 it was known as the Hiroshima-ken Sangyo Shoreikan, the Hiroshima Prefectural Industrial Promotional Hall, built in 1914. Since then it has been preserved in a state as close as possible to its condition immediately after the bombing: a ruined skeleton. The intent was to preserve it as an overwhelmingly powerful symbol of the destructive power of which humans are capable, but also as an expression of hope for peace and the ultimate elimination of nuclear weapons (and, I would add, of all weapons of war) from the world.  

The Industrial Promotional Hall was neither the intended target nor the actual ground zero of the atomic bomb. The intended target was the Aioi Bridge over the Ota/Motoyasu River, a few hundred feet away. The actual hypocenter was the Shima Surgical Clinic 800 feet to the east of the bridge and 490 feet east of the Industrial Promotional Hall. The bomb did not actually hit anything because it exploded 1,900 feet in the air over the hypocenter, but the blast leveled almost 70 percent of the buildings in Hiroshima and killed about 80,000 people, 30% of the city’s population. The Little Boy fission bomb dropped on Hiroshima was a primitive weapon by today’s standards, since only 1.7% of the fissionable material aetually ignited, a fact which would have been of little consolation to its victims. I mention this only to underline the apocalyptic nature of nuclear warfare and to reinforce the case for not engaging in it.

Whenever I saw happy schoolchildren like those in the following pictures I could not help thinking about other schoolchildren who perished on August 6 in Hiroshima and on August 9 in Nagasaki. I’d rather it didn’t happen again.

But the nuclear attacks weren’t really much different in their effect from the holocaust that occurred in the firebombing of other Japanese cities – such as Tokyo, where on March 9-10, 1945, the single most destructive air raid in human history resulted in the deaths of over 100,000 civilians. Such horrors might be considered just retribution for the Japanese invasion of China, during which millions of Chinese civilians and soldiers perished. But that leads into a long chain of cause and effect which involves the impact of 19th-century Western imperialism in East Asia and elsewhere, and I’m not going there. The point here, the lesson of Hiroshima, is that this madness has to stop. Nations have to learn to cooperate rather than destroy one another. Otherwise there is no future for humanity on this planet. Are you listening, Vladimir Putin?

The Hiroshima Peace Park, located on an island across the river from the Genbaku Dome, reinforces this message. It contains a museum and a number of monuments. Near the entrance of the museum is a clock with the hands frozen at 8:15, the time the atomic bomb went off.  The exhibits and information include coverage of events leading to the war, Hiroshima’s role in the war, and of course the bombing and its effects. 

In the center of the park is a cenotaph – an empty tomb commemorating people whose remains are buried elsewhere – honoring the victims of the bomb, whose names are recorded there. A concrete arch, representing a shelter for the souls of the victims, covers the cenotaph. There is a second cenotaph in the park for Korean victims of the bomb; there were some thousands of Koreans working as co-opted laborers in Hiroshima at the time of the bombing.

In front of the cenotaph there is also a Flame of Peace, ignited in 1964; it is supposed to continue burning until all nuclear weapons have been eliminated from the world.

There is also a Peace Bell, located in a gazebo in the park. Although it was donated by the Greek embassy, it is a Japanese-style bell cast in Japan. On it are inscriptions in Greek, Japanese and Sanskrit. Visitors are encouraged to ring it, which they do often.

The most poignant monument in the park is the Genbaku no Ko no Zō, the Children’s Peace Monument, built in 1958 with funds donated by Japanese school children. It commemorates all the children who perished from the atomic bomb, but especially Sadako Sasaki, a girl who was two years old when the bomb struck, and later died of leukemia contracted as a result of radiation exposure. Before she died in 1955, she undertook a project of folding a thousand origami paper cranes (senbazuru). In Japanese legend, the crane is a magical bird, living for a thousand years, and a person who folds one thousand origami cranes in a year will be granted a wish by the gods (in some versions of the legend, long life or eternal bliss). There is some uncertainty about whether Sadako completed the project before she died—family members say she did—but in any case she passed away at the age of 12, and the Children’s Peace Monument honors her memory. A statue of Sadako stands on top of the monument, holding a wire crane above her head. From the ceiling of the gazebo-like monument structure hang sheafs of paper cranes on strings, contributed by children from all over Japan and from around the world, and continually replenished as they succumb to the weather, and thousands more are stored in glass boxes around the monument.

