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Spain, Portugal and Morocco, November 2017 Adventures Abroad

A Day in the Capital of Morocco – November 13, 2017

Rabat is the political capital of Morocco, and has been effectively so since 1912, when the French established their protectorate and made Rabat the seat of their administration for safety’s sake, Fes being too unruly and hostile to infidels. After Morocco regained full independence in 1956, the monarchy, perhaps for similar reasons, continued to rule from Rabat. It was a smaller city than Fes, less xenophobic and easier to control.

We visited Rabat on November 13, 2017, on our way from Fes to Casablanca, spending most of the day there. I knew little about Rabat in advance and thus was pleasantly surprised at what we saw there, much more than what I expected. I did not know, for example, that Rabat has been around a long time, under different names; it probably began as Shallat, a Phoenician colony, early in the first millenium BCE, and in the first century BCE it came into the orbit of Rome. Under the name of Sala Colonia, it became a naval outpost and commercial trading waystation. After Roman times it became abandoned, but underwent a revival in the Islamic era. In the 10th century CE a ribat (Arabic word for small frontier outpost) was built on the south side of the Bou Regreg River, and later a new town of Sala, now known as Salé, was built on the north side of the Bou Regreg River (Roman Sala Colonia had been on the south side). In 1150 or 1151 the Almohad caliph Abd al-Mu’min built a full-scale kasbah, or fortress, on the site of the old ribat, but the city eventually derived its name from the older title, because it’s now Rabat instead of Kasbah.

In 1244 the new Marinid dynasty replaced the Almohads and ruled Morocco until it was in turn overthrown by the Wattasids in the 15th century. The Marinids made their capital at Fes, but they built a new mosque, as well as a major necropolis, called the Chellah (which we visited), in Rabat.

In 1609 the Spanish monarch Philip III (who also controlled Portugal at the time) decreed the expulsion of all the Moriscos – people of Muslim or Moorish descent – from the Iberian peninsula. (The Spanish had promised to allow them to continue to practice their religion after the conquest of Granada in 1492, but Cardinal Ximenes had reneged on the deal.) Many of the Moriscos landed in the vicinity of Rabat, which underwent a substantial growth in population a result. Perhaps in order to revenge themselves on their former persecutors, as well as to augment their incomes, some of these immigrants turned to piracy.

By the early 17th century the Saadian Sultanate, which had replaced the Wattasids in the early 16th, was on the skids, and its control over the area at the mouth of the Bou Regreg River was falling apart. The Moriscos and other inhabitants of Rabat – then known as Old Salé, with the town on the north side of the river called New Salé – established an autonomous polity known as the Republic of Salé, or Republic of Bou Regreg, which became a haven of pirates. The corsairs preyed on merchant shipping around the shores of Western Europe, seizing the cargoes and selling the crews and passengers into slavery in the Islamic world. Although a new dynasty, the ‘Alawis, came to power and took control of the Salé area in 1666, they allowed the depredations of the pirates to continue until the early 19th century. I suspect that they got a share of the spoils.

While maintaining their capital in Fes, the ‘Alawis took considerable interest in Rabat and undertook several building projects there, expanding the kasbah and building new palaces and mosques. Sultan Moulay Isma’il (r. 1672–1727) settled members of the Udayas, a tribe that furnished part of his army, in the kasbah, so that now it is known as the Kasbah of the Udayas (which we also visited).

In 1755 the enormous earthquake that destroyed Lisbon also wreaked havoc in Rabat, seriously damaging the Chellah necropolis, the Roman ruins and other historic structures as well.

When the joint French/Spanish protectorate of Morocco was established in 1912, the ‘Alawi Sultan Abd al-Hafid abdicated and was replaced by his brother Yusuf, the candidate of the French. Under French colonial rule the Sultan retained some of his prerogatives but was basically the puppet of the French government. However, in 1927 Yusuf died and was succeeded by Mohammed V, who increasingly became associated with a growing nationalist movement. After World War II Mohammed V, encouraged by token support from the USA, became increasingly vocal in his support of the movement, and altercations with the French government became more serious and violent. In 1953 the French attempted to neutralize the Sultan by exiling him to Madagascar, but this failed to defang the nationalist movement and agitation for independence only increased. By 1955 the French were ready to throw in the towel and allowed Mohammed V to return to Rabat, greeted by cheering crowds, in October of that year. In 1956 the signing of a Moroccan declaration of independence officially ended French rule in Morocco. A year later, Mohammed V exchanged the title of Sultan for that of King, and his successors have continued as Kings ever since.

