One cold day toward the end of winter, I went with my girlfriend Vera and our Norwegian friend Sidsel Larsen for a stroll in the area of Chistye Prudy (“Clean Ponds”), in the Basmanny district of Moscow. Despite the name, there is only one pond visible; the others are now all underground, as is the small Rachka river that feeds them. In the seventeenth century they had a different name – Griaznye Prudy, “Dirty Ponds,” because Muscovites used them as a garbage dump. In 1703 Prince Alexander Menshikov, Peter the Great’s crony, bought them, cleaned them up and gave them their present name. Chistye Prudy reminds me of another Moscow pond, Patriarch’s Ponds, which I’ve seen only in pictures (I was once told that it no longer exists, but that turns out not to be true), but which serves as the opening scene of my favorite Russian novel, Mikhail Bulgakov’s The Master and Margarita.
Chistye Prudy – Pond in the Basmanny District of Moscow – 1973
Our main objective on this excursion was a historic structure known as the “Palace of the Boyar Volkov” because it had supposedly been built in the 17th-century by a boyar (magnate of pre-Petrine Russia) named Volkov. In 1973 it was not open to the public. You could only snoop around the outside. Since then, it has opened as a museum, which has its own web page, in Russian. There is even information online in English about the place, although it is a bit sketchy and of poor quality. Without doing exhaustive research, I’ve been able to piece together some of the history of the palace. Legend has it that in the 16th century, a hunting lodge belonging to the tsar had occupied the site, from which Ivan the Terrible issued forth in disguise to spy on his subjects; but there doesn’t seem to be any documentary evidence to support this. Still, I suspect that it existed in some form prior to the usual date given for its construction, in 1698, during the reign of Peter the Great. Peter conferred it first on his vice-chancellor, the diplomat Peter Shafirov, and later on the head of his secret service, Count Peter Tolstoy.
Moscow – Palata Boyarina Volkova – Boyar Volkov’s Palace, 17th Century, as it looked in 1973.
When Peter the Great died in 1725, his widow came to the throne as Catherine I, but Prince Alexander Menshikov, who had been Peter’s right-hand man, ran the show for her; he gave the palace to one of his minions, Alexei Volkov, the Chief Secretary to the Military Board. This was how the palace got the name “Palace of Boyar Volkov,” though Volkov was not a boyar (the appellation had fallen out of use by then) and owned it only about a year. Catherine I died in 1727, and for a little while Menshikov dominated her successor, Peter the Great’s grandson Peter II, who was only twelve years old. But Peter II detested Menshikov and soon got rid of him, exiling him to Siberia. After the fall of Menshikov Peter II apparently purged Volkov too, and gave his palace to Prince Grigori Dmitrievich Yusupov. Thereafter the palace remained in the hands of the Yusupov family until the Revolution of 1917.
The elaborate gateway to the grounds of the Volkov-Yusupov Palace, with its wrought iron gate.
The Yusupovs were the descendants of Tatar princes of the Nogai horde who had converted to Orthodox Christianity in the 17th century. They were quickly absorbed into the Russian aristocracy and were one of the richest families in Imperial Russia. By the end of the eighteenth century they owned 675,000 acres of land and 40,000 serfs. However, the male line ended in 1891 with the death of Nikolai Borisovich Yusupov, leaving his only daughter, the famous beauty Zinaida Nikolaevna (1861-1939), as heiress. She had married Count Felix Felixovich Sumarokov-Elston (1856-1928) in 1882. Count Felix became commander of the Imperial Guards Cavalry under Nicholas II, and later served as Governor-General of Moscow in 1914-15. After his father-in-law’s death, Tsar Alexander III granted Count Felix the title of Prince Yusupov and the right to pass it on to the couple’s heirs. Their older son, Nikolai, was killed in a duel in 1908; the younger, Felix Felixovich, married a niece of Tsar Nicholas II. He lived primarily in St. Petersburg, where in December 1916 his house became the scene of the murder of Rasputin – in which he participated. For this he was exiled to one of his estates. But after the Tsar’s abdication in February 1917, the Yusupovs went to the Crimea, then emigrated to the West. They lived in Paris, where Felix died in 1967.
Sidsel Larsen and Vera Antonova check out the entrance to the Volkov-Yusupov Palace or Mansion, 21 Bol’shoi Kharitonovskii Pereulok, Moscow, 1973.
In the early nineteenth century (1801-1803), Sergei Lvovich Pushkin, the father of the poet Alexander Sergeevich Pushkin (1799-1837) rented an apartment in the Volkov-Yusupov Palace, and Alexander himself lived there for a while.
In the 1890s Princess Zinaida Nikolaevna Yusupova undertook extensive restoration, including renewal of the stoves with genuine antique tiles.
17th-century palace at 21 Bol’shoi Kharitonievskii Pereulok, Moscow, 1973.
After the Revolution, the Palace housed a series of Soviet institutions, of which the Lenin All-Union Academy of Agricultural Sciences (VASKhNIL) had the longest tenure. But finally, in 2010, after a period of reconstruction, the Palace was reopened as one of the newest museums in Moscow, in one of its oldest buildings; thus its lavishly furnished interior chambers, restored to their former opulence, are now open to the public.
The Volkov-Yusupov Palace, according to its website, is one of the best-preserved residential buildings surviving from Muscovite Russia (15th-17th century). Most such structures, of which there are several dozen, survive only in fragments or else have been reconstructed and remodeled so often that they are now unrecognizable. By contrast, the Volkov-Yusupov Palace is preserved in its original form, with its vaulted ceilings and tiled stoves. There are a few later additions, such as chimneys, but these do not detract from the overall impression of a 17th-century Muscovite dwelling.
Street scene in Basmanny District, near Chistye Prudy
We continued to explore in the Chistye Prudy area for a little while before heading back to Moscow University. The surrounding neighborhood is said to be venerable and prestigious, and appeared to be relatively well-kept.
Basmanny District, near Chistye Prudy.
We encountered a few interesting items in our wanderings. For example, the building in the following photo was clearly of pre-revolutionary construction and quite likely had an impressive pedigree, but there was nothing on it in the way of identification.
Basmanny District, near Chistye Prudy. Clearly a historic building, but I don’t know anything about it.
The same was true of the structure in the following few pictures. It appeared to be an apartment building with legal offices on the ground floow. Its salient feature was the elaborate and striking decoration around the second and third stories.
Apartment and office building near Chistye Prudy. The sign on the ground floor reads “Juridical Consultation.”
It would have been nice to find out who built this structure and especially who was responsible for the artistry, but there was nothing to provide any clues about it.
Detail of elaborately decorated apartment building in Basmanny District, near Chistye Prudy
I imagine that the people who lived and worked here led comfortable lives by Soviet standards. I haven’t given up trying to find out more about it, and if nothing else, someday I hope to go back to Moscow and find out more about this and some of the other sights that remained “incognito” in 1973.
I’m still trying to find out who was responsible for the artistic bas-relief type ornamentation on this structure.
Grand Kremlin Palace on the left; center, Annunciation Cathedral; right, Cathedral of the Archangel and Ival the Great Bell Tower behind it; extreme right, Tainitskaya Tower on the Kremlin Wall.
Early on during my year in the Soviet Union, I took a sightseeing cruise down Moscow River. This is a good way to become acquainted with the layout of the city and some of the major landmarks. Of these the most famous and spectacular is, of course, the Kremlin, with its towers, palaces and cathedrals. But the cruise also provided me an opportunity to become acquainted not only with the major tourist attractions by the river, but also with a number of less well-known sights which don’t make it into the usual “must-see” lists but profoundly enriched my experience of Moscow.
The Moscow River meanders through the city from northwest to southeast in a series of great loops. Moscow University, where I was based, lies at the south end of one of these loops, and the Kremlin lies at the north end, where the river turns south again to form another great loop. Just before the river turns from south to north to form the loop that runs by the University, it passes the Novodevichy Convent, and that is where I’ll begin.
Novodevichy Convent. Right of center is the Cathedral of Our Lady of Smolensk, with the octagonal bell tower behind it;
The Novodevichy Convent dates from 1524, when Grand Prince Vasily III founded it to commemorate his conquest of Smolensk, and indeed the oldest structure and main church, which was built at that time, is named the Cathedral of Our Lady of Smolensk. It soon became the preferred place for the Muscovite aristocracy to send sisters, daughters, etc. whom they found inconvenient for one reason or another. One of its most famous residents was Peter the Great’s half-sister, Sofia Alexeevna, whom Peter forced to retire there after seizing power and ending her regency in 1689. Peter’s first wife, whom he divorced, also lived there toward the end of her life. It was Sofia Alexeevna who had the bell tower, the tallest structure in the convent, built in the 1680s.
The Soviets closed down the convent and turned it into a museum, but during World War II Stalin, in an effort to rally the Orthodox Church in support of the war effort, allowed it to resume a presence there, and since 1994 nuns have again been living in the convent.
Outside the south wall of the convent lies the Novodevichy Cemetery, which is the most fashionable place in Russia to be buried. Such notables as Anton Chekhov, Nikita Khrushchev, Sergei Prokofiev, Dmitri Shostakovich, Boris Yeltsin and Mstislav Rostropovich are interred there.
Continuing on around the bend of the river, past Moscow University, you come to the Luzhniki Metro Bridge (Luzhnetsky Metromost), a bridge which accommodates subway trains on the lower level and autos on the upper. It crosses the river from Sparrow Hills (the locale of Moscow University) on the south to the area of the Luzniki sports complex on the north side of the river, in Khamovniki district.
Moscow River – the Luzhnetsky Metromost (Luzhniki Subway-Auto Bridge)
Continuing on up toward downtown Moscow, I passed the Church of Saint Nicholas in the Khamovniki district. This church is a prime example of a flamboyant architectural style flourishing in the later 17th century, featuring rows of tightly packed gables called kokoshniki, in which each arch represents a heavenly fire, and the ensemble of rows taken together symbolizes the throne of God. This type of church is called ognyonnyi khram (bonfire temple) in Russian. The church of St. Nicholas in Khamovniki was built in 1679-82; the bell tower, which retains the tented-roof style popular in the late 16th and early 17th century, was added in the 1690s. The church suffered badly in the fire following the Napoleonic occupation of Moscow in 1812 and was closed until 1849, but after that it remained open continuously, even during the Soviet period, during which it was said to have always been full.
Church of Saint Nicholas in Khamovniki
As you approach the center of Moscow, you come to an island in the river known variously as Bolotnyi (Swamp) Island or Balchug. This is an artificial island, created as a by-product of eighteenth-century flood control engineering. After a catastrophic flood in 1783, the main flow of the river was diverted into its present channel and the old riverbed was converted into what is now the Vodootvodnyi (Water Bypass) Canal. The Island sits between the two channels and constitutes the northernmost section of the Zamoskvorechye District. Situated directly across the river from the Kremlin, it contains some of the most expensive and sought-after real estate in Moscow.
The south end of the Island, known as Bersenevka, is now marked by a gigantic (322 feet high) monument to Peter the Great, designed by the sculptor Zurab Tsereteli to commemorate the founding of the Russian navy by that monarch. It consists of several ships piled atop one another with Peter himself standing on the topmost ship. It has been voted one of the ugliest monuments in the world and is said to be generally unpopular among Muscovites, who haven’t forgotten that Peter the Great hated Moscow and moved the capital to St. Petersburg.
The central portion of the Krasnyi Oktyabr chocolate factory. The factory was relocated to the outskirts of Moscow in 2007, and the building now houses shops, studios and other businesses, including the headquarters of the news service Snob.ru.
But that monument was erected in 1997, 27 years after I was there, so I have never seen it in person. A little way north of where it now stands, I photographed a set of brown buildings with a sign on top proclaiming “Glory to the Communist Party of the Soviet Union” (which sounds as ridiculous in Russian as it does in English). This was the Red October chocolate factory. It was founded in the 19th century by a German named von Einem and supplied confectionery to the Russian Imperial court until the Revolution of 1917, when it was nationalized by the Bolsheviks and renamed to Red October. After the collapse of the Soviet regime it was privatized. In 2007 the factory itself was relocated to the outskirts of Moscow, and today the old factory building houses various shops, restaurants, studios and offices, including the Deworkacy Red October coworking space, the Digital October Conference Center, the Boy Cut Red October barbershop, the Moscow Point Red October Hotel, and the news service Snob.ru. It has of course been spruced up a bit since then.
The Krasnyi Oktyabr (Red October) chocolate factory in the Bersenevka area of Bolotnyi Ostrov. The sign on the top of the highest building says “Slava KPSS”, i.e. “Glory to the Communist Party of the Soviet Union.” In the distance are visible some of the Kremlin towers and the gray House on the Embankment, formerly an apartment building housing members of the Soviet elite.
Downriver from the Red October) chocolate factory stood (and still stands) an apartment complex known today as the House on the Embankment (Dom na naberezhnoi in Russian), but formerly known as “Government House” (Dom Pravitelstva). This is a Constructivist-style structure built in 1931 to house civil servants, especially high-ranking ones, in apartments that were considered luxurious for the time. The architect was Boris Iofan, who also designed the Palace of Soviets, which was to be built on the site of the Cathedral of Christ the Savior (Khram Khrista Spasitelya), but became the site of the Moscow open-air swimming pool instead. Government House became notorious for the frequent and unremarked disappearances of its residents during the later 1930s – fully a third of them are said to have vanished without trace. Nowadays, the complex has shops and movie theaters as well as apartments. Although their amenities have been eclipsed by newer developments, the apartments are still very much in demand due to their location.