While the Genbaku dome and Peace Park in themselves provide sufficient reasons for going to Hiroshima, there are other incentives also. Not the least important is the island of Miya Jima, across the bay from Hiroshima, but I am giving it a page of its own, so I’ll end this page with a few scenes from around the city. Some of these, representing views I was not able to see or photograph in person, are taken from photos I did not take personally but acquired by other means. Unfortunately I’m unable to give proper credit to the sources as I no longer have the originals from which the pictures were digitized.

I should note in passing that Hiroshima is also the site of the headquarters of Mazda Motor Corporation, though I was unaware of it at the time, so I don’t have any pictures to show for it.

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Japan, April 1996

Kyoto, Japan – April 15-16, 1996

Traveling to Kyoto, the old Imperial capital of Japan, gave me a chance to ride on the Shinkansen, Japan’s famous bullet train. The Shinkansen comes in two versions – the Hikari, which is very fast, and the Nozomi, which is faster yet and makes fewer stops. I took the Hikari to Kyoto, and although it was too late in the day to do much sightseeing, I did walk around a little in the Gion district, where I had booked my room at a modest but comfortable local ryokan, the Rikiya.

The next morning I got up and took a short train ride to Nara, spending the entire day there; the following two days I devoted to seeing Kyoto.

At Kyoto Station I had signed up for a morning walking tour conducted by a local guide who styled himself as Johnny Hillwalker, aka Hiruka Hajime. I met him, along with the rest of a party of 5-6 people, on a rainy, chilly spring morning at Kyoto Station. Johnny, a retired JNTO guide, proved to be a highly affable, entertaining and knowledgeable host, and of course his English was flawless. His fee was more than reasonable – I suspect that he did the tours more to keep fit and busy than to supplement his income.

The rain was pouring down as we began our walk; it didn’t dampen our spirits, but it did impede photography somewhat – I had to be careful to avoid flooding my camera, which was not waterproof. So I took fewer pictures than I would have preferred. Later in the day, when the sky began to clear, I made up for lost time.

The walk, if I remember correctly (it’s been a long time) lasted about 3-4 hours; we visited several temples, shrines, gardens and a few local shops such as bakeries and ceramics makers.

From Johnny Hillwalker I got good directions on how to reach the attractions I most wanted to visit, which were mostly far away in the northwest part of Kyoto – the railway station and Gion are in east-central Kyoto. In the meantime I picked up where the morning walk had ended and checked out some more of the sights in Gion.

Gion is the entertainment district of Kyoto, and it is inextricably associated in the popular mind with geishas (or geiko as they are known locally). I had no particular interest in meeting up with any geishas; I had done enough research – and absorbed plenty of sage advice from Dave Winter – to know that quality geisha performances were likely to be (a) very expensive and (b) mostly unavailable to Westerners, except wealthy or well-connected ones, and I was neither. But I did feel a need for at least some cultural exposure, and I had a free evening, so I bought a ticket for a performance at Gion Corner, which, in the words of one website, offers a “budget experience…a contrived one-stop shop for geisha entertainment open nightly from 6 p.m. that panders to tourists with tea ceremonies, puppets, flower arrangement, music and dancing.” As the description suggests, it wasn’t especially memorable, but neither did it bankrupt me at about $28.

The real glory of Kyoto is in its historical sites and artistic marvels. From 794 to 1868, when Emperor Meiji migrated to Tokyo, Kyoto was the seat of the Emperor and the cultural metropolis of Japan. (The stretch from 794 to 1185 is known as the Heian period, because the original name of Kyoto was Heian-kyo.) It still retains much of that aura, not least owing to the fact that it was spared the firebombing that destroyed Tokyo and other cities during World War II. This was thanks to Secretary of War Henry L. Stimson. When army generals proposed Kyoto as a first target for the atomic bomb, Stimson, who had honeymooned in Kyoto and was familiar with the city, forcefully quashed the idea, on the grounds that Kyoto was a repository of priceless cultural treasures and could not be bombed.

There are too many such treasures in Kyoto to see in a couple of days; it would have taken months to see them properly. I was able to visit and take pictures of a few of the sites I had heard most about, and you can see them here, along with a few shots of places I missed but picked up from other sources.