After Morocco regained independence in 1956, Rabat – although still only the seventh largest city in Morocco – grew to a population of 577,827 in 2014; but the conurbation it forms together with the surrounding cities of Salé (890,403), Kenitra (431,282), and Temara (313,510) totals over 2 million.

Our visit to Rabat started at the Chellah. It is enclosed by a set of walls built by the Marinid sultans in the 14th century. We entered through the monumental main gate, completed in 1339 by the Marinid Sultan Abu al-Hasan. The elaborately decorated gate with its horseshoe arch and polylobed motifs is flanked by two towers with semi-octagonal bases and crowned with square turrets, and guarded by two tribesmen dressed in colorful red and green costumes. After passing through the gate, we strolled through a garden area through which we glimpsed a towering minaret with a stork’s nest on top.

The minaret beckoned us to the ruins of the Marinid necropolis (known as a khalwa in Arabic), which we explored first, beginning with the mosque, built around 1284-85 by the Marinid Sultan Abu Yusuf Ya’qub (not to be confused with Caliph Abu Yusuf Ya’qub al-Mansur of an earlier dynasty, the Almohads). It is a hypostyle hall (i.e. has rows of columns supporting the roof) divided into three naves by two rows of horseshoe arches. At the rear of the mosque are several qubba (tombs or mausoleums), the most elaborate and well-preserved of which is that of Abu al-Hasan, who reigned from 1331 to 1348. His qubba was likely built by his son, Abu Inan, who also may have built the adjoining madrasah and the tall minaret.

Not only the minaret, but also the mausoleum of Abu al-Hasan, the walls of the madrasah and virtually every other tall structure in the necropolis were appropriated by storks as nesting sites. I was reminded of a madrasah in another Muslim city, Bukhara in Uzbekistan, where I stayed in 1973 and which was also topped by a stork’s nest, although it was unoccupied at the time. The nests in the Chellah were fully occupied; the residents, who are of the type known as white storks (though they have wings that are partly black), spend the summer in Europe and in autumn fly across the Straits of Gibraltar to Morocco, where they spend the winter. I love these magnificent creatures, and I was gratified that the custodians of the Chellah made them welcome.

Opposite the necropolis, on the north side of the Chellah, we strolled amidst the ruins of the ancient Roman town, Sala Colonia. This was built on a slope and was laid out in three terraces, with streets laid out in a regular grid. At its west end stood the capitolium, a temple dedicated to the Capitoline Triad, a group of deities which included Jupiter, Juno and Minerva and occupied a central role in Roman religion. It was better preserved than some of the other structures, including a row of tabernae (shops) on its south side, which had collapsed, and a triumphal arch nearby, of which only the foundations remain. South of them, next to the Marinid necropolis, was another set of ruined structures, which included the Roman bathhouse, a nymphaeum (temple dedicated to nymphs) and a basilica (civic structure, like a city hall). Most of these have been dated to the early second century CE, a time of great prosperity for the Roman Empire.

At the east end of the Sala Colonia complex we investigated the old Roman Forum area, which also includes a temple and some tabernae. Its age has not been precisely determined, but it may be older than the west-end structures, possibly dating from from just before or after Rome annexed the area in 40 CE. In the forum we found some ruined statues, one of which Manuel Sueiras, our tour leader, adapted for use as a podium from which to harangue us on various subjects (mostly the necessity of sticking to the tour schedule and not being late for the bus). I thought of him as the simulacrum of Emperor Trajan, the great second-century CE monarch who presided over the Roman Empire at its apogee. This was quite appropriate because Trajan, like Manuel, was from Spain. Manuel was followed at the podium by Chuck Mattox, whom I imagined as playing the role of Mark Antony rallying the crowd at Julius Caesar’s funeral with the speech that (at least according to Shakespeare) begins with “Friends, Romans, countrymen, lend me your ears.”