On the opposite side of the river from the Red October chocolate factory I observed an unusual mansion, which I was unable to identify at the time, but subsequent research has revealed it was built by a wealthy art collector named Ivan Tsvetkov in 1900 to house his collection of paintings.
Osobnyak Tsvetkova (Tsvetkov Mansion). Built 1901 by Ivan Evmeniyevich Tsvetkov to house his art collection. Now serves as office of the French Defense Attaché.
During World War II, the Tsvetkov Mansion was assigned to a military mission representing a Free French combat aviation unit, the Normandy-Niemen regiment, formed in the Soviet Union. Currently, the mansion houses the office of the French defense attaché as well as an exposition devoted to the history of the Normandy-Niemen regiment.
Another view of the Tsvetkov Mansion.
A few doors downstream from the Tsvetkov Mansion, I encountered an even more unusual house, which I was told was occupied by the Ethiopian Embassy. I doubt whether this was accurate, but I’ve since discovered that the house was built in 1905-07 by a well-to-do railway magnate named Petr Nikolayevich Pertsov, who intended it as a guest-house with residential apartments and workshops for artists and theatrical people.
Dom Pertsova (House of Pertsov) – guest-house with residential apartments and workshops for artists and theatrical people. Built 1905-1907.
Tsvetkov may have sold or given Pertsov the land on which to build the house in return for a promise to make it a showcase of Russian art. In any case, it turned out to be a prime example of the flourishing of the art nouveau movement in Russia. If I had had a telephoto lens, I could have captured some of the extraordinary mosaics, figures of birds, animals, fantastic creatures and other decorations adorning the exterior of the building; you can view a few of them on Marina Pavljuk’s web page, which is a source for some of the information presented here. The artist responsible for the artwork was Sergei Maliutin, who is credited with originating the nested wooden Matryoshka dolls.
Another view of the Pertsov House, which is now occupied by the Russian Foreign Ministry and is closed to the public. The building next to it on the left houses the Embassy of Madagascar.
After the Revolution of 1917, the Bolsheviks confiscated the Pertsov house, as they did everything else, and turned it into a hostel for military officers. Nowadays it houses offices of the Foreign Ministry of the Russian Republic, so the interior remains closed to the public.
The Pertsov house is just a hop, skip and jump away from the next big attraction on the Moscow River, which is the Cathedral of Christ the Savior, but that, as I’ve noted elsewhere, did not exist when I was in Moscow in 1972-3. What did exist was the enormous outdoor swimming pool, which was not visible from Moscow River but which I had photographed in my earlier visit in 1964. I’ve included one of the badly faded color slides I bought in Moscow while I was there, just for laughs.
The Moscow Swimming Pool, with the Kremlin in the background (photo not taken by me)
And so, after passing under the Big Stone Bridge (Bol’shoy Kamennyi Most), I came to the Kremlin. I had, of course, been inside the Kremlin walls in 1964, and had photographed the wonders within; in 1972-73 I went inside the Kremlin several times, but seeing it from the river provides a different perspective. Most immediately you notice the towers on the Kremlin wall, because they are right in front of everything else. Each tower has a name and its own story.
The Moscow Kremlin. Grand Kremlin Palace on the left, Blagoveshchenskaya (Annunciation) Tower in front of it on the Kremlin Wall; center, Annunciation Cathedral, Cathedral of the Archangel Michael and Ivan the Great Bell Tower; right, Tainitskaya Tower and Vtoraya Tower on the Kremlin Wall.
For example, the Blagoveshchenskaya Tower, pictured here, was built in 1488 and named for a miracle-working icon which was kept there. Ivan the Terrible used it as a prison. (Actually, there are two unnamed towers, but even these have names – the First and Second Unnamed Towers, respectively.)
Blagoveshchenskaya (Annunciation) Tower on the Kremlin Wall
The Tainitskaya Tower, shown in the next picture, was so named (taina = “secret”) because it had a secret well, fed by a tunnel from the Moscow River. It was built in 1485. Like the Tainitskaya, the First and Second Unnamed Towers were built in the fifteenth century.
Grand Kremlin Palace on left, Cathedrals of the Annunciation, Dormition and Archangel Michael in center, Ivan the Great Bell Tower at right, the last two partially obscured by Tainitskaya Tower on Kremlin wall.
The Grand Kremlin Palace (Bol’shoi Kremlyovskyi Dvorets) was built during the reign of Nicholas I to be the Moscow residence of the Emperor; construction lasted from 1837 to 1849. The chief architect was Konstantin Andreevich Thon (or Ton), who also fulfilled that role for the Kremlin Armory and the Cathedral of Christ the Savior. I was surprised to find out that the Palace, which appears to have three stories, actually has only two, and that the two upper rows of windows both belong to the second floor. The Grand Kremlin Palace has an area of 25,000 square meters, over 700 rooms and five major reception halls. In the picture below, one may see the letters “CCCP” (which would be “SSSR” in the Latin alphabet, standing for “Soyuz Sovetskikh Sotsialisticheskikh Respublik”, i.e. Union of Soviet Socialist Republics) embedded between the pointed arches in the center section, between the windows and the roof; these were removed after the collapse of the Soviet Union.
Grand Kremlin Palace on the left, with Blagoveshchenskaya (Annunciation) Tower in front of it on the Kremlin wall; in the center, Annunciation Cathedral, Cathedral of the Archangel Michael and Ivan the Great Bell Tower; right, Tainitskaya Tower and the Pervaya Bezymyannaya (First Unnamed)Tower on the Kremlin Wall.
Of the three cathedrals in the Kremlin which are visible in the pictures displayed here, the oldest is the Uspensky Sobor (Cathedral of the Dormition), built between 1475 and 1479. It has five golden domes, symbolizing Christ and the Four Evangelists. It was the official venue for the coronation of Russian rulers from 1547 to 1896.
The next to be built was the Blagoveshchensky Sobor (Cathedral of the Annunciation), completed in 1489. Although it has nine golden domes, four more than the Uspensky, it is the smallest of the three major Kremlin cathedrals. It is the one immediately next to the Grand Kremlin Palace and is actually connected to the Palace. Ivan III had it built as his personal chapel, and from the time of Ivan IV it was the church where members of the royal family were baptized and got married.
The largest of the three, the Cathedral of the Archangel Michael, was begun in 1505 and completed in 1509. Ivan III died in 1505 and was buried there, as were his successors until the time of Peter the Great, when the Peter-Paul Cathedral in St. Petersburg became the burial place of the Russian rulers. The exception was Peter II, who died in Moscow and was buried in the Archangel Michael Cathedral.
The tallest structure in the Kremlin is not a cathedral but the Bell Tower of Ivan the Great. (Ivan III was called Ivan the Great because of his enormous appetite for gobbling up the lands of his neighbors – he tripled the territory of the Muscovite state – as well as for throwing off the Mongol yoke once and for all, promulgating a new law code and renovating the Kremlin.) Like the Archangel Cathedral, it was begun in 1505 and completed after Ivan’s death, in 1508. It has 22 bells, 18 small and 4 large. Napoleon Bonaparte tried to blow it up in 1812, but failed.
On the Kremlin wall, the Tainitskaya and Pervaya Bezymyannaya Towers; Grand Kremlin Palace at left; Annunciation, Dormition and Archangel Michael Cathedrals in center; right of center, Ivan the Great Bell Tower
On Bolotny Island, directly opposite the Kremlin, stands the Saint Sophia Church in Middle Sadovniki (Khram Sofii Premudrosti Bozhiyey V Srednikh Sadovnikakh). Actually, from the river only the bell tower of the church is visible; the main part of the church is hidden behind the bell tower and obscured on either side by large waterfront buildings. I don’t know what was in the flanking structures in 1972, but today the headquarters of Rosneft (Russian Oil), the world’s largest publicly traded oil company and the third largest company in Russia (Gazprom and Lukoil being first and second respectively), occupies the right-hand building, while the one on the left belongs to the Ministry of Defense. The St. Sophia Church dates from the mid-17th century and is thought to have been established by merchants from Novgorod, where St. Sophia’s is the main center of worship. The church gave its name to the Sofia Embankment of the Moscow River, on which it stands. The Soviets closed the church in 1930 and turned it into communal apartments. It was reopened as a church in 2004 and now has its own web page.
Mid-17th century; stands on Sophia Embankment opposite the Kremlin; building next to it is Rosneft HQ
Continuing on past the Kremlin, I encountered the Hotel Rossiya. This was a gigantic hotel built in the Sixties, on the site of what was originally intended for the construction a Stalin-era skyscraper similar to Moscow University, the Hotel Ukraine and the other so-called “Seven Sisters.” The Zaryadye Administrative Building, as it was to be called, would have been the eighth Sister, but that project was canceled after Stalin’s death.
Hotel Rossiya at dusk from Moscow River; Kremlin at left. I did not take this picture; it is one of the Soviet tourist slides I purchased in Moscow, which have lost their color over the five decades since.
The Rossiya as finally built had 3,000 rooms, 245 half-suites, and a 2500-seat concert hall. Counting the central tower, which however was quite small in square footage compared to the main part of the hotel, it had 21 stories. It was designed to accommodate about 4,000 guests and was the largest hotel in the world until 1990, when it was topped by the Excalibur in Las Vegas, but it remained the largest in Europe until 2006.
One of its salient design peculiarities, dictated by the paranoiac Soviet emphasis on security and surveillance, was the paucity of exits. (I encountered the same situation in Moscow State University while I lived there.) This was intended to make it as difficult as possible for guests to enter or leave the building unseen, thereby making it easier for the hotel staff and security forces to keep track of their movements. But this feature had lethal consequences in 1977, when a major fire broke out in the hotel, resulting in the deaths of 42 people, some of whom perished because they couldn’t make it to the few available exits in time.
The hotel had other problems as well. It was noted for surly service, lousy food, ubiquitous cockroaches, bad beds, and radios that received only one station and could be turned off only by unplugging them. It was also considered an architectural blight, tasteless and ugly as well as incompatible with surrounding landmarks, such as the Kremlin. Finally, in 2006, it was demolished. At first the city government contemplated replacing it with another hotel, but eventually the site was converted into a park, which it remains today.
Hotel Rossiya with the Church of the Conception of St. Anna in the Corner on the Moat at right.
Next to the Hotel Rossiya, there stood and still stands a charming little Orthodox church with the improbable name of the Church of the Conception of St. Anna in the Corner on the Moat. I have not been able to find out much about this church, other than that it was built in 1493, and the picture I took of it is not very good; but you can see better pictures of it on the internet. The church survived both the construction of the hotel and its demolition, and now stands by itself in Zaryad’ye Park.
The last couple of photos from my Moscow River cruise are of the Novospassky (“New Savior”) Monastery. The “New” refers to the monastery rather than the Savior, and denotes the fact that it had an antecedent in the Kremlin. The Novospassky dates from 1491, but most of the buildings currently standing were erected in the 17th century. The Romanov family patronized the monastery in the 16th century, and it served as their burial ground. It was heavily fortified (note the white defensive towers anchoring the corners of the walls in the pictures) and withstood sieges by the Crimean Tatars, who sacked Moscow in 1571 and attacked again in 1591.
The Novospassky Monastery, on the banks of Moscow River in the Taganka district
But the Novospassky really came into its own after the Romanovs became the ruling family of Muscovy in the 17th century. In the 1640s they commissioned the construction of the main cathedral of the monastery, the Preobrazhenskii Sobor (Cathedral of the Transfiguration), and other structures followed, including the grandiose bell tower in the 18th century.
Novospassky Monastery: the round white structure with the tent roof is one of the towers that anchor the corners of the wall, with the Cathedral of the Transfiguration (Preobrazhensky Sobor) behind it and the bell tower rising above all in back.
The Soviets used the monastery as a prison and a police drunk tank until the 1970s, when it was turned over to an art restoration institute; but it was returned to the Orthodox Church after the Revolution of 1991.
This post is about two excursions I took in the Moscow area in the spring of 1973 – one to a former royal estate called Kolomenskoye, the other to the Donskoy Monastery in southeast Moscow.
The name Kolomenskoye (accent on the second syllable) owes itself to its location, several kilometers to the southeast of central Moscow on the road leading to the ancient town of Kolomna (now an industrial center; the Kolomna 37D diesel engine was the standard powerplant for Soviet submarines in World War II and after).
Vera posing in a field in front of the Church of the Ascenion at Kolomenskoe, spring 1973.
Kolomenskoye came to prominence as the site of the Church of the Ascension, built in 1532, toward the end of the reign of Grand Prince Vasily III of Muscovy, to commemorate the birth of an heir to the throne, who grew up to be Ivan IV – the Terrible. The church represented a dramatic departure from previous Russian tradition, which relied on Byzantine models, though with distinctive Russian features such as onion domes. The Church of the Ascension drew its inspiration from small wooden parish churches of the Russian north country, which were built with tent-shaped roofs to prevent snow from building up on them during the hard winters. The construction of the Ascension Church in Kolomenskoye started a trend, with tent-roofed churches becoming widespread during the reign of Ivan the Terrible and afterward; it is represented in St. Basil’s Cathedral on Red Square. The trend came to a halt in the mid-17th century with the advent of Patriarch Nikon, who considered tented roofs to be un-canonical. He favored a more flamboyant style with rotundas and rows of corbel arches called kokoshniki, as exemplified in the Church of St. Nicholas at Khamovniki.