My ultimate destination in Kyoto, the one place I had come to see above all others, was the Zen rock garden known as Ryoanji. Along with the Alhambra in Spain, it was one of the two places in the world I wanted most to visit. I had first encountered Ryoanji in Edwin Reischauer and John Fairbanks’ college textbooks on Asian history, one of which actually had a picture of the garden; I had wanted to see it in person ever since. I find that the esthetic that elevates an assembly of plain, unadorned rocks to the epitome of artistic achievement has a powerful appeal. I lingered there for a couple of magical hours and shot more pictures of the shrine and the garden than of any other attraction I visited in Japan, and I’m giving it a special section as the culmination of my visit to Kyoto.

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Japan, April 1996

Nara, April 14

Nara was the capital of Japan, the seat of the Emperor, from 714 to 794, which is known as the Nara period. Subsequently the capital was moved to nearby Heian, which later became known as Kyoto. Today Nara is a medium-sized provincial city of 367,000 people.

Buddhism had arrived in Japan a couple of centuries earlier, and Nara became a major center of Buddhist worship; it still has many Buddhist temples and shrines. According to legend, Takemikazuchi – the god of thunder and swords – arrived in Nara riding on a white deer to take the city under his protection, and since then the deer have been regarded as sacred protectors of the city. They roam freely about the city, getting in the way of people and cars and soliciting food from passers-by, to whom vendors sell snacks for that very purpose. I didn’t feed them myself, but I enjoyed having them around.

I visited several Buddhist temples, of which the most prominent was Todai-ji, founded in 738. It contains the world’s largest bronze statue of the Buddha, known as Daibutsu in Japan.

Next to Todai-ji is the Isui-en Garden, which is noted for its use of “borrowed scenery”, meaning that the architects incorporated external elements, specifically the Nandaimon or South Gate of Todai-ji Temple as well as some of the mountains around Nara, when framing the landscape of the garden. It is a vast garden, occupying 13,500 square meters or 145,000 square feet, and is actually a combination of two separate gardens, the smaller dating from the 17th century and the other from 1899. Both were created by wealthy merchants and were bought and combined by a third businessman in 1939. The garden contains large ponds, fed by a nearby river, and a couple of pleasant tea-houses. I found this garden – among many others in Japan – immensely pleasing and soothing. I never cease to be amazed by the Japanese sense of esthetics, and nowhere is it expressed more eloquently than in their gardens.

Another great temple of Nara is Kofuku-ji, located not far from Todai-ji and Isuien Garden. I should emphasize that there are many more wonderful temples and shrines in Nara than these, and I regret that I didn’t have time to explore them all.

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Japan, April 1996

Nikko, April 13, 1996

At Dave Winter’s recommendation, I booked a trip to the resort town of Nikko, about a 6-hour train trip north from Tokyo. It’s a slow local train, not the Shinkansen; the ride is leisurely and fun.

Nikko is a popular tourist destination and I can certainly understand why. It is a beautiful place, set in a forest in the mountains, with rivers, waterfalls and hot springs aplenty. It is also the site of the mausoleum of Tokugawa Ieyasu, founder of the Tokugawa shogunate and one of the most significant figures in Japanese history.

I arrived in Nikko in the late afternoon of a sunny April day and was immediately whisked off in a Toyota Camry to my lodging, a traditional Japanese inn (ryokan), driven by the hostess of the establishment. Everything in Japan is expensive these days, and has been since the 1970s, but the ryokan’s rates were very reasonable, the room was plain but comfortable, and the meals were fabulous. At dinnertime I met a German tourist who was hiking through Japan on a six-week vacation from his business – he owned a printing company in Cologne. Like most educated Germans, he spoke excellent English (sadly I’ve forgotten most of my German) and we had a fun evening drinking sake and swapping lies.

Next morning I began my explorations of the Nikko antiquities. There are three main shrines at Nikko – the Toshogu, the Rinnoji Temple and the Futarasan. The most elaborate, and the one I devoted most attention to, is the Toshogu, the mausoleum of Tokugawa Ieyasu.