Leaving the Chellah, we rode the bus a short distance to a wide esplanade where we visited the next couple of attractions, the Hassan Tower and the Mausoleum of King Mohammed V. Guarding the entrance to the complex were a couple of elite Moroccan lancers in colorful red uniforms mounted on white horses.

Nobody seems to know how the Hassan Tower got its name, because it was not built by anyone named Hassan. Its sponsor was the Almohad ruler Abu Yusuf Ya’qub al-Mansur (r. 1184 to 1199), who wanted to move his capital from Marrakesh to Rabat and make the latter into an imperial capital with the largest and most magnificent mosque in the Maghreb. He actually started construction on the mosque in 1191, but when he died work stopped and was never resumed. All that remains are parts of the walls, a forest of columns intended to hold up the roof, and the partially completed minaret, 44 meters (144 feet) out of a planned 64 meters (210 feet) or more in height. That unfinished minaret is the Hassan Tower. Its footprint is square, 16 meters on a side, and it is built of sandstone which has turned a reddish color over the centuries. One curious fact about the Tower is that there are no stairs to climb to the top; instead there are a series of ramps – this was done so that the muezzin could ride horseback up to the top to do the daily prayers.

On the south side of the mosque esplanade stands a modern complex of structures, consisting of a modern mosque, a pavilion, and the Mausoleum of Mohammed V. These were designed by a Vietnamese architect, Cong Vo Toan, and completed in 1971. The mausoleum is at the southeastern corner of the esplanade.

King Hassan II (r. 1961-1999) commissioned the mausoleum after the death of his father, Mohammed V, in 1961, and was later himself buried in it as well, along with his younger brother Abdallah, who died of cancer in 1983. The mausoleum stands on a raised platform, accessed by a long flight of steps, and is built of reinforced concrete, but is clad in white marble, with porticos of Moorish arches holding up the walls. A pyramidal green dome sits atop the roof with its crenellated parapets.

Venturing into the mausoleum, we found ourselves in an upstairs gallery which extends along all four sides of a rectangular chamber, looking down into the burial vault. The tomb of Mohammed V is carved in white onyx and illuminated by lamps in chased brass vessels which cast a soft light over the room. In one corner stands a reading platform holding a copy of the Quran, where a reader can come and recite its verses. Elegant zellij tiles cover the walls, and a polished mahogany dome with colored glass presides over the chamber.

At the opposite side of the esplanade, in the southwestern corner, is a rectangular open-air pavilion with rows of arches, built on a raised platform; this was designed as a museum to showcase the achievements of the current ruling house of Morocco, the Alawites (or Alaouites). Between the pavilion and the mausoleum stands the modern mosque, which we did not enter.

Our itinerary took us finally to the Kasbah of the Udayas, our last stop in Rabat. The Almohad ruler Abu Yusuf Ya’qub al-Mansur, who wanted to make Rabat his imperial capital, built several new ornamental gates in the walls of the Kasbah, most notably the Bab Oudaia, also known as the Bab al-Kbir, which translates to “Great Gate.” It is indeed impressive, but for some reason I failed to obtain a good photo of it, though I did photograph some of the other gates. However, you can find good shots of the Bab al-Kbir on Wikipedia.  

Immediately upon entering the Kasbah we discovered that Rabat is another Blue City, reminiscent of Chaouen. The walls are painted blue and white, and many of the doors and windows are blue also. The streets of the Kasbah, especially in the residential areas, were generally very narrow, as one would expect in a medieval walled city. However, they were neat and clean and the residents obviously took pride in their dwellings. Moreover, street lights had been installed to improve safety at night.

There was little opportunity for ostentatious display given the uniform character of the residential structures; what conspicuous consumption there was – and individual creativity as well – showed up mostly in and around the doors, some of which were quite remarkable. Sandie and I shot photos of some of the more striking ones, as seen in the next gallery.