Church of the Ascension, built in 1532 during the reign of Grand Prince Vasily III of Muscovy to commemorate the birth of an heir to the throne, who turned out to be Ivan the Terrible
During the Soviet period, a number of old wooden buildings and other objects of historical significance were relocated from various regions of the USSR to Kolomenskoye to ensure their preservation. One such building was the barbican (gate) church of the Nikolo-Karelskoe Monastery. Located in the far north of Russia, in the port of Severodvinsk on the coast of the White Sea, this monastery was one of the first places encountered by English sailors on the Chancellor expedition of 1553 in their quest to open trade with Muscovy. The monastery still exists, but the wooden gateway, which contains a small church, is now in Kolomenskoe Park.
Barbican Church of the Nikolo-Karelskoe Monastery, transported from Severodvinsk by the Soviets
Another object which I suspect was transported from elsewhere, most likely the Far East, was a stone Buddha-like figure standing off by itself in a remote corner of the park. Vera posed next to it with her hands folded just like the statue. Unfortunately I didn’t write down the words on the sign next to it, so I don’t have any information about its provenance, and there is nothing about it on the Kolomenskoye website. Sometime I’ll go back there and rectify that omission.
Vera emulating the pose of the statue. Kolomenskoye Park, spring 1973.
Tsar Alexei Mikhailovich, who reigned from 1645 to 1676, built a great wooden summer palace at Kolomenskoye, which became his favorite residence. Peter the Great, despite his aversion to Moscow, spent time in Kolomenskoye, and his daughter, the future Empress Elizaveta Petrovna, was born in the palace in 1709. Sadly, in 1768 Catherine the Great tore down the palace, which by her time had fallen into decrepitude. She built a new, less grandiose stone-and-brick palace, but it in turn was demolished in 1872. The post-Soviet Moscow city government undertook a full-scale restoration of the 17th-century wooden palace and finished it in 2010, and next time I visit Moscow I’ll be sure to see it.
Donskoy Monastery
The Donskoy Monastery was founded in 1591 on the site where a church holding a famous icon, Our Lady of the Don, had previously been located. The monastery was founded to commemorate the deliverance of Moscow from a raid by the Crimean Tatars. However, it remained a stepchild for many years. The first cathedral was on the humble side – after the cataclysmic upheavals of the reign of Ivan the Terrible, resources were lacking for grandiose building projects. But in the late 17th century, new and generous donations of land and serfs began to flow in, and in 1684 the Regent Sofia Alekseevna began the construction of a much more pretentious cathedral, known as the New or Great Cathedral.
The New or Great Cathedral, built in the late 17th Century
The imposing walls of the monastery, with their stout crowned towers, date from 1686-1711.
Vera standing next to the monastery wall, near one of the corner towers.
The Donskoy Monastery has two gate churches, but I only photographed one of them, the Gate Church of the Tikhvin Icon, which was built in 1713-14. You can see pictures of the other one, the Barbican Church of Sts. Zachary and Elizabeth with its bell tower, on the monastery’s Wikipedia web page.
Gate Church of the Tikhvin Icon, Donskoy Monastery
The flowers in bloom at the Donskoy Monastery were extraordinarily beautiful, and I took a shot of Vera sniffing one of them with the Tikhvin church as background.
Stopping to sniff the flowers at Donskoy Monastery, Spring 1973
I never found out what kind of flowers these were, although my guess is that they are a type of poppy.
Spring flower in bloom at Donskoy Monastery
Like Kolomenskoye, Donskoy Monastery was one of those places where people brought items that they had salvaged from churches and other historical sites demolished by the Soviets to make way for their own typically dreary and banal construction projects. Among these salvaged items were elaborate door and window frames, which were physically inserted into niches carved into the walls of the monastery, with their provenance recorded in plaques embedded in the walls next to them. (Unfortunately, I didn’t note what was written on the plaques.)
Framed Window, Donskoy Monastery
In one of these niches, in which an ornate door-frame was embedded, Vera posed with a funny hat she made from an elephant-ear leaf.
Vera posed in this doorway with an unusual hat that she made from a leaf.
But to me the crowning glory of these reclaimed treasures was the relief of Sergei of Radonezh blessing Dmitry Donskoi. It’s worth relating some of the historical background of this sculpture, for those viewers unacquainted with the events that inspired it.
By 1380, Russia had been under the domination of the Mongol Golden Horde for over a century. But in the 1370s the Golden Horde was weakened by factional rivalries, with several contenders vying for the throne. Meanwhile, Grand Prince Dmitri Ivanovich, ruler of Moscow since 1359, had been acquiring new territories and increasing his power. One of the claimants to the throne of the Golden Horde, a general named Mamai, decided to bolster his authority by taking Dmitry down a peg or two, and went on the attack, meeting the Muscovite forces on Kulikovo Pole near the Don River in September 1380.
In 1380, the most revered spiritual leader in Russia was Sergei of Radonezh, founder of the great Trinity-St. Sergei Lavra (monastery) near Moscow. He generally avoided politics, but he made an exception in 1380. He conferred his blessing on Grand Prince Dmitri and sent two warrior-monk champions to his aid. One of these, Alexander Peresvet, opened the Battle of Kulikovo Pole by riding in single combat against the Tatar champion, Temir-murza. The two killed each other in the first charge. Then the real battle began. After a savage struggle, the Tatars were routed. Grand Prince thereafter became known as Dmitry Donskoi, Dmitry of the Don.
Relief of Sergius of Radonezh blessing Prince Dmitry Donskoy – removed from the Church of Christ the Savior when Stalin had it torn down in the ’30s
Ironically, the person to benefit most from the Russian victory at Kulikovo Pole was Mamai’s strongest rival, Khan Tokhtamysh, to whom the survivors of Mamai’s army transferred their allegiance afterward. Tokhtamysh attacked and burned Moscow in 1392, forcing Dmitry Donskoi to reaffirm his vassalage to the Golden Horde. But Dmitri kept the coveted patent to act as tax-collector of Russia for the Mongols, and thereafter the power of the Grand Prince of Moscow only continued to grow. A century after the Battle of Kulikovo Pole, the Russians under Ivan the Great threw off the Mongol yoke altogether.
The relief St. Sergei blessing Dmitri Donskoy on the eve of the Battle of Kulikovo Pole was created for the Cathedral of Christ the Savior in Moscow in 1849 by sculptor A. V. Loganovsky. On December 5, 1931, the Cathedral was demolished, and Loganovsky’s relief sculpture was rescued and brought to the Donskoy Monastery, where it remains to this day. Although the Cathedral of Christ the Savior was rebuilt after the collapse of the Soviet Union, the original relief of St. Sergei blessing Dmitry Donskoi was not restored to it; instead a version replicated in bronze was installed.
Pyatnitskaya Bashnya at left, Svyatye Vrata (Holy Gate) - entrance - in center
In the fall of 1972 – I don’t remember what month it was exactly, but the leaves had all fallen from the trees and the days were growing very short – I went with my fellow American exchange students on our first trip outside Moscow. Our destination was the Trinity-St. Sergius Monastery, located about 70 kilometers from Moscow in a town then called Zagorsk. The pre-Revolutionary name of the town was Sergiev Posad. The Bolsheviks didn’t like this name because of its religious connotations, so they renamed it to Zagorsk to honor a revolutionary martyr named Vladimir Mikhailovich Zagorsky, who had served for one year as head of the Bolshevik Party in Moscow before being assassinated in September 1919. (After the collapse of the Soviet Union in 1991, the town reverted to its pre-Soviet name.)
Street scene in the town of Zagorsk, which has since reverted to its pre-revolutionary name of Sergiyev Posad.
The Trinity-St. Sergius Monastery occupies a pre-eminent position among all the religious institutions of Russia. It was founded in 1337 by the monk St. Sergius of Radonezh (1314-1392), who became the patron saint of Muscovy in 1422. In that year also the wooden church that he built was replaced by a stone cathedral. A second cathedral was added in 1476, and a third was completed in 1584. In 1550 the wooden palisade walls were replaced by stone walls. This helped the monastery to survive the catastrophic years of the late 16th and early 17th centuries largely unscathed; it survived an 18-month siege by the Poles in 1608-10 and a shorter one in 1618. All the while the monastery continued to accumulate land and peasants, and it eventually became the wealthiest landlord in Russia.
Entrance tower at left. Sushil’naya Bashnya at right. At center, behind the wall, is the tower of the Refectory.
Tsar Peter the Great, in the days before he became great, used the monastery as a refuge when he was feared that the minions of his half-sister Sofia were coming after him.
The Trapeznaia Palata (Refectory) at Trinity-St. Sergius Monastery
The first structure we encountered on entering the monastery was the huge Refectory, or dining hall. Built in the late 17th century, it occupies over 500 square meters and is painted in a striking checkerboard design.
Another view of the Refectory. The small building in front of it with cross on top is the Refectory Church.
Proceeding further, we came to the imposing Annunciation Cathedral (Uspensky Sobor). (For those unfamiliar with the terminology, the Annunciation signifies the announcement of the Incarnation of Jesus to Mary by the angel Gabriel [Luke 1:26–38]). It is much larger than the Uspensky Sobor in the Moscow Kremlin.
Uspensky Sobor – Assumption Cathedral. The structure at left is the monastery’s bell tower, erected in the 18th century.
Ivan IV commissioned the Uspensky Sobor in 1559, but it was not completed until 1584 – 26 years later. It has a celebrated iconostasis featuring an icon of the Last Supper painted by Semen Ushakov, which is considered his masterpiece.
Detail of the Uspensky Sobor – frescoes under the arches
In 1644, monks digging a trench in connection with repairs being made to the southwest corner of the Uspensky Sobor unexpectedly found water flowing which, according to legend, was subsequently found to have healing powers. One monk was miraculously healed of blindness, the story goes, while a servant who expressed disbelief was stricken dead. Other miracles followed, and in the late 17th century a chapel was built over the spring in Moscow Baroque style.
The Assumption Wellspring Chapel (Vodosvyatnaya Chasovnya-Sen’), next to the Uspensky Sobor. I don’t know the identity of the man in the hat; he was probably just a KGB agent sent to keep tabs on us.
Later, a well was dug near the chapel and a canopy or gazebo was erected over it; a cast-iron cup was provided so that people could draw drinking water from the well. According to one account, when the Bolsheviks closed the monastery in 1920, the gazebo was removed, but restored when Stalin allowed the monastery to be reopened in 1945. In any case, it was there when I visited in 1964.
The gazebo over the Assumption Wellspring, with the Wellspring Chapel at left and the Cathedral of the Holy Spirit at right. I don’t know anything about the monument in front of the cathedral.
Continuing on, as if moving backward in time, we encountered the Church of the Holy Spirit (Dukhovskaya Tserkov). To build this church, Grand Prince Ivan III invited craftsmen from Pskov; they introduced the use of glazed tiles for decoration. It has a bell tower on top, one of the few surviving Russian churches with this feature; bell towers in Russia are usually separate from the church itself.
Dukhovskaya Tserkov’ (Духовская церковь), commissioned by Ivan III in 1476. The Trinity Cathedral is in the background.
Finally we arrived at the original stone cathedral, the Trinity. In 1389, a fateful battle took place between the forces of the Ottoman Turks and the Serbian army of Prince Lazar, in the aftermath of which the Ottomans absorbed Serbia into their empire. Some Serbian monks, refusing to serve a Muslim ruler, sought refuge in Russia, and made their way to the Trinity-St. Sergius Monastery, where they ended up building the Trinity Cathedral in 1422.
Trinity Cathedral (Troitskii Sobor) – built 1422-23 – the oldest church in the monastery.
The great Russian icon painters Andrei Rublev and Daniil Chornyi also became involved, contributing their matchless frescoes. The Trinity Cathedral became the final repository of the relics of St. Sergius, who had died in 1392.
Another view of the Trinity Cathedral, looking back toward the Refectory from the Bell Tower.
Retracing our steps back past the Uspensky Sobor, we came to the bell-tower. Peter the Great’s daughter Elizabeth, who became Empress of Russia in 1741, greatly favored the monastery and even made annual pilgrimages there on foot. She elevated the monastery to the status of a lavra (premium-grade monastery), and commissioned a baroque bell tower, which however was not completed until 1770. But at 88 meters (288 feet) high, it was taller than the Ivan the Great bell tower in the Kremlin.
Baroque bell tower, commissioned by Empress Elizabeth in the 1740s and completed in 1770
Also added to the monastery during Elizabeth’s reign was the Church of Our Lady of Smolensk, begun in 1746 and completed in 1753. This church was built to house an ostensibly wonder-working stone-carved icon, the original of which is now kept in the Sergiev Posad Historical-Artistic Museum, with a copy substituted for it in the Smolensk Church.
Left of center, tent church of Zosima and Savvaty; center, Kalichya Tower; right, Church of Our Lady of Smolensk
Visible behind and to the left of the Smolensk Church in the picture above is another 18th-century addition, the Kalichya Tower, on the northern wall of the monastery. This was completed around the same time as the Bell Tower and resembles it in architectural style and many details. The green tiles covering the roof were added later, in 1793, and are a feature shared with the Troitskaya Tower of the Kremlin. Like the Utochya Tower, it is a gated tower.
There is a third structure in the picture above, which also shows up in the center of the next photo. This is the tent church of Zosima and Savvaty, built in 1635-37, oddly enough on the top of the monastery hospital building. It was named for two of the founders of the Solovetsky Monastery on islands in the White Sea in the far north of Russia. Unfortunately, it leaves out the person who was mostly responsible for the establishment of the church, the Cellarer (Master of Provisions) Alexander, who migrated from the Solovetsky monastery after the Time of Troubles and worked tirelessly over the decades following to repair the destruction wrought by the Polish sieges and other disorders of that grim era.