The Toshogu shrine was initially established in 1617, shortly after Ieyasu’s death, under his son and successor Hidetada. In the 1630s Ieyasu’s grandson Iemitsu greatly enlarged and elaborated it. One approaches the shrine via a stone Shinto ceremonial gate or torii, known as the Ishi-torii, at the end of a long flight of stone steps. Next to the Ishi-torii is a tall red pagoda, the Gojunoto, whose five stories each represent one of the five elements – earth, water, fire, wind and ether, in ascending order.

The main shrine area lies beyond the Omoteimon, a gate where one pays an entrance fee. Proceeding further, one encounters a series of ostentatious storage sheds and a stable for sacred horses; these feature elaborate woodcarvings by famous artists, which are among the most cherished treasures of Japan. Continuing up the hill, one passes under a copper torii to reach the famous Yomeimon gate, an incredibly ornate structure which is considered to be so beautiful that one can stare at it all day until sundown without ever getting tired of looking. Continuing on a somewhat circuitous route, one next comes to the Karamon, or Third Gate, also known as the Chinese Gate, leading to the main shrine building, which contains the praying hall (haiden) and main hall (honden). In the honden is an effigy of Tokugawa Ieyasu, somewhat idealized; in later life he was a very fat man, and by the time Will Adams met him in 1600 he was already far from the trim and robust horseman depicted by Clavell in Shogun – he already had difficulty mounting a horse by the time of Sekigahara – though he did enjoy falconry until the end of his life.

But this isn’t the end of the Toshugu odyssey. Next, one passes through the Sakashitamon Gate, which features a renowned carving of a sleeping cat, and continues on a tortuous flight of stone steps up the hill to still another torii leading to the Inner Shrine. Finally, after passing through the Inukimon Gate, one arrives at the mausoleum proper, containing Ieyasu’s tomb, a relatively simple but dignified funerary urn. Off to one side of the compound stands the Wish-Granting Tree, an ancient cedar which predates the mausoleum; generations of pilgrims have believed that if one prays facing the hollow of the tree, their wishes will be granted.

The second major establishment at Nikko, the Rinno-ji is a temple of the Buddhist Tendai sect, founded in 766 by a monk named Shodo Shonin. But it also administers the Taiyu-in Reibyo, which is a Shinto shrine and the mausoleum of the third Tokugawa shogun, Iemitsu. This is indicative of the fusion between Buddhism and Shinto during the many centuries after Buddhism became established in Japan around 538 AD. In the main Rinnoji temple stand three statues of Buddhist “deities” (technically, Buddhism does not recognize any gods) who also represent the kami (spirits) of the three mountains of Nikko, who are also Shinto manifestations.

Rather than the temple itself, I focused on the mausoleum. Iemitsu, the third Tokugawa Shogun, Ieyasu’s grandson, became shogun in 1623, when his father Hidetada retired, but only became the de facto ruler in 1632, when Hidetada died. Iemitsu’s reign is noted for the suppression of Christianity and the “closing” of Japan to foreign contacts and influences. As early as the 1590s Japan’s rulers had issued edicts outlawing Christianity, but the these had only been sporadically and half-heartedly enforced; Iemitsu’s regime began a systematic effort not only to suppress Christianity but to exclude Westerners and Western influences in general. This culminated in the Sakoku Edicts of 1635, which forbade Japanese from travelling abroad or Westerners from settling in Japan, under penalty of death; prohibited the Christian religion; and limited trade contacts to one Dutch ship per year, restricted to the island of Deshima at Nagasaki. Thenceforth known or suspected Christians were required to demonstrate their renunciation of the faith by stamping on pictures of Jesus or Mary. Thousands who refused to do so were executed, often by crucifixion. These policies continued to be enforced until 1858, when the Americans compelled the by-then tottering shogunate, under threat of force, to open up the country to trade with Western powers.

The Nikko shrine complex is quite large, and, well, complex, and I had only a day to see it all; after traversing Toshogu I had only a limited time to explore Rinnoji and Futarasan. The latter, especially, is somewhat dispersed and vaguely defined as to extent, and I wasn’t able to reach all of its outlying sites. Here I have included in the gallery, in addition to the known Futarasan sites I visited, items that were probably not associated with Futarasan but which I could not classify with either Toshogu or Rinnoji.