In the 17th century the corsairs who then controlled the Kasbah built a broad platform on its northeastern edge, from which they could signal by semaphore to their own ships and repel pursuing enemy ships with artillery. Today the platform provides scenic views of the Rabat waterfront, the Bou Regreg river, the city of Salé across the river, and the Atlantic Ocean beyond. The jetties at the harbor mouth provide protection against the ravages of the tumultuous Atlantic Ocean and form a nice beach; a set of broad steps leads down from the Kasbah to the beach.

We did not spend the night in Rabat, instead boarding the bus to continue to Casablanca, Morocco’s largest city, where we were booked for dinner at Rick’s Café that evening.

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Spain, Portugal and Morocco, November 2017

Dinner and a Show in Fes, November 12, 2017

The climax of our visit to Fes was a gala dinner and show in an impossibly elegant restaurant, the name of which I don’t remember and can’t find in any of our trip records; but it was as opulent and beautifully furnished as any of the palaces we saw in Morocco.

Fes is not noted for nightlife. According to one web site I visited, “Fes is a conservative city so raucous nightlife is not on the menu.” Another advised “If you are looking for a party town, try Marrakesh instead.” The entertainment presented to us was relatively sedate, but then we were not looking for a particularly raffish or outré experience.

It was inevitable, of course, that in a Maghreb Muslim country we would get belly-dancing, so that was no surprise. There was also dancing with audience participation to the accompaniment of what I assumed to be traditional Moroccan music. I have never gained much of a taste or appreciation for the dance in any of its forms, so I didn’t find these activities especially beguiling. My favorite part of the show was the magician, who pulled doves out of his hat and did other sleight-of-hand tricks. It was all good food and good fun in a beautiful setting, on the whole a suitable ending to our stay in the fascinating city of Fes.

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Spain, Portugal and Morocco, November 2017

Fes, November 12, 2017: The Medina

The Medina, or Old City, of Fes is often considered as encompassing the two old quarters of Fes el-Jdid, where the royal palace is located, and Fes el-Bali, which constitutes the commercial and cultural hub. But the two are very different, and although both are quite old, Fes el-Bali is by far the older of the two, having been founded in the eighth century CE. Fes el-Jdid was begun in the 13th century as an administrative capital for Fes el-Bali. The wide boulevards and open squares of the palace area seem a world apart from the narrow alleys and packed market stalls of the Fes el-Bali. Entering those crowded lanes, I felt that I was traveling back in time to the world of the medieval and early modern era. Butchered meat was laid out on open tables for close inspection; traders hawked their wares in front of their shops; donkeys hauled their burdens through the streets, from which cars and trucks were banned. To me, life in such surroundings seems less constricted and sterile, earthier, more sensuous and piquant. Of course, it’s also less hygienic, but then it wasn’t entirely premodern; no open sewers or people throwing garbage out of windows onto the heads of passers-by. Also, as far as I remember, no beggars, although there were plenty of aggressive vendors.

But Fes el-Bali is not only a commercial hub – it is a cultural and religious center as well, home to some of the Islamic world’s most venerable institutions. Foremost among them is the University of Al-Qarawiyyin, considered by some authorities to be the oldest continuously operating institution of higher learning in the world. It was founded as a mosque in the ninth century, but for most of its history it operated as a madrassah, a school of Islamic studies. Since 1963, when it was incorporated into the Moroccan state university system, it has also taught some secular subjects, although the curriculum remains predominantly Islamic. We did not visit Al-Qarawiyyin, since its main attraction, the mosque, is not open to non-Muslims. Instead, wending our way through the crowded streets, we followed our guides (there were several, so as to ride herd on us and keep individuals from becoming detached and lost in the throng) to a nearby and no less venerable institution, al-Attarine Madrasah, which does welcome infidels. Perhaps this is because it is run by cats. This was evident when we entered the central court of the establishment, where a cat was strolling about near the central fountain, quite confident that it was in charge, and clearly well-disposed to us tourists as well as the staff. Al-Attarine was so named because it was located close to the spice and perfume market in the Medina (cf. the English word “attar,” as in “attar of roses,” deriving from an Arabic/Persian word for perfume).