Here the tent church of Zosima and Savvaty is seen in the center, with the top of the Carpenter Tower (Plotnichaya Bashnya) visible above the building to the left of it, and part of the Bell Tower on the right.
As I already mentioned, the Soviet regime shut down Trinity-St. Sergius Monastery in 1920, distributing its buildings among various government agencies or turning them into museums. The Soviets also removed many of the valuables and especially the bells. However, the sacristy collections and the relics of St. Sergius were saved, largely through the efforts of Pavel Florensky, an Orthodox priest and theologian as well as a mathematician and electrical engineer, who after the 1917 Revolution had worked for the Soviet government as an electrical engineer. For these crimes, as well as others such as publishing a monograph on geometry in which he drew a religious link to imaginary numbers, and being recommended for a job by Leon Trotsky, he was arrested and eventually executed in 1937.
During World War II, the Soviet government made some gestures in the way of improving relations with the Orthodox church, culminating in the return of the Trinity-St. Sergius Monastery to the church in 1945 and the resumption of services in the Assumption Cathedral in 1946.
I arrived in Moscow on a flight from Paris one day in August, 1972 and was immediately ejected and tossed on the plane going back to Paris.
I had committed the unforgivable sin of arriving without a visa. The International Research and Exchanges Board in New York, the agency that oversaw the academic exchanges between the USA and the USSR, was responsible for procuring the visas for the exchange participants. To ensure that they would be able to send the visas to the right addresses at the right times, they required the participants to keep them informed of their movements during the summer prior to departure.
I was living in Washington, D.C. during June and July 1972, doing research in the Library of Congress on my dissertation topic. I took a short vacation to Southern California in late July, then flew to Paris. All the participants were to take the same flight from Paris to Moscow. I hadn’t received my visa by then, but I wasn’t worried about it. I figured that IREX would send the visa with their representative on the flight to Moscow. That was the procedure which had been used on my previous visit to the USSR in the summer of 1964. I spent a day or so visiting Alan Williams, a fellow graduate student from Yale, who was spending his year abroad doing dissertation research in Paris, before catching the plane to Moscow.
The joke was on me. When we arrived at Sheremetevo Airport in Moscow, everyone pulled out their visas – except me. Nobody came running up to me on the plane with my visa.
We were met at the airport by representatives of the Ministry of Education, who quickly took in the situation and contacted their superiors at the Ministry to get a copy of my visa. They knew I had one, I was on their list. While we were waiting for the visa to arrive, some jerk of a border guard lieutenant, turning a deaf ear to the Ministry’s reps, grabbed me and tossed me back on the plane.
Back in Paris, I contacted IREX to find out what was going on. It turned out that they had sent my visa to American Express in Paris, but had neglected to tell me about that. I guess they expected me to figure it out on my own. I retrieved the visa and booked another flight to Moscow. IREX covered it, but they said that I would have to pay them the money back – both for the return flight from Moscow to Paris, for which I had to sign a promissory note, and the second flight from Paris to Moscow. That was kind of a distressing prospect, because as a graduate student I didn’t have a lot of money and the repayment would cut heavily into my finances.
As it turned out, I never had to reimburse IREX for the extra flights. I did have to write them an explanatory letter, and they eventually figured out that they had dropped the ball, or at least thrown it to the wrong base.
That was the inauspicious beginning to my year in the Soviet Union. When I finally arrived at the airport for the second time, I was whisked off to a temporary hostel somewhere in Moscow for a few days while awaiting assignment to permanent quarters in Moscow University. I was “entertained” by a group of young men who purported to be students. They all spoke excellent English and some of them claimed to have lived in the USA as sons of diplomats. I figure they were assigned to evaluate me and determine what kind of threat I represented to the Soviet regime. No matter – they were genial and hospitable, and I passed the time well in their company.
After a few days I was able to move into my room on the 5th floor of Zona V of the main building of Moscow State University (abbreviated MGU after its Russian initials) in Sparrow Hills. The rooms in MGU were grouped into “blocks”, two rooms to a block, sharing a common entrance, toilet and shower. The rooms were quite small, and the Soviet students were assigned two to a room, four to a block, so their quarters were rather cramped. The exchange students, such as me, had one room to themselves, so that our roommates were really block-mates, and we had relative privacy. I had even more privacy at first since my assigned block-mate didn’t arrive until I had been there a month or so.
The main building of MGU consists of a central tower of 36 stories flanked by two huge wings that branch out like tuning forks. The place is gigantic, with 33 kilometers of corridors and 5000 rooms. It was one of the “Seven Sisters” – giant skyscrapers which Joseph Stalin ordered to be constructed around Moscow during the post-World War II era, in his favorite architectural style, a combination of Russian Baroque and Gothic, sometimes characterized as “Stalinist wedding-cake.” It was built in 1953 using gulag convict labor, and it had some of the features of a prison. Access was strictly limited. There was a fence around the building with entrances manned by babushki – older women who provided much of the clerical and menial labor for the Soviet workforce and whose duty was to check everybody’s passes to make sure that no unauthorized persons got in or out. Further control points were distributed inside the building at the entrance to each korpus (ward or section). You had to show your pass to get on an elevator to go to your room. Out of as many as eight elevators for each ward, only one or two would be kept running at a time, so that you generally had to wait in line to get into an elevator to go to your room. Moreover, for the corner towers of each ward the elevators were staged – that is, if you had a room in one of the corner towers you would have to take one elevator to get to the top floor of the lower ward, then another to get to your room in the tower. Luckily, I and the other American students had rooms in the lower floors, which were easy to access.
Moscow University courtyard, 1972. At some point during the year a staircase at one of the entry points to the building collapsed. Luckily it happened in the middle of the night and nobody was hurt.
There was more. Although the building had been constructed with portals allowing people to pass from one wing to another on each floor, all of these were sealed off, so that if you wanted to visit someone who lived in a different wing, you had to exit your ward, and sometimes even the building, go to another entrance, show your pass, explain where you were going and why or try to sneak past the guards, and then wait for the elevator.
Despite the controls, unauthorized people did manage to get in, and it was known that there were many, perhaps hundreds, of people living there whose student status had expired or who had never even been students in the first place. To deal with this situation, the authorities conducted random sweeps, unannounced in advance, to check the passports of everybody in the building. These were conducted by student officials. The same persons also conducted pre-announced periodic military-style inspections of the student rooms for cleanliness and good order. I recall that on one occasion, a gigantic Arab, at least six and a half feet tall, came to inspect my room with white gloves. He ran his glove over the top of the door and found dust on it. He then proceeded to act as if he had unearthed some heinous crime. I thought he was going to haul me off to the brig. He relented and became more courteous when he discovered that I was a foreigner and an American. It also turned out that he was an officer in the Egyptian army as well as a student at MGU.
The first month of our stay, all the American students were required to attend a class to bring us up to speed on our command of Russian. Most of us needed it. There were two instructors, both women. They were extremely competent and very personable. I improved my fluency in Russian a great deal in the class and thought it was in some ways the best part of the year.
Sometime in that first month, I started getting visits from a youngish woman in a short skirt and high leather boots, who said she was looking for a graduate student named Ronald Feldstein from Princeton, who had been there the previous year. This was clearly a pretext to come in and talk, and maybe drum up some trade. She said her name was Laima and she was from Latvia. Each time she showed up, she stayed and talked a while. She began by telling be how bad my Russian was. I already knew that. She also liked to tell me how brilliant and extraordinary Ronald Feldstein was. I never did find out how well she had known Feldstein, and I figure she was probably just using his name to get her foot in the door. She also liked to tell sex jokes, which to me was a clear indication of what her game was. She was not bad-looking, but her manner put me off, and it was easy to imagine she was there for some nefarious purpose, like perhaps trying to get some compromising information that the KGB could use to blackmail me with. I didn’t bite, and her visits soon ceased. She also visited other Americans in our party, who told much the same story. We called her Crazy Laima.
At the end of the first month, I got a roommate. I think I was the only American who got a roommate who wasn’t from the Soviet Union. His name was Waldemar Ariel Camaño-Brañas and he said he was from Uruguay but had gone to university in Brazil. When I asked him how he had ended up in MGU, his reply was a bit vague – something to the effect that the Soviets accepted students from all over the world. Ariel, as he preferred to be called, was very personable, outgoing, and generous. He helped me as well as some of the other American students get acquainted with the university facilities, with Moscow, shopping, dining, in general learning the ropes. He got to know some of the other foreigners in the ward, including some Scandinavian exchange students, and introduced us to them. (They had great parties and were in general lots of fun.) He even took me to the Uruguayan embassy and introduced me to some of the people there. He got us great coffee from the Brazilian embassy. And so on.
It soon became apparent that he was really disillusioned with the Soviet Union. He had nothing good to say about it. He was paranoid about being spied upon. He kept looking for microphones in the rooms, and thought he found where they were embedded in the wall. One time the American Communist professor Angela Davis came to Moscow University to give speeches supporting, among other things, the Soviet invasion of Czechoslovakia in 1968. We could see her in the auditorium where she was speaking from our dorm windows. Ariel grabbed an imaginary AK-47 and mimicked shooting at her.
Of course it turned out in the end that he was working with the KGB. Not that he was doing it voluntarily, at least not by the time I got there. As far as I could gather, when he first came to the Soviet Union, he had been a dedicated Communist, and the Soviets took care of his finances. As time went on his enthusiasm for Communism had withered, but to keep his stipend he had to perform services for the regime, which involved reporting on other foreign students to the KGB. But he didn’t feel good about it, and he wanted out. The trouble was, by that time he couldn’t go back to either Uruguay or Brazil; he was persona non grata to the authorities there, and they either wouldn’t let him in or would clap him in jail once he got there – it wasn’t clear which. But his handlers in the KGB had by that time gotten wind of his distaste for his assignments, and they cut off his stipend in the middle of the school year. At the time he told us that they had said to him something like “You people are all alike. You lose faith [in communism] and you go and sell yourselves to the Pope!” So he was in a dilemma. He had no money, and he could neither go nor stay.
He resolved the situation in an interesting way. One of the women he was involved with – there were several – was from Denmark, and he made known his situation to her. She invited him to come to Denmark and live with her and her husband until he could find a job. Around the end of December, I think it was, he left. I gave him $100 to help out with expenses. A few months later I heard from him again. He said that he was going to Sweden under the auspices of the same organization that helped the American draft-dodgers to find refuge there, and he needed more money, and could I send him some? I couldn’t. Later I heard from some of the other Danes and Norwegians who knew the couple he had been living with that he hadn’t shown much motivation, hadn’t really tried to find a job, etc., and finally decided to seek greener pastures. I never heard his side of the story, so I don’t really have a good idea of what his situation was in Denmark. In any case, I never heard from him again. I hope he finally found a niche somewhere.
After Ariel left I knew that I would be assigned a new roommate sooner or later; it would probably be a male Soviet student, and for various reasons I didn’t particularly relish the prospect. Around the same time, another member of our American IREX contingent, Chris Buck, a fellow graduate student from Yale, had a change in his circumstances. His wife Michelle left to go back to New Haven – they were en route to a divorce – and like me, he didn’t relish the idea of having to adjust to an unknown new roommate either. So we applied to the university administration to become roommates with one another, our request was immediately approved, and I moved into the second room of his block on the third floor. This made matters very convenient for us. I had a Russian girlfriend, Chris very shortly acquired one of his own, and if the powers that be wanted to listen in to our activities via microphones in the walls, assuming there were any, that was fine with us, but we preferred not to have roommates who might report on our comings and goings.
By then I also had contacts outside Moscow University that would not have been especially palatable to the Soviet regime. One of my fellow graduate students in Russian history and his wife had been on the IREX exchange in the spring of 1972, and they passed on to me one of their acquaintances, Boris Khazanov, who worked for the Soviet Academy of Sciences as a computer economist. He was Jewish and wanted to emigrate from the Soviet Union. This was the era when the Brezhnev regime was in theory letting Jews emigrate but putting all kinds of obstacles in their path. One way of making it difficult was to simply drag their heels on processing the application; another was to raise all kinds of legal obstacles, such as prior employment in jobs that gave access to sensitive military or scientific employment. Fortunately Boris didn’t have to worry about that. Still another way was to make would-be emigres pay for the education they had received at state expense, and since all education in the Soviet Union was at state expense, that could add up to a considerable sum of money, depending on how much education one had obtained. Boris of course had a lot, and I think the fee for him was about 90,000 rubles, which at the official ruble-to-dollar exchange ration of 1:1.3 or so would have been $117,000, a hefty sum of money. (Not that the official rate meant much in those circumstances; even though Soviet salaries were low, rubles were not so hard to come by via borrowing because there wasn’t much worth spending them on.) When Boris applied to emigrate, just before I arrived in Moscow, he was fired from his Academy position, which would have made it hard for him to stay afloat financially, were it not for the fact that the regime neglected to fire his wife from her job as an English teacher, so they were able to eke out a living on her salary. But the financial aspect was the lesser of his worries; the major obstacle was simply the bureaucratic refusal to grant him the foreign passport. That was where he was when I showed up. The role I inherited from my predecessors was to pass Boris’ letters to people in the West who might help him get out by raising a fuss in academic and scientific circles and thereby embarrassing the Soviets – people like the famous economist Paul Samuelson. If Boris sent his appeals via the regular Soviet post, they would be subject to scrutiny or censorship, or quite likely simply trashed. I was able to send out his letters unhindered through the American Embassy’s secure diplomatic post, to which we as exchange students had access.