Futarasan was founded in 767 by the same Buddhist monk who founded the Rinnoji Temple. The main shrine is located to the west of Toshogu, but for lack of time I bypassed that in favor of the Taiyu-in Reibyo, Iemitsu’s mausoleum, which is located nearby. I did, however, manage to see and photograph some of the most spectacular outlying Futarasan sights, notably the Kegon Falls and the Sacred Bridge.

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Japan, April 1996

Tokyo Station and the Ginza, April 11, 1996

On my second day in Tokyo I came down with a mild case of the flu, and it slowed me down a bit for the next couple of days. I cut short my visit to the Imperial Palace and didn’t take as many pictures as I would have otherwise. I also took it easy the next day, when I went to the Ginza via Tokyo Station, so that by the time I boarded the train for Nikko on the 12th I was feeling better.

Tokyo Station has an interesting history. The original building was built in 1914 in the Marunouchi business district, just to the east of the Imperial Palace, and had three stories with two impressive rooftop domes. An extension was opened on the east (called the Yaesu) side in 1929. In May 1945 B-29 bombing raids largely destroyed the station; it was rebuilt immediately after the war, but with only two stories and with plain peaked roofs rather than domes. That was the version I photographed during my visit. Since then, a renovation program completed in 2012 restored the Marunouchi side to its pre-WWII state, with the original three stories and the elegant domes.

From Tokyo Station I went to the Ginza, just a stone’s throw away. The Ginza is Tokyo’s famous upscale shopping, dining and entertainment district, featuring high-end department stores, elegant boutiques and art galleries, exclusive restaurants and a famous Kabuki theater, the Kabuki-za.

I was hoping to find the plaque that was supposedly placed somewhere in the Ginza to commemorate Will Adams, the English navigator who became an advisor to the shogun, but the directions I had for finding it were confusing, and in the end I didn’t feel up to threading my way through the back streets of the Ginza in search of the plaque; instead I shot a picture of a statue (I don’t remember of whom) in front of the Yamato art gallery.

I found the Ginza to be not much different from other modern shopping districts in the great cities of the world, and there wasn’t anything for sale there that I needed or wanted – or could afford to buy even if I did – so I didn’t spend much time exploring it. The main point of interest for me was the Kabukiza, which is reputed to be the outstanding place in Tokyo to see kabuki theater, one of Japan’s most distinctive traditional art forms. I don’t have any particular interest in kabuki, but the theater itself was quite picturesque and presented a pleasing contrast to the bland glass-and-steel structures prevalent in the Ginza. It also has an interesting history. It was first built in 1889, burned down in 1921, was rebuilt in 1924, destroyed by bombing in World War II, and rebuilt again in 1950. That was the version that I saw when I was in Tokyo. In 2010 it was demolished again, this time on purpose, owing to concerns about earthquake safety and accessibility. The latest version, opened in 2013, bears a reasonable resemblance to the previous incarnations.

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Japan, April 1996

Tokyo: Imperial Palace, April 10, 1996

No trip to Tokyo could be complete without a visit to the Imperial Palace, and that was where I went on my second day in the city. It did not take a long time because only a few selected parts of the palace grounds are open to visitors.

For hundreds of years, until the Meiji Restoration of 1868, the Emperor resided in the old imperial capital of Kyoto. Tokyo, which was then known as Edo, was the seat of the Tokugawa shoguns, who resided in Edo Castle. With the ouster of the shogunate in 1868, the Emperor moved to Edo Castle, which became the new Imperial Palace.

The Meiji-era palace buildings were mostly destroyed by bombing in World War II, and new structures were constructed in the 1960s.

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Japan, April 1996

Tokyo: Shinjuku, April 9, 1996

Dave Winter’s apartment, where I stayed in Tokyo, was located in the Shinjuku district, more or less in central Tokyo. Of course, Tokyo is a rather large place, and “central Tokyo” is a pretty vague locator. Tokyo can also be a pretty hard place to find one’s way around in, and I was lucky to have a native guide, so to speak.

Anyway, I was able to take a few pictures from the balcony of Dave’s apartment and on the streets nearby, and I’m presenting them here by way of imparting some idea of what urban Japan looks like.

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Japan, April 1996

Tokyo: Oeno Park, April 9, 1996

One reason I wanted to go to Japan in April was to see the cherry blossoms, and according to Dave Winter, Oeno Park was a good place to do that. So Oeno Park was the first place I headed for, and I was not disappointed.