The madrasah was a type of academy that originated in northeastern Iran in the early 11th century with the purpose of training students in Islamic subjects, especially religious law and jurisprudence. (I go back a long way with madrasahs, having stayed in one – the Char-Minar, at that time being used as a hostel – for a few days in Bukhara, Uzbekistan in April 1973.) But madrasahs really came into their own in Morocco in the 14th century CE.

In the 13th century CE a faction of Berber nomads known as the Marinids overthrew the ruling Almohad dynasty of Morocco and established their own regime. They made their capital at Fes, and they found the madrasah a useful institution for fostering orthodox Islamic teachings against what they considered the heretical doctrines of their Almohad predecessors, in the interest of bolstering their legitimacy. They established a number of madrasahs in Fes in hopes of securing the loyalty of the city’s notoriously unruly intellectual elite and of educating candidates for government service. The madrasahs, including al-Attarine, were mostly located near Al-Qarawiyyin University, and in addition to teaching their own curricula, they supported the university by providing food and lodging for poor students, which the university did not. The madrasahs were typically supported by charitable trusts endowed with properties by the sultan.

Entering al-Attarine via the vestibule at its west end, we passed through an archway into the courtyard. There our Moroccan guide, Karim, explained the layout and operations of the madrasah, while the cat who actually ran the place strolled about to ensure that the visitors observed correct decorum and did not get into mischief.

Entry to the al-Attarine courtyard is from the west; on the east side is the entrance to the prayer hall. On the north and south sides are galleries with square pillars and marble columns supporting a melange of wooden and stucco muqarnas arches. The galleries in turn support the second floor, which is accessible by a stairway, and which originally contained thirty rooms serving as a dormitory for the students. Some of our group, including our tour leader Manuel, ascended the stairway and took in Karim’s talk from the second-floor windows. The feline custodian made no objection.

We also visited the prayer hall at the eastern end, which is somewhat unusual for its time and place. Usually Marinid madrasahs were built with the main axis aligned with the qibla, the direction of prayer (i.e. toward Mecca), so that the prayer hall with its mihrab, or prayer niche, would also be oriented in that direction. That would have been on the east wall in this case, but the geometry of the space available to the builders did not allow for the normal arrangement, so instead they located the mihrab of the al-Attarine madrasah on the south wall of the prayer hall. They also built a square wooden cupola over the space in front of the mihrab, with a stunning bronze chandelier (flanked by two smaller bronze lanterns) dangling from the ceiling.

The al-Attarine madrasah is considered to represent the apogee of Marinid architecture, and nowhere is this more evident in the tilework. In the courtyard the floor, lower walls and pillars are all covered with zellij (mosaic tilework), arranged in geometric motifs; at eye level there is a band of sgraffito-style tiles with calligraphic inscriptions. Above the tilework, the courtyard as well as the interior rooms are adorned with intricately carved stucco decorations, including arches and niches sculpted with muqarnas. At the highest levels are ceilings, eaves and panels consisting of elaborately carved cedarwood. As with the Moorish palaces of Andalusia, the overall effect is overwhelming, a feast for the eyes, and I regard Moorish/Moroccan architecture as among the most sublime achievements of the human race.

But now it was time for lunch, which we enjoyed in an upstairs restaurant not far from al-Attarine. I’m not sure about the exact location, but afterwards we were able to venture out on the terrace to get a rooftop view of the Medina. It was quite an expansive vista, but given our brief acquaintance with the area, it was hard to identify many of the structures and landmarks we were seeing. Easily the most identifiable and striking was the Zawiya (or zaouia) of Moulay Idris II, who ruled Fes from 807 to 828 and is considered its primary founder. A zawiya is an Islamic shrine and religious complex, and the Zawiya of Moulay Idris II is considered one of the holiest shrines of Morocco. It contains the tomb and mausoleum of Idris II, lavishly furnished and decorated. It is recognizable from afar by its minaret, the tallest in Fes el-Bali, and the large pyramidal roof of the mausoleum chamber. It is closed to non-Muslims, but we were able to get a glimpse of the interior later in the afternoon.