In return for my help, which to be honest involved little effort or risk on my part, Boris did a lot to make my stay in the Soviet Union more pleasant and edifying. He took me on walking tours of Moscow and showed me sights that I would never have found on my own. He got me tickets to concerts, plays and ballets, including the Bol’shoi Theater and the Moscow Conservatory, which I would not have been able to obtain otherwise. He also passed me on to a friend of his named Oleg in Leningrad who showed me around that city when I was there. I’ll have more to say about Oleg when I get to the post on Leningrad.
But while I was hobnobbing with Boris, in the fall and winter of 1972, a curious episode occurred which, although it doesn’t reflect well on me, I’ll relate anyway, omitting the names of most of the participants to protect the guilty. One day out of the blue I received a letter from a fellow graduate student at Yale, who informed me that she was dating a guy, I’ll call him Sam, who had also been on the IREX exchange in spring 1972 and who knew Boris. He had told her that Boris, contrary to what he had told me, had actually been involved in highly classified work with the Academy of Sciences, that the Soviets would therefore never give him permission to emigrate, and that Boris was not to be trusted and I could get in big trouble with the authorities for associating with him. Needless to say I was dismayed to hear this. It was all the more believable since Sam was himself Jewish and could be expected to at least feel some empathy with persons of similar ethnic background. I wrote to the couple at Yale who had passed Boris on to me, asking for clarification, and in the meantime told Boris that something had come up and I would have to stop seeing him for a while. A few weeks passed before I got a reply from my friends at Yale. They berated me in no uncertain terms, and rightly so, for believing hearsay and for abandoning Boris. They also had a few things to say about Sam – to put it as kindly as possible, he was apparently prone to pose as an authority on subjects he knew nothing about. It turned out that Sam, indeed, knew not whereof he spoke; I shortly resumed relations with Boris and continued to pass on his letters, with no adverse consequences. The Soviet authorities finally did relent and allow Boris to emigrate – he left the USSR with his wife and daughter in the spring of ’73, while I was still in the Soviet Union – and subsequently settled in Boston, where he immediately found a job and, as far as I know, lived happily ever after.
After that episode, and Ariel’s departure, things settled down a bit. And it was during the remainder of the winter and the spring – January through May of 1973 – that I did most of my traveling in the Soviet Union. But I also continued to explore Moscow, and that is where this photographic odyssey sets forth.
Our four-day sojourn in Paris was intended, I think, as a time to unwind and relax after an intense, sometimes stressful, two weeks in the USSR and a grilling on our experiences there by the emigre scholars of the Institute for the Study of the USSR in Munich after our return. It didn’t entirely turn out that way.
Seine – Pont des Arts in foreground, Pont du Carrousel in back
It’s well known that August is not the best time of the year to go to France. Most French people insist on taking vacation the entire month, or as much of it as they can, and those who can’t, e.g. because they have to stick around to cater to tourists foolish enough to venture to France in August, are generally not in a jovial mood, and even less inclined than usual to be nice to stupid Americans who can’t speak or understand French perfectly – people like me.
Musee d’Orsai – Formerly a railroad station, now houses art collections.
That said, I still had a good time in Paris and, although I found the Parisians sometimes curt and impatient, I encountered no outright rudeness or hostility. What I did encounter was more bizarre and unexpected, and I’ll be relating that shortly.
Sculpture by Baron Charles-Arthur Bourgeois, 1868. Encountered in Le Jardin du Luxembourg, Paris.
I didn’t try to take in all the major tourist sights while I was in Paris. Instead I spent much of the time wandering around the streets, either alone or in company with my fellow-students from the Munich Institute and the USSR trip.
One place where I did encounter a bit of outright rudeness was not in Paris itself, but in the Air France Boeing 707 on the way there from New York – that was before Munich and the USSR trip. At one point I asked for a glass of champagne, and received a curt “Non” in response (and I was not under-age; I was 23 at the time). I think the stewardess was just too busy at the time. Far more unpleasant was the person in the seat behind me, an American woman, who became enraged when I reclined my seat slightly, and started pounding on the back of it with her fist. I retaliated by reclining my seat all the way back, upon which she shouted “ARE YOU CRAZY?” I replied “Yes, and crazy enough to do you serious harm if you continue in this vein,” or words to that effect. Actually, I didn’t really say that, because before I could, the flight attendants stepped in and calmed her down, explaining that everyone had the right to lean their seat back. And this was in the days when seats in jet airliners weren’t quite the cattle-feed-lot cages that they are now, and you had a lot more space to move around.
Place Saint-Michel – Site of the Font Saint-Michel
I found Paris itself delightful, enjoyed strolling along the Seine and seeing the parks, monuments and fountains. One fountain that caught my fancy was the Font Saint-Michel, dating from 1860, depicting the Archangel St. Michel and the four cardinal virtues. On either side there is a dragon which spews water into the fountain.
So I didn’t visit the Louvre or ascend the Eiffel Tower on this visit (in fact I still haven’t done either). But on the second day I did take the train out to Versailles, along with Diane, one of the girls from the USSR trip. All of my remaining Paris photos – at least those which have survived – are from Versailles.
Diane and Andrei at the Palace, Versailles
Diane and I sat opposite one another on the train, in window seats. I was reading a copy of the English-language Paris edition of the New York Herald-Tribune. This was 1964, and there was a front-page article about race riots in Patterson, New Jersey. A young couple came and sat down in the seats next to us and started talking volubly in French. The woman sat next to me, the man next to Diane. Diane, who had complained a lot about the conditions on the trip in the USSR, said to me, “These French stink almost as bad as the Russians do.” She hadn’t noticed that the girl also had a copy of the Herald-Tribune and said at one point, regarding the article about race riots, “Je pense que c’est une étude bourgeoise.” A few minutes later she turned to me and said, “I’m from Patterson, New Jersey.” It took me a minute to realize that she was speaking English and when I didn’t say anything immediately, she repeated, “I’m from Patterson, New Jersey.”
Parterre du Midi – Gardens of Versailles
The girl’s name, as it turned out, was Sharon Gordon. She was indeed an American and I presume that her claim to be from Patterson, New Jersey, was genuine, though it could have been just a conversational ploy to get my attention. What definitely was phony was that she claimed to be working for the “Socialist” Party in Paris. As we got to know each other, during the course of a long day in Versailles, it became increasingly clear that she had more than socialist leanings – she was seriously pro-Soviet. Moreover, her boyfriend, as I took him to be, was also not French: he was Soviet, his name was Andrei, and he claimed to be from Moldavia, the son of a captain in the Soviet Navy.
Versailles: Bassin (Pool) et Escaliers (staircases) de Latone
Diane, who had been put off by the couple from the start, was increasingly less interested in keeping company with them as the day wore on; also it was a warm day, she became overheated and tired, and before long she made her excuses and headed back to Paris. I continued to wander around Versailles with Sharon and Andrei, and got to know them a little better, especially Andrei.
Ornate marble vase in the gardens at Versailles
Andrei – I don’t remember his last name, or even whether he ever told us what it was – turned out not to be Sharon’s boyfriend, at least not on a permanent basis – it was clear that they had been sleeping together, but apparently only on a casual basis. In fact he claimed to have another American girlfriend, whom he wanted to marry. He said that he would like to get together with me again while I was in Paris, and before we parted we made arrangements to meet the following day.
Flowerbed, gardens of Versailles
Meanwhile I continued my explorations of Versailles. After touring the main palace, I strolled through the gardens roundabout. These were and are formal French parterre gardens, which are highly structured and elaborately designed, featuring flowerbeds and hedges shaped into intricate geometric patterns and symmetrically distributed amidst pools and pathways.
Statue of Laocoon and his sons being strangled by snakes sent by Poseidon to keep him from blowing the whistle on the Trojan Horse. This is a copy; the original is in the Vatican. The couple to the right are Sharon Gordon and her friend Andrei.
From the French gardens, I continued on to the outlying areas of the Domain de Versailles, in particular Le Grand Trianon, Le Petit Trianon and Le Hameau de la Reine. The Grand Trianon was built initially as a retreat for Louis XIV, in which he could escape the constricting etiquette of the Palace (nevermind that it was he who had established the elaborate and rigid protocols of Versailles in the first place). The Petit Trianon is a much smaller chateau, built during the reign of Louis XV for the King’s mistress, Madame de Pompadour. She died before it was finished in 1668, but upon its completion Louis XV bestowed the Petit Trianon on his next mistress, Madame du Barry. When Louis XVI succeeded to the throne in 1774, he gave it to his Queen, Marie Antoinette, who was responsible for the next addition to the Versailles complex, Le Hameau de la Reine – the Queen’s Hamlet, a rustic retreat near the Petit Trianon.
Temple de l’Amour, near Le Petit Trianon, Versailles
The first structure I encountered on my way to the Hamlet was the Temple of Love, a classical rotunda built in 1777, well before the Hamlet itself, which was constructed between 1783 and 1785. The Temple is situated in an English garden, which is less ordered and more natural-looking than the formal, highly stylized and “manicured” French gardens that surround the main Chateau of Versailles. Since the Temple was merely a rotunda with columns and provided no privacy, I doubt whether much love actually took place there.
Temple de l’Amour, Le Hameau de la Reine, Versailles
Le Hameau de la Reine was created as a place for Marie Antoinette to meet informally with her friends and to amuse herself by playing at being a peasant, while nevertheless being surrounded by all the comforts of aristocratic life. It includes among other things a working dairy farm, which supplied the Queen with milk and eggs; vineyards, orchards and vegetable gardens; streams, fishing ponds and meadows; a mill; and a barn which doubled as a ballroom.
La Maison de la Reine (Queen’s House), the largest building at Le Hameau de la Reine, a rustic retreat built for Marie Antoinette in the park of Versailles.
The buildings of the Hamlet are done in a peculiar style that combined Norman-French with Flemish elements. The largest building in the Hamlet is La Maison de la Reine, which contained the Queen’s private quarters, parlors and salons.
Doorway of Queen’s House in Le Hameau de la Reine
La Maison de la Reine actually consists of two buildings connected by a covered gallery. The first contains, on the ground floor, a dining room and “game room” used for playing backgammon. The upper floor contains a salon where the Queen could meet with her guests; an anteroom known as the “Chinese Cabinet”; and a living room with a harpsichord which the Queen herself played. The second building has a billiard room and a five-room apartment with a library.
Le Moulin – The Mill. The mill wheel is a fake, having been put in for appearances only. There was no mechanism for grinding grain in the structure.
Though the Mill had an operating waterwheel which was turned by a stream flowing from one of the ponds, no grain was ground there, because no mechanism for that purpose was installed inside the building. The waterwheel was for decoration only. The building actually housed the Hamlet’s laundry facilities.
Le Boudoir, an intimate meeting place for the Queen and one or two friends.
The smallest structure at Le Hameau de la Reine was known as Le Boudoir, which provided the Queen a place for solitude or for intimate meetings with a few of her friends. Le Boudoir probably contributed to the image in the popular mind of Le Hameau as a place where the Queen held wild orgies and cavorted with various male and female lovers (which was not true).
Back in Paris, I met up again with Andrei and Sharon, and became more closely acquainted with them (or at least with Andrei) than I would have preferred. I’ve already mentioned that Andrei claimed to have an American fiancée. He further related that while in Paris she had a nervous breakdown and had to return to the States, where she had been committed to a hospital, and could not now return to France. For his part, as the son of a high-ranking Soviet military officer, he could not go to the US except on a tourist visa, under which marriage was not allowed. He asked me whether I had any idea how he could find a way around this obstacle. I was at a complete loss as to how to respond to him, and furthermore his story seemed rather dubious to me. If his girlfriend was a nut case, why would he want to marry her? And why was he involved with Sharon, and what was she all about? It had already become apparent that she was, if not a Communist Party member, at least an outspoken Soviet sympathizer. Every time I made a remark about our trip to the Soviet Union which could be interpreted in any way as disparaging, Sharon would immediately jump to their defense, following with disparaging comments about the USA and Western Europe. By contrast, Andrei at one point assured me that “Mon amie est beaucoup plus Marxiste que moi.” But the question remained of what he was doing in Paris in the first place. He claimed to be studying at a technological institute. In the first place, the Soviet Union had excellent technical colleges of its own; but more to the point, Soviet citizens didn’t get to go abroad to study, or for any other purpose, unless they were exceptionally well-connected. When I commented on this to Sharon, she simply retorted, “Destalinization.” No. Destalinizaton never went that far. Andrei was obviously a member of a privileged elite, and as such he would have been sent abroad for other purposes than just to study.
I introduced the couple to some of the other Americans in our party, including Professor Frey, who immediately discerned that this was no chance encounter and that they were suspicious characters, to say the least. I remained nonchalant about it because I didn’t want to jump to any conclusions, and they didn’t seem to pose any particular threat. Of course it was obvious by now, if it hadn’t always been, that they were Soviet plants – what, really, are the chances of two American tourists just returned from the USSR encountering an American Commie and a Soviet military brat in Paris by coincidence? — And was it just by chance that they happened to sit down in seats next to us on the train? Yeah, right. Still — for what purpose were they set on us? It wouldn’t be likely that they were going to pry any key secrets out of us, because we didn’t have any. Nor would it be to prevent us from indulging in any further nefarious (from the Soviet point of view) activities in Paris, because there was nothing there to do except see the sights. My take on it was and is that the KGB had put them on us just to needle us a little, let us know that they were watching, that they were aware of our association with the Institute and Radio Liberty, and they would keep track of us for future reference. There were of course other possibilities, but they seemed unlikely. Maybe Andrei’s remark to the effect that Sharon was much more Marxist than he as possibly an attempt to disarm me a little, get me to drop my guard by playing the “good cop” as opposed to Sharon’s “bad cop” act. Maybe he hoped I could help him find some way of infiltrating the USA for espionage purposes. Maybe the KGB knew I was about to go into the Navy and wanted him to try to recruit me as a potential spy. At the time I dismissed all of these thoughts as excessively paranoid, and still do. On the other hand, as Henry Kissinger famously said about Muammar Qaddafi, “Even paranoids have enemies.” I’ll never know for sure – the encounter in Paris with Sharon and Andrei had no further consequences that I knew of, I never heard anything from or about either of them again, and the whole episode remains an enigma to this day.