Prior to 1868 the grounds of the present-day park belonged to Kaneiji Temple, one of the largest and richest temples in Japan. The temple was destroyed in the civil war following the overthrow of the Tokugawa shogunate and then converted to a public park, one of the first opened in Japan.

Today the park is one of the city’s most popular spots for viewing the cherry blossoms in the spring. It also contains a myriad of other attractions – several museums, temples, shrines and Japan’s first zoo.

My starting point for exploring Ueno Park was Shinobazuno Pond, a small lake on the west side of the park where one can rent boats and row around the lake in leisurely fashion. It’s a very relaxed setting amidst the hustle and bustle of a giant metropolis, with cherry trees lining the shore and a small temple on an island in the middle.

Skirting the pond, I moved on through the park’s lanes and byways, which were dense with crowds of people strolling and picnicking under the cherry trees.

Ueno Park is the site of a number of temples and shrines, the most famous of which is the Toshogu Shrine, built in the 17th century by the successors of Tokugawa Ieyasu, the founder of the Tokugawa Shogunate, and dedicated to his memory. In those days the shogun was the de facto ruler of Japan, and the Emperor was only a figurehead. Tokugawa Ieyasu was the model for the daimyo (warlord) Toranaga in James Clavell’s best-selling novel Shogun, and although the plot of the novel is preposterous, it is based to some extent on historical facts. For example, there actually was an English pilot who arrived in Japan on a Dutch ship and became an advisor to Ieyasu. His name was William Adams, not John Blackthorne, and he did not play the pivotal role in the events leading up to the climactic battle of Sekigihara assigned by Clavell to Blackthorne. Nor was he the illicit lover of a noble Japanese lady; there was indeed a Christian wife of a daimyo vassal of Ieyasu who was kidnaped and held hostage by their enemies, but her Christian name was Gracia, not Maria, and she was not Adams’ lover, nor was she the daughter of the traitor Akechi Jinsai. I don’t know why Clavell changed the names of so many of the characters in the book; the dictator Goroda’s real name was Oda Nobunaga, and he really was assassinated by a vassal who turned traitor and was then himself killed (Akechi Mitsuhide); and the man who first succeeded to his mantle, the Taiko Nakamura, was actually the formidable Hideyoshi Toyotomi, who really did invade Korea in the 1590s. Perhaps Clavell renamed Tokugawa Ieyasu to Toranaga Yoshi because “Yoshi” it is easier to pronounce than “Ieyasu,” but this isn’t true of the other names. One of the names not changed was Toranaga’s nemesis Ishido, or Ishida, who was defeated at Sekigahara, but not executed in the manner described by Clavell; that punishment was indeed inflicted, but on someone else, and not by Tokugawa Ieyasu.

Nevertheless, the real Tokugawa Ieyasu did become shogun, founding a dynasty that lasted for two and a half centuries. He did not have a ninja blow up Adams’ ship to placate the Portuguese. That ship, which was originally named the Erasmus, but renamed to the Liefde before it sailed to Japan, made landfall in Kyushu, not on Izu Peninsula in Honshu. It was later sailed to Edo, but by then was rotten and sank soon after arrival. Although Ieyasu did not allow Adams to leave Japan until 1613, he employed him in ship construction projects and made him his official interpreter, replacing a Jesuit priest in that capacity. When Adams finally did obtain permission to return to England, he turned down the opportunity, though he went on several commercial expeditions to Southeast Asia. Probably Adams remained in Japan because he liked it there; he lived a far better life at the shogun’s court than he could ever have aspired to at home. He died in Nagasaki in 1620.

Ueno Park is home to several outstanding museums, and I would have liked to visit all of them, but I had time for only one, the Tokyo National Museum, which contains a number of historical and archaeological exhibits that I particularly wanted to see. I was tempted to visit the National Museum of Science and Industry, but time constraints forced me to settle for photographing the two major exhibits located just outside the museum, the Blue Whale and Steam Locomotive D51.231.

The Tokyo National Museum is a vast place, and I would have needed several days to see it all, let alone the other museums in the park. By closing time I was exhausted and ready to head back to Dave’s place for dinner. Fortunately Ueno Station was close by and it was a short walk to board the metro for the trip back.