Fes is historically a center of production for high-quality leather goods, and there are several tanneries in the Medina. It turned out that one of them was just downstairs from our vantage point. This was not a coincidence, but rather a planned stop on the tour itinerary, and as we surveyed the tannery from our aerie, our guide gave us a rundown on the process of tanning hides and turning them into fine leather articles.

Descending back to street level in the labyrinthine Medina, we were led past the portals of the Zawiya of Moulay Idris II, where we sneaked a peek into its gorgeously carpeted anteroom, to a shop where the final products of the tannery we had just visited are sold. The wares were attractive, but the prices not so much, and the salesmen were among the most annoying we encountered in Morocco. It was memorable only because Manuel Sueiras started a new fashion trend with a piece of headgear, composed entirely of string, that he tried on in the shop. It soon became all the rage, and before we left Morocco it had spread over the country like wildfire, displacing the traditional fez hat that had been worn in the city since time immemorial.

Of course I didn’t expect anyone to believe that last outrageous lie. Actually the fez, or tarboush – a short, cylindrical, brimless and peakless red hat with a tassel attached to the top – was associated mainly with 19th-century Ottoman Turkey, where Sultan Mahmoud II decreed it to be worn by all civil and religious officials. Though it may indeed have originated in the Maghreb, it was called the fez because Fes was the source of the dye used to color the felt. Tarboush was the Turkish name. I never saw one being worn in Fes – or Turkey, for that matter: it was outlawed in 1925 as part of Atatürk’s reforms.

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Spain, Portugal and Morocco, November 2017

Fes, November 12, 2017: Two Palaces, a Fortress and a Pottery Workshop

Fes is a very old city, dating from the eighth century CE, and a large one, with a population of over a million. It has an illustrious history and although no longer the political capital of Morocco, it is considered the country’s spiritual and cultural capital.

The hotel where we stayed in Fes, the five-star Palais Medina, was indeed a palace, and I have devoted more than the usual space to it. It was an ultra-modern establishment, with a spacious lobby, luxurious rooms, and a full range of amenities, including a vast outdoor pool and lounge area. Although in general I prefer traditional settings with lots of history, I very much enjoyed the tastefully decorated lobby with its comfortable modern couches and easy chairs as well as the modernistic paintings on the walls, most of which were apparently created by contemporary Moroccan and Arabic artists, judging from the signatures on the canvases.

The morning after we arrived in Fes, I woke up early and had some time to explore the hotel and its grounds before breakfast. After checking out the lobby and the adjoining areas, I descended the impressive marble staircase leading to the patio and pool area, which turned out to be quite vast. It also turned out to be quite empty; nobody was interested in taking a swim or lounging around in the feeble sun of that chilly November morning. But it was impressive nonetheless, with two very large swimming pools and more chaises longues, cabanas and other amenities than you could shake a palm frond at.

After enjoying a sumptuous breakfast at the hotel, we embarked upon our tour of the city. Our first stop was the main rival of the Palais Medina Hotel, the Palace of the King of Morocco. Although the political capital of Morocco is Rabat, the King maintains palaces in all the major cities and actually shows up in them from time to time, in order to assure people that he still exists. On that date, November 12, 2017, King Mohammed VI was not present in Fes, but we were nevertheless greeted by royalty, in the form of a cat who obviously regarded the palace and its grounds as his own private territory, whatever members of the inferior human species might think.

From the palace our bus took us to the Borj Sud. This is one of two forts built by the then Sultan of Morocco, Ahmad al-Mansour, in 1582, with the purpose not only of defending the city against external attack, but also – and perhaps more so – of keeping the fractious population of Fes under control. The Saadian dynasty ruling Morocco in that time was based in Marrakesh and had encountered considerable opposition in Fes, which was a notoriously unruly city (and still is). Al-Mansour had the Borj Sud built on a commanding height on the south of the city, across the valley from its counterpart, the Borj Nord, located on a promontory on the hills to the north of town. By 1582 the Moroccans had acquired experience with the use of gunpowder in the course of their wars against Portuguese colonial expansion, and the Borj fortifications exemplify the results, being modeled after Portuguese forts of the time. Indeed, the forts are thought to have been built with the labor of prisoners captured in the Battle of the Three Kings in 1578, when the Moroccans defeated a Portuguese invasion and killed the King of Portugal, Sebastian I, precipitating a dynastic crisis which led to the takeover of Portugal by the Spanish monarch Philip II.