Kiev, the last stop in our two-week tour of the USSR, is known as the “Mother of Russian cities”. Its significance for the emergence of Eastern Slavic civilization is gauged by the name by which the first Russian state is known to history – Kievan Rus. In the 9th and 10th centuries CE Kiev was the seat of powerful rulers who converted the Eastern Slavs to Christianity, subdued the nomadic tribes of the steppe, and carried on trade with the Byzantine Empire, which became their cultural paradigm. Eclipsed for centuries by the rise of rivals to the north and the Mongol conquests of the 13th century, Kiev eventually regained prominence as a provincial capital of the Russian Empire, of which it was the third largest city after Moscow and St. Petersburg. In the Soviet Union Kiev became the capital of the Ukrainian Soviet Socialist Republic; and after the collapse of the Soviet Union in 1991, Ukraine became an independent state, with Kiev as its capital.
A shot of the Ukrainian countryside en route to Kiev, taken in defiance of Soviet rules against shooting photos from trains.
Kiev is a very green city, with lots of trees and parks. I wouldn’t have expected this, because I always think of the Ukraine as being a treeless steppe. Not so Kiev.
Kiev – a view of the Left Bank from the Right Bank of the Dnepr River
Kiev was originally built on the west (“right”) bank of the Dnepr River, and did not expand to the east (“left”) bank until the 20th century. The city center and most of its attractions are on the right bank, with the left bank (at right in the picture below) consisting of residential and industrial districts.
Bridge across the Dnepr River at Kiev
We spent our first day in Kiev visiting its two major historical and religious sites, the Pecherskaia Lavra and the Cathedral of St. Sophia.
Kiev – Pecherskaia Lavra
Pecherskaia Lavra is best translated as “Monastery of the Caves.” Founded in the eleventh century CE, it soon became one of the most important centers of Orthodox Christianity in Eastern Europe, and has remained so ever since. It functions both as a museum and a working monastery, the headquarters of the Ukrainian Orthodox Church.
Pecherskaia Lavra – Bell Tower at center, domes of monastery churches to left of center
There are indeed caves at the Pecherskaia Lavra, and the monks lived in them and are buried in them. We toured the caves, as well as the rest of the complex, and viewed the remains and relics of the monks in the catacombs as well as various objets d’art – icons, crucifixes, chalices, textiles, etc. – in the museum collections.
Restoration work; large dome at right belongs to Refectory Church
The monastery suffered extensive damage during World War II; its main church, the Dormition Cathedral, was destroyed, and for years afterward the Soviets dragged their heels on restoration work – the cathedral was not fully reconstructed until 1995, after the Ukraine became independent. But the Refectory Church, shown at right in the picture above, dating from the nineteenth century, was impressive.
Babushki and a youth visiting the Pecherskaia Lavra
While strolling the grounds of the monastery, I was able to sneak a shot of some citizens who might not have consented to be photographed if I had asked. It was mostly old retired folks, especially elderly women, who frequented churches and other religious institutions in the Soviet era. Young people usually avoided them, since it could hurt their career or employment prospects if they were found to have religious inclinations. But there were exceptions, of course, and in any case the monastery was a tourist site as well as a religious institution.
Bell tower at Pecherskaia Lavra, Kiev
The crowning glory of the Pecherskaia Lavra is its bell tower, seen in the picture above. I had to take the picture at an angle because that was the only way I could get the tower to fit in the frame from my vantage point – and even then I had to chop off part of the bottom. In the next picture, which I took from a vantage point further away, I managed to squeeze in the entire tower, except for the cross on top. Also, I was facing into the sun, so that the tower is shaded, and the streetcar wires got in the way. But it was the best I could do with the time and equipment I had.
Bell tower of Pecherskaia Lavra (Cave Monastery) in Kiev, with other structures of monastery in background
Our next stop was the Cathedral of St. Sophia. First built in the early eleventh century, only a few decades after the Kievan Grand Prince Vladimir initiated the conversion of his realm to Orthodox Christianity, the cathedral was inspired by the church of Hagia Sophia in Constantinople. Somehow it survived the myriad episodes of pillage and destruction which afflicted Kiev in the ensuing centuries, though only barely, and in an advanced state of decrepitude. In the seventeenth century efforts to restore the cathedral began, and the exterior was rebuilt in the Ukrainian Baroque style. The work continued into the eighteenth century, with new additions such as a bell tower being added.
Our Sputnik tour group has just debarked from the bus to visit St. Sophia Cathedral.
In the 1930s the Soviet regime confiscated the cathedral and laid plans to demolish it and turn the grounds into a park, but in the end was dissuaded from this course by the pleas of prominent scientists and historians. Instead, the regime converted the cathedral complex into an architectural and historical museum, which it remains to this day, although the Ukrainian government has allowed Orthodox services to be conducted in it at times.
Facade of St. Sophia Cathedral
Both the St. Sophia Cathedral and the Pecherskaia Lavra are considered part of the same UNESCO World Heritage site, although the two are located in different districts of the city of Kiev.
One of the cathedral doors.
By the seventeenth century much of the territory today known as Ukraine had become a possession of the Commonwealth of Poland-Lithuania, then the most powerful state in Eastern Europe. But the inhabitants found Polish rule oppressive, and meanwhile another power was arising on the steppe – the Cossacks, bands of freebooters who welcomed into their ranks the castoffs of all the neighboring lands. In 1848 a dispossessed landowner, Bohdan Khmelnitsky, was elected Hetman – leader – of the Cossacks of the Zaporozhian Host and raised the standard of revolt. After a series of victories, Khmelnitsky entered Kiev with his forces just before Christmas, and the cheering townspeople greeted him on Sophia Square, then the main square of Kiev. In 1888, the monument featured in the photo below was installed on Sophia Square to commemorate the events of 1848.
Monument to Bohdan Khmelnitsky in Sophia Square, Kiev. The building at the right has since been replaced by a Hyatt Hotel.
Khmelnitsky’s uprising began a long and incredibly complicated series of conflicts involving all the countries of Eastern Europe, and in the end leaving Poland and Lithuania destitute and no longer a Commonwealth, and Ukraine under the sway of Moscow, soon to be transformed into the Russian Empire under Peter the Great.
Monument to Taras Shevchenko, Ukrainian national poet, in the Kiev park named after him. In the background is a building of the university which is also named him.
Taras Shevchenko (1816-1861) was born a serf in a Ukrainian village. By hook or crook he managed to obtain a smattering of elementary education and also discovered a talent for painting. His master, a wealthy landlord, once had him whipped for painting a portrait surreptitiously, without permission, but later, realizing that he could use Shevchenko’s talent for his own gain, sent him to study in a studio in St. Petersburg. There Shevchenko met other artists and intellectuals, who helped him buy his freedom in 1838. Shevchenko also began writing poetry as a serf, and his first collection of poems was published in 1840. Over the next few years, while still residing in St. Petersburg, Shevchenko made several trips to the Ukraine, and, finding himself distressed by conditions in his homeland, became involved with a secret society called the Brotherhood of Sts. Cyril and Methodius, dedicated to Ukrainian national rebirth and independence. The society was soon exposed and suppressed by the Tsarist regime, and Shevchenko, whose case was personally investigated by Tsar Nicholas I, was sent into exile as a private in the Imperial Russian army, and for good measure forbidden to write or paint. The long exile, under harsh conditions, broke his health; although he was given amnesty in 1857 by Tsar Alexander II, he died in St. Petersburg in 1861, at the age of 47. Although famous in life both as a painter and a poet, he is now mostly known for his literary impact; though he had important predecessors, he is nevertheless considered to be the founder of the modern Ukrainian language. In an ironic turn of historical justice, the university founded in Kiev by Shevchenko’s persecutor Nicholas I, is now named the Taras Shevchenko National University of Kiev.
Kiev Opera House, where Stolypin was assassinated in 1911
The Kiev Opera was established in 1867. After the first building in which it was housed burned down (1896), a new one was built, which opened in 1901. It was considered to be one of the finest in Europe, and was patronized by the Imperial family. On September 14, 1911, a performance of Nikolai Rimsky-Korsakov’s opera The Tale of Tsar Saltan was held there. Attending the performance were Tsar Nicholas II, two of his daughters, and a number of high officials including Pyotr Stolypin, Prime Minister and Minister of the Interior since 1906. During an intermission, despite the presence of 90 guards, a man named Dmitry Bogrov, a revolutionary who also happened to be a double agent working for the Okhrana, the Tsar’s secret police, shot Stolypin, who died a few days later. Bogrov was quickly tried and hanged. The episode has been shrouded in mystery and controversy ever since, especially regarding the motives and actions of the assassin. Stolypin had been conducting a somewhat successful agrarian reform program aimed at assuaging discontent among the agrarian population and creating a class of peasant landowners who would support the regime; his efforts were anathema to both the revolutionaries, who aimed at maximum destabilization, and the most right-wing elements in the government, who found Stolypin too liberal. In killing Stolypin, was Bogrov trying to fulfill the agenda of the revolutionaries, or of the reactionaries, or both? Nobody really knows for certain, and the question remains unresolved to this day.
Sputnik did not maintain a full schedule while we were in Kiev, and we were fortunate to have some time to explore the city and become acquainted with parts of it not associated with the usual tourist attractions. One evening Bob Barrett, our group leader, took a couple of us with him to visit a friend in his Kiev flat inside one of the typical post-World-War-II Soviet apartment block-buldings (see picture below). I don’t remember the name of the friend or how Bob had become acquainted with him in the first place. But I do remember his television set, which was one of those ancient tiny-screen models with a magnifying glass in front of the screen to make the picture look bigger. And I remember him telling us that he was happy with the way things were going, because he was enjoying what he considered a decent standard of living and his situation had been improving year after year.
We went to visit someone who lived in one of these typical post-WWII Soviet-style apartment blocks.
Our tour group actually had two leaders. One was the aforementioned Bob Barrett, who was an Uzbek specialist, and the other was Professor William Frey from Pennsylvania (I don’t remember which institution he was associated with). Actually, Professor Frey was supposed to have taught the Russian class in Munich, but he had to cancel out because his wife was ill. He did manage to come for the USSR trip, though, and he proved to be a jolly fellow and an excellent guide. He appears on the left of the following photo, which I shot in front of a Kiev bakery, where people were queued up waiting to purchase their daily bread.
Professor William Frey (at left) in front of a Kiev bakery
Professor Frey had a birthday while we were in Kiev, and the group wanted to get him a present. Kitty, one of the women in the tour group, volunteered to buy the present, and I agreed to keep her company, since she didn’t want to wander alone through downtown Kiev. In order to buy a present, though, she needed to get hold of some additional Soviet currency, because she didn’t have enough for a proper gift; and when we went to the bank to exchange some dollars for rubles, we found that it was a holiday and the bank was closed, though stores in general remained open. I was ready to quit and go back to the hotel, but Kitty insisted that there must be someplace or some way we could change money, so we wandered around the downtown area for hours looking searching in vain. I don’t remember whether we ever somehow came up with a birthday present for Professor Frey, but I did take the opportunity to snap a photo of downtown Kiev.
Street scene in downtown Kiev, Summer 1964
One of the high points of our stay in Kiev was a visit to the beach. Being from Southern California, surfing capital of the world, I wouldn’t have expected to find much of a beach in Kiev, but there were beaches on the banks of the Dnepr, complete with umbrellas, cabanas and sand though not with surf; and one afternoon Bob, Bill, Kitty, Jan, Diane and I went to one of them.
Excursion to a beach on the Dnepr River in Kiev. From left, standing: Bill, Diane, Bob; seated, Kitty and Jan.
Whether it was because Bill did something annoying or just on general principles, we decided to bury Bill in the sand. Bill graciously went along with his own interment; Bob, Jan and Diane did the digging, while I shot pictures and Kitty read a book.
Bill annoyed everyone, so Jan, Bob and Diane buried him in the sand, while Kitty (hidden behind Jan) recused herself from our criminal activities.
Having buried Bill in the sand, we debate whether to leave him there, while Kitty ignores it all.
From Kiev we took a train back to Brest-Litovsk, which had also been our entry point to the Soviet Union. We expected the reverse of the process we had encountered upon our entry: we would debark from the train, go through customs and re-embark on the same train once the railroad-car “uppers” had been transplanted from the wide-gauge Soviet platforms to the narrower-gauge Western ones. This was not what happened, as it turned out.
First of all, going through outbound customs proved to be a more arduous process than on the inbound direction. Rather than a cursory examination of the contents of our suitcases on the train, we were subjected to a meticulous inspection in a closed room, where the border guards went through our suitcases item by item, asking searching questions about each piece they didn’t immediately recognize. This included tampons and feminine napkins, which apparently were not available in the USSR at that time (or for years afterward; I never saw evidence of them in 1972-3 either). The same was true for condoms. It was embarrassing, especially for the women, to have to explain the usage of these articles in our mostly inadequate Russian to the border guards. We thought that we were perhaps being subjected to extra scrutiny (not to mention irritation) because of our association with the Institute in Munich, but as it turned out, we got off easy compared to some of the other Western tourists.
The worst part, though, was being told that our nice train with its sleeping cars was being expropriated for the use of people more important than us, and that we would be put on a different train, which was not yet available, so we had to wait for the better part of a day in a hot, uncomfortable (not air-conditioned, of course) train station. I endured the ordeal by drinking lots of a sweet, mediocre sparkling wine, which was pretentiously labeled “Soviet Champagne”. At last, in the late afternoon, we were told that we could board our train. It turned out to be a bare-bones Polish train with no sleeping cars; we got to sit upright on hard wooden benches while the train clattered all night through Poland and into East Germany. We boarded the train at the same time as a British group, one of whose members had his camera taken away by the customs officials. In response to his bitter protests, they promised him that they would develop the film onsite to verify that he had taken no illegal pictures during his stay in the USSR, and if they found nothing incriminating, they would return the camera and film before his train left. When the time came to board the train, they still had not done so. He threatened to lie down on the track in front of the train if they didn’t give him the film before the train left. Finally, literally at the last minute, as the train was starting to pull out of the station, a border guard showed up and handed him the camera and the film, to everyone’s great relief. But then, as the train left the station behind, he took a look at the developed film. It was color film, and the Soviets had processed it as if it were black-and-white, wrecking it, so he lost all his pictures.
Leaning out of the window of a Polish train departing from Brest-Litovsk
I don’t remember anything about the trip back from Berlin to Munich, probably because I was so groggy after not getting much sleep on the Polish train from Brest. I do remember that, after we got back to Munich, the staff of the Institute for the Study of the USSR took us to a beer hall and plied us with beer and pretzels while they pumped us for all the information they could get out of us on current conditions in the Soviet Union. So that’s the brief history of my career as a spy for the CIA.
In July, 1964, after a few hours of sightseeing in Berlin, along with the rest of the tour group from the Institute for the Study of the USSR, I boarded a Soviet train bound for Moscow. There were about 25 of us in all. It was a comfortable train with sleeping cars; the journey was leisurely and pleasant, with a brief stop in Warsaw, where we were able to get off the train and look around a bit. I remember seeing soldiers with AK-47s roaming the streets. Crossing the Soviet border, we went through customs at Brest-Litovsk. They made us open our suitcases and did a cursory inspection of the contents, just to make sure we weren’t bringing in any suitcase nukes or stacks of Bibles, etc., and we had to get off the train and wait while they lifted the train cars off the narrow-gauge Western-style wheel-beds and put them onto wide-gauge Russian wheel-beds. Then it was on to Moscow.
There were two ways of visiting the Soviet Union as a tourist in those days. You could go under the auspices of the official state travel agency, Intourist (a contraction of the Russian words inostrannyi turist, “foreign tourist”). This generally involved going as an individual or in a small group, with an assigned guide, car and driver, and was quite expensive, unaffordable for most. I remember reading accounts of trips with Intourist, usually written by wealthy conservatives such as William F. Buckley, who complained about lousy accommodations, tasteless food, boorish guides with garlic on their breath, annoying restrictions and dreary, cheerless tours. I never traveled with Intourist, so I can’t speak to that. The other way to go was with the “youth” travel agency, Sputnik, which handled large groups, not necessarily composed entirely of young people – ours certainly wasn’t. Sputnik was more affordable, with corresponding reductions in the level of amenities. Our group, of course, was under the auspices of Sputnik. Sputnik’s hotels, naturally, were more spartan than those of Intourist. We didn’t get to stay in any of the ritzy Intourist hotels such as the Metropol. Our lodging in Moscow was graced with the imaginative name of “Hotel Tourist”.
Hotel “Turist” (“Tourist”), – our palatial accomodation in Moscow
Sputnik gave us two guides, Natasha and Sasha, women in their thirties as far as I could tell. Natasha was heavy-set and relatively easygoing, at least compared to Sasha. Sasha was trim and svelte, and would have been attractive but for her stiff demeanor and severe expression. She was aggressively propagandistic and seemed to have a chip on her shoulder, always on the lookout for provocative behavior and insults against the regime. We got off on the wrong foot with them at the start. On our way to our first sightseeing stop, we passed the statue of Felix Dzherzinsky in Lyubyanka Square. Dzherzinsky was the first head of the Soviet secret police, initially known as the Cheka. Sasha pointed out the statue to Bob Barrett, our tour leader, and asked him if he knew who it was. Upon receiving the correct answer, i.e. that Dzherzinsky was the head of the Cheka, Sasha said, “Yes, a very excellent organization.” Bob replied, “Perhaps at first, but later it overfulfilled its plan.” Enraged, Sasha ordered the bus driver to stop and take us back to the hotel. After some acrimonious discussion, Sasha relented and allowed the tour to continue. Our first stop was Red Square.
Red Square and the Kremlin, Moscow, Summer 1964
Of course it was de rigeur to visit Lenin’s Mausoleum. The length of the line waiting to get into it was appalling, but we didn’t have to stand in it. Foreign tour groups were privileged, and our guides took is right to the head of the line. I wasn’t able to take a picture inside the mausoleum, but I remember that Lenin’s head looked yellow and waxy, and I irreverently wondered whether they had substituted a wax dummy for the real thing.
Red Square – the Lenin Mausoleum queue
Behind the mausoleum, between it and the Kremlin wall, is a row of graves. In them are buried important Bolshevik and Soviet figures, such as Yakov Sverdlovsk, Mikhail Kalinin, Mikhail Frunze, Felix Dzherzinsky. When I visited, all of the graves except one had a pedestal with a bust of the person buried therein on top. The one grave without a pedestal or bust was the one on the end of the row – that of Josef Stalin.
Graveyard at the Kremlin Wall
When Stalin died in 1953, his remains were placed in the Mausoleum side-by-side with Lenin’s body. But in 1961, when Nikita Khrushchev was in power, Stalin was kicked out of the Mausoleum and entombed in the grave pictured below. Some years later, in 1970, a pedestal and bust were added to Stalin’s grave.
Stalin’s Grave at the Kremlin Wall
Since I visited the site, other leaders of the Soviet Union, such as Brezhnev, Andropov and Chernenko, have been added to the row of graves at the Kremlin wall. Mikhail Suslov, the hard-line party ideologue in the Brezhnev years, who died in 1982, is now buried to the left of Stalin. Behind the row of graves, in the Kremlin wall itself, there is a series of niches containing the ashes of other noted figures, including Soviet and foreign Communist leaders, cosmonauts, military men, writers, etc.
St. Basil’s Cathedral on Red Square
Also on Red Square next to the Kremlin is St. Basil’s Cathedral, the most widely recognized symbol of Russia. Many people mistake it for the Kremlin itself. It is not really a cathedral because it is not the seat of a bishop. St. Basil’s was built from 1555 to 1561, i.e. during the early part of the reign of Ivan the Terrible, to commemorate the conquest of the Khanate of Kazan’ in 1552. The origins of the church are shrouded in myth and legend. One of the legends has it that there were two architects, named Barma and Postnik, and that Ivan the Terrible had them blinded after the completion of the church so that they could never build anything so beautiful again. Historians tend to dismiss this story. Some believe that there was only one architect, named Postnik Yakovlev, and that he worked on later projects such as the restoration of the Cathedral of the Annunciation inside the Kremlin in the 1560s. Whatever the truth may be, St. Basil’s burned down or was badly damaged by fire restored several times over the ensuing centuries, and each time was restored with modifications, so that today’s church is somewhat different from the original. Oddly, even though Napoleon ordered the church to be blown up during his invasion in 1812, his order was not carried out and it escaped unscathed on that occasion.
There are also urban legends surrounding the treatment of St. Basil’s under Josef Stalin. One of them I heard from a friend in Moscow. He said that during the thirties, Stalin was considering urban plans that envisioned demolishing St. Basil’s, and consulted a Jewish architect (my friend was also Jewish) to ask him how this could best be done. The architect replied “Over my dead body,” to which Stalin genially replied, “That can be arranged.” Wikipedia presents a somewhat different story. The important point, however, is that St. Basil’s was spared, unlike some other priceless legacies of history, one of which I’ll deal with later in this post.
GUM – Gosudarstvennyi Universalnyi Magazin (State Department Store) on Red Square
Another famous attraction on Red Square is GUM. When I was in Russia, the letters stood for Gosudarstvennyi Universalnyi Magazin (State Department Store), but that name is no longer appropriate because the building was privatized after the 1991 revolution, and they now stand for Glavnyi Universalnyi Magazin (Main Department Store). The structure was originally built in the 1890s as an indoor shopping mall known as the Upper Trading Rows. After the 1917 revolution it was confiscated by the government, and in 1928 Stalin turned it into an office building, but it again became a department store after his death. I didn’t take any photos of the interior, but Wikipedia has an article with pictures showing how it looks. The appearance is striking – it has a glass roof, three levels of shops and facades of marble, granite and limestone. The design was far in advance of its time.
Ivanovskaya Square, in the Kremlin, with St. Basil’s beyond the wall. The towers flanking St. Basil’s are the Nabatnaya to the right and the Tsar’s Tower to the left; the building at left is the Senate Palace.
The Kremlin, a fortress within a city, has existed since the beginnings of the city of Moscow, but it was initially constructed in wood, and only began to take form in stone in the 1360s. The existing walls and towers were built by Italian architects in the reign of Vasily III from 1485 to 1495. The Kremlin was the seat of government and residence of the ruler until Peter the Great moved the capital to St. Petersburg; afterward it continued to be the residence of the Tsars when they visited Moscow. After the 1917 Revolution, the Bolsheviks moved the capital back to Moscow, and it again became the seat of government; both Lenin and Stalin had living quarters there. The Kremlin was closed to tourists until 1955, and until then the only foreigners allowed inside were official visitors.
Tsar’ Kolokol (Bell), in the Kremlin
The Tsar-Bell, which stands near the Ivan the Great Bell Tower in the Kremlin, is the world’s largest bell, but it has never rung. It was cast in 1735 on the orders of Empress Anna, Peter the Great’s Niece. The casting was initially successful, but a fire which broke out in the Kremlin in 1737 resulted in a huge piece cracking off the bell. You can see the hole it left in the picture above. The piece that cracked off is displayed with the bell, but it cannot be seen in the picture above because of the crowd blocking the view – mostly members of our tour group.
Tsar’ Pushka (cannon), in the Kremlin, with members of our group in foreground
The Tsar’-Pushka, or Tsar-Cannon, which stands on Ivanovskaya Square in the Kremlin, was cast in 1586, during the reign of Ivan the Terrible’s successor Fedor Ivanovich. It is the largest cannon ever made by caliber, with a bore of 890 mm (35 inches). As far as was known when I was in the Soviet union, it had never been fired (Voltaire once said that the two most noteworthy items in the Kremlin were a bell that had never been rung and a cannon which had never been fired). However, according to Wikipedia, in 1980 experts from the Artillery Academy determined that it had been fired at least once. Even so, it was never actually used against an enemy, and its value was primarily as a propaganda tool, to frighten the tsar’s enemies. I have a scale model of it in my house, which I use as a doorstop.
Uspensky Sobor – Cathedral of the Dormition
The Uspensky Sobor, or Cathedral of the Dormition, completed in 1479, was the work of an Italian architect, and combined Russian with Renaissance traditions. All the coronations of Russian monarchs from 1547 to 1896 were held here, as were the installations of metropolitans and patriarchs of the Russian Orthodox Church, who are also buried here.
Entrance to the Exhibition of Achievements of the National Economy (VDNKh). Ukraine pavilion in center.
Our tour of Moscow included a visit to the Exhibition of Achievements of the National Economy (the initials in Russian are VDNKh), a permanent trade show and amusement park serving as a showcase for Soviet industry and agriculture. It was somewhat like a world’s fair (I had visited the New York World’s fair before leaving on the Munich summer school trip). It had pavilions devoted to each Soviet republic, such as the Ukraine (whose pavilion appears in the center of the picture above), Armenia, Kyrgyzstan, etc., and to regions of the Russian Republic, such as the North Caucasus, as well as pavilions devoted to specific fields or industries, such as Space, Atomic Energy, Engineering, Electronics, Education, etc.
VDNKh – Statue of Worker and Collective Farm woman
The most striking structure at the VDNKh was the 25-meter (78 feet) stainless-steel Statue of Worker and Collective Farm Woman, originally designed for an exhibition in Paris in 1937. It is a gigantic statue in Socialist Realism style, depicting a worker and a peasant woman holding a hammer and sickle together pointing at the sky – in other words, something as unrealistic as could possibly be imagined. The designer, a woman named Vera Mukhina, won a Stalin Prize for it. If there were an award for the most banal statue in the world, this would surely be the hands-down winner by popular acclaim. I cannot recall every having met anyone, even any Russian (except for our guides, who had to toe the party line), who felt otherwise. Yet to this day it stands at the Exhibition, which has undergone many changes in the years since I visited it.
Fountain of the Friendship of Nations
Much more attractive than the stainless-steel statue was the Fountain of the Friendship of Nations, pictured above.