The Borj Sud provides a wonderful view of the city of Fes, especially its historic core, the districts of Fes el-Jdid and Fes el-Bali. The former is the newer of the two and contains the Royal Palace, which we had just seen, as well as the old Jewish Quarter, known as the Mellah. The Fes el-Bali, the oldest quarter, dates from around 800 CE and was itself composed of two districts on either side of the Fez River, which eventually merged into one, and now comprise the Medina (old town). We would see it later in the day. Beyond the two old quarters stretches the modern city, the Ville Nouvelle, which mostly grew up during the twentieth century.

Descending from the height of the Borj Sud, we shortly arrived at an establishment which styled itself the Art de Poterie. We debarked into the courtyard, which provided storage for the raw clay used to make the pottery and also served as the drying yard for the tiles which constituted a large share of the firm’s output. In the drying yard we shot pictures of the clay stockpile, the soaking pool, and newly formed tiles being spread out to dry; there also we met the proprietor (or manager, I’m not sure which), who took us around the shop and explained the various processes and operations involved in turning the raw clay into finished pieces of pottery.

We first observed the process of making the zellij tiles so characteristic of Moorish architecture. It begins with shaping them from raw clay and then clipping off the ragged edges. Many complex pieces such as urns and bowls, of course, have to be turned out on a potter’s wheel, and next we watched a master potter as he spun out these items with a speed and ease which we knew to be much harder than it looks. The potter may also shape and add other constructs such as handles and spouts.

The most intriguing part of the pottery creation cycle for me was the painting and glazing. Even after having observed the artists at work, I have no clue as to how they imprint the incredibly intricate designs on the clay and then apply the colors without smearing or deviating from the pattern. It must take years of learning. I remember the proprietor complaining that it was getting harder and harder to find people with the patience and talent to perform these operations, or who would take the time to learn how.

The workshop had two kilns, of ultra-modern manufacture, which appeared to be the only hi-tech equipment in the place. Stoneware pottery of the kind made in Fes is fired at temperatures of 1200 degrees Centigrade. After firing, the finished wares are placed on shelves to cure and await transfer to the showroom, where they are displayed for sale.

Our final destination at the Art de Poterie was of course the showroom, where the number and variety of items displayed was overwhelming. There was naturally also a horde of salesmen to assist in divesting us of our hard-earned lucre, but they did not need to be aggressive because the pottery was seductive enough to arouse the lust of all but the most blasé shoppers. The prices were also relatively affordable for wares of such high quality. The only restraint preventing us from spending a fortune in the place – I wanted to abscond with about half the contents of the room – was the improbability of fragile pottery surviving the journey back to the USA in buses, trains, and airplanes. Some people succeeded in bringing their purchases home in their carry-on bags, but that was not an option for me because I had too much heavy camera equipment to lug around. There was no room for additional items in my carry-on and even if there were, the breakage risk would have been little less than in checked luggage.

Sandie and I met this challenge by making a minimal selection and having it shipped. The shop was willing to pack purchases securely and ship them anywhere in the world, though they warned us that the cost would be prohibitive. Foregoing all the other attractions – the tagine pots, beverage decanters, vases, dinnerware, etc. – we settled on four beautiful hand-painted bowls. It turned out that the cost to ship to the USA was about the same as the cost of the bowls – $60 for four. For us it was worth it. The workers in the shop packed the bowls expertly – they obviously had a lot of experience – in what was essentially an iron cage with abundant protective padding, which they put together before our very eyes. The bowls did indeed all arrive intact, and we have them in our kitchen to this day, except for one which I broke. You may of course correctly retort that it’s possible to buy Moroccan pottery online these days, at reasonable prices, but I haven’t yet seen anything on the Web quite as pleasing to my eyes as the bowls we bought at that shop in Fes.