MGU – Moscow State University – with a local
Moscow State University, or, to use its full title, the M. V. Lomonosov Moscow State University, was founded in 1755, during the reign of Empress Elizabeth, the daughter of Peter the Great. Lomonosov was Russia’s first great scientist and is often called Russia’s Ben Franklin, of whom he was a contemporary. He is credited with important scientific discoveries and sometimes is cited as the inventor of the light bulb, over a century before Edison. He also played a key role in the founding of Moscow University. The university is usually referred to by its initials in Russian, MGU. The circumstances of my initial visit to MGU in 1964 are worth relating. I had brought a couple cartons of cigarettes with me on the trip, even though I never smoked them myself, because I had been told that offering people a cigarette was a good way to initiate contacts with people in Europe and the USSR. This, of course, was not in the interest of the Soviet regime, who were interested in tourism as a means of spreading propaganda and obtaining hard currency, but not at all in promoting unsupervised acquaintences between Soviet citizens and foreigners. Our guides accused me of wanting to sell cigarettes for profit and confiscated the cartons I had brought, but later, about the time of our visit to MGU, they returned the cigarettes, and I was able to use them there. At that time my Russian was very rudimentary – I hadn’t learned much either in two years of college classes or the Munich summer school – but I found I was able to exchange cigarettes for znachki – little pins with Soviet motifs, such as red stars or images of Lenin – which made great souvenirs (I still have some of them). There were a number of locals hanging out near the university, and I managed to snag a few znachki there, and one of the kids there even let me shoot his picture with the main MGU building as the background.
Grounds of Moscow State University. Statue of M. V. Lomonosov at center.
The main building of MGU is located in an area formerly called Sparrow Hills, later renamed Lenin Hills, five kilometers from the center of Moscow. The central tower is 240 meters (787 feet) tall, with 36 stories, and at the time of its construction in 1953 was the tallest building in Europe and the tallest in the world outside New York. Our guides took us up to the top floor, and we were able to take pictures of the city from there, despite a Soviet rule against taking pictures from tall buildings, which even our guides cited and then disregarded. Unfortunately, I somehow contrived to get part of the left earpiece of my sunglasses in the field of a couple of my pictures, such as the one above, which shows the immediate grounds of MGU looking east, with a statue of Lomonosov in the center.
View of Moscow from MGU, looking northeast
It was a mostly clear day and the view from the top floor of MGU was great. I attempted to shoot a panorama, starting on the left (northeast) and ending on the southeast. The three tall buildings in the picture, jutting above the rest of the city skyline, from left to right, are the Hotel Ukraine, the Kudrinskaia Square Building, and the Ministry of Foreign affairs. These, including MGU, were all part of a skyscraper construction program ordered by Joseph Stalin, who thought that Moscow needed skyscrapers to assert the moral authority of the USSR as the socialist homeland. His original vision called for nine skyscrapers, but only seven were built. In addition to the four already named, there were the Leningrad Hotel, the Red Gates administrative building, and the Kotelnicheskaia Embankment building.
Lenin Stadium, as seen from the top of Moscow State University
The center shot of the Moscow panorama captures the neat rectangle of University Square, stretching out to what is now Kosygin Street, just this side of Moscow River. On the other side of the river is the Luzhniki sports complex and Luzhniki Stadium, the national stadium of Russia. It was built in 1955-56 as Lenin Stadium and renamed Luzhniki Stadium in 1992. It was the main venue for the Olympic Games of 1980, for which many other buildings were constructed near it as well. It is used primarily as a football (soccer) stadium, but hosts other types of sporting events, such as motorcycle racing on the ice in winter. It was demolished and rebuilt in 2013-2017 with an increased seating capacity (from 78,000 to 81,000).
View from MGU, looking southeast
The third or right-most shot of the panorama series looks southeast, across the Moscow River. The edge of Luzhniki Stadium is on the left; the large structure just to the left of center is the Luzhniki Underwater World Aqua Club – that’s a literal translation of the name; it is more commonly known in English as the Luzhniki Aqua Complex. The Luzniki Metro Bridge is on the right.
Moscow open-air swimming pool. No longer exists; was replaced in 1990s by restored Temple of Christ the Savior
During our stay in Moscow, we went for a swim in the Moscow Swimming Pool, the largest open-air swimming pool in the world. The dressing rooms were staffed by babushki – old ladies. Russians told us to be circumspect about undressing there because “even though they are old women, they are still women.” The story behind the origins and ultimate fate of this site is worth telling. I first heard it from a Jewish friend whom I was trying to help to get out of the Soviet Union in 1972.
After the War of 1812, Alexander I determined to build a new cathedral in Moscow in honor of Christ the Savior, to express the gratitude of all Russia for its deliverance from Napoleon. However, construction only began in earnest under Alexander’s successor, Nicholas I, in 1839, and the cathedral was not completed until 1882. When completed, it was 103 meters (338 feet) tall and had domes gilded with 20 tons of gold. The interior featured 11,000 square feet of marble plaques listing battles, commanders, units, casualties and awards of the Napoleonic wars.
In 1931 the cathedral was dynamited into rubble. Joseph Stalin had selected the site for the building of a skyscraper to serve as a monument to Lenin and a showcase of socialism, called the Palace of Soviets. (Another motive for demolition was to get hold of the gold in the domes, which was needed to help finance the industrialization programs.) It was projected to be the tallest building in the world at 415 meters (1362 feet), and was to be crowned with a 100-meter (328 feet) statue of Lenin weighing 6,000 tons. Construction on this monstrosity actually began in 1937, but was interrupted by World War II and never resumed. Construction of the 129.5-meter (425 feet) diameter swimming pool began in 1958 and was completed in 1960.
The demolition of the cathedral was one of the more notorious esthetic transgressions of the Stalin era. Even non-Christians were scandalized by it. After the collapse of the Soviet Union, the cathedral was rebuilt with the aid of donations from millions of Russian citizens, and the newly rebuilt cathedral was consecrated on August 19, 2000.
Yours Truly in front of the American Embassy on Chaikovskii Street, Moscow; unfortunately the picture was taken just as a large truck drove by
One day we visited the American Embassy, on Chaikovsky Street, where I had a friend take a picture of me across the street in front. I didn’t notice, and apparently neither did the picture-taker, that as the photo was being shot a large truck zoomed by in back of me, obscuring the lower floors of the Embassy.
Although Leningrad has long since reverted to its pre-Revolutionary name of St. Petersburg (quite appropriately, in my view), I’m still calling it Leningrad in this post, just to underline that this trip took place in the Soviet Union. Our 1964 University of Oklahoma tour group took an overnight train from Moscow to Leningrad and stayed at the Sputnik Hotel Druzhba (“Friendship”). It was comparable in appearance and amenities to our lodging in Moscow – i.e. drab and mediocre, but quite adequate, especially in view of the reasonable cost of the trip.
Hotel “Druzhba” (“Friendship”) – our accomodation in Leningrad
Our tour group in front of the Hotel Druzhba
We posed in front of the Hotel Druzhba for a group picture, and I shot my own picture of our tour group also. It’s now been fifty-six years since I made this trip, and I can’t remember even the first names of all my fellow-travelers, and only a few of the last names.
Our Soviet guides Sasha (left, jumping from bench) and Natasha (at right)
But I remember our Soviet guides vividly. They remained with us all through our trip in the Soviet Union. They never told us their family names.
Leningrad – apartment buildings under construction
On our way to our excursion destinations, we caught glimpses of residential construction sites. These of course were typical Soviet apartment block buildings – they were going up by the hundreds. It portended a considerable rise in living standards for Russians, who had been living in cramped communal apartments for years.
Leningrad cruise boat docks
Our first excursion in Leningrad was to the palace of Peterhof, then called Petrodvorets to avoid using the original Germanic name. (The name “Peterhof” was restored in 1997.) Peter the Great built the palace in imitation of Versailles, and it has often been called the Russian Versailles. Peterhof is some distance from central St. Petersburg and is best reached by water. We went there by hydrofoil. This was my first trip on a hydrofoil and I was surprised to find out how far in advance the Soviet Union was of the USA in the use of this technology, since I had never seen any hydrofoils in use in the United States.
Soviet hydrofoil at speed
Meteor-14 Hydrofoil – similar to the boat that took us to Peterhof
Peterhof, like most of the Russian imperial palaces in the St. Petersburg area, was overrun by Hitler’s armies in 1941 and many of its artistic treasures were looted or destroyed. In particular, the Grand Palace was blown up and burnt down. But rebuilding began almost immediately when the war was over, and by 1964, when I visited, most of the buildings and fountains had been restored.
Peterhof – The Grand Palace , Grand Cascade and Sea Canal
The Grand Palace of Peterhof sits atop a 52-feet high bluff. Down the face of the bluff runs the Grand Cascade, at the center of which is an artificial grotto, with 64 fountains below and on both sides of it. The waters flow into a semicircular pool, which is the terminus of the Sea Channel, also lined with fountains, as seen in the picture above. The fountains at Peterhof all work without the aid of pumps; water is supplied from springs, collected in reservoirs in the Upper Gardens atop the bluff, and pressure is maintained simply by the difference in levels. Unfortunately, although there are many splendid fountains at Peterhof, some of them quite ingenious such as the mushroom fountain which sprays water on you when you stand underneath it, and the fruit bowl which squirts you in the face, the pictures I took of them have not survived.
Peterhof – small chapel
The St. Alexander Nevsky Chapel at Peterhof is a blend of Gothic and Orthodox elements. There is also a larger Imperial Chapel, where the children of the Tsar were traditionally baptized, and which was attached to the Grand Palace; unlike the rest of the palace, it was not completely rebuilt after World War II – in particular only one dome out of the previous five was restored, and the chapel became a post office. But from what I can gather, the Imperial Chapel was eventually restored to its prewar state after the 1991 revolution and reconsecrated in 2011.
View of the Peter-Paul Fortress from the Neva River
Back in Leningrad, we visited the Peter-Paul Fortress, established when St. Petersburg was founded in 1703. The structure with the golden spire projecting high above the fortress is actually the Cathedral of Sts. Peter and Paul, which is enclosed by the fortress. The cathedral was begun in 1712 and completed in 1733 and houses the remains of all the Russian rulers from Peter the Great to Nicholas II, except Peter II and Ivan VI, the remains of Nicholas II and his family having been laid to rest there in 1998.
Saint Petersburg – Cathedral of Saints Peter and Paul
During the 18th and 19th centuries, the Peter-Paul Fortress served as headquarters for the city garrison and also as a prison, mainly for persons of high rank and important political prisoners. One of the first was Alexei Petrovich, son of Peter the Great, who was disinherited by his father and died after interrogation under torture. Later, in the 19th century, such persons as the Decembrist revolutionaries, Fyodor Dostoevsky, Peter Kropotkin (who became the first person to escape), Mikhail Bakunin, and Leon Trotsky were imprisoned there also. The Bolsheviks – including our guides – portrayed the Peter-Paul fortress as a hell on earth, a place where prisoners were kept in filthy, overcrowded dungeons, starved and tortured; actually conditions there were mild – for example, prisoners were allowed tobacco, writing paper and books – and compared to Soviet prisons and the gulag, it was a paradise.
A corner of the Peter-Paul Fortress
The Bolsheviks initially also used the Peter-Paul Fortress as a prison, and from 1918 to 1921 conducted over 100 executions there. In 1924 it was converted into a museum. During World War II, the Peter-Paul Fortress suffered considerable damage from bombing, and restoration work was still going on when I visited in 1964.
Peter-Paul Fortress – yours truly posing with the ladies in front of Peter-Paul Cathedral spire
At the top of the list of attractions in St. Petersburg/Leningrad is the former Winter Palace, the official residence of the Russian emperors from 1732 to 1917. Now known as the Hermitage, it is one of the world’s greatest museums. We were all anxious to see it, but our guides had other priorities, of which the first and foremost was to impress upon us the terrible suffering that the people of Russia had endured in the war against Nazi Germany, at that time only two decades past. For this reason, before they would let us tour the Hermitage they insisted that we visit the Piskaryovskoe Memorial Cemetery on the outskirts of the city, where over 400,000 of the more than 900,000 victims of the Siege of Leningrad are buried, along with 50,000 of the Red Army soldiers who defended the city.
Looking across the Neva River from the Peter-Paul Fortress toward the Winter Palace, Admiralty, and St. Isaac’s Cathedral
Let me say unequivocally that I fully understood and supported our guides on this point. Few Americans understand what the people of the Soviet Union underwent in World War II. The German onslaught that began in 1941 was the greatest invasion in history. The Red Army, its officer corps drastically weakened by the Stalinist purges of 1937, faced a surprise attack by an enemy which had overrun every opponent it had faced on the European continent in a matter of days – an enemy, moreover, which was intent not just upon conquest but enslavement and extermination, and shrank from no extremes of horror in the pursuit of its aims. Survival, and ultimate victory, had been obtained only at the cost of immense sacrifices and privations inconceivable to most Westerners. The siege of Leningrad, which lasted from September 8, 1941 to January 27, 1944, is a case in point. Hitler sent an entire army group, Army Group Nord, against Leningrad, with orders to seal off the city, let the entire population starve to death, then raze it to the ground. No surrender negotiations were to be entertained.
Piskaryovskoe Memorial Cemetery, with its eternal flame in the foreground, and in the distance behind it, the Motherland monument.
Almost half the population of Leningrad was evacuated before the siege ring closed round the city, but many of the evacuees themselves died of the hardships endured then and afterwards. During the siege itself, a million and a half soldiers and civilians perished from all causes. Many civilians were killed by air and artillery bombardments, but most died of starvation.
State Hermitage Museum (former Winter Palace) – Embankment Side
So I had no objection to going to the cemetery, nor I think did anyone else in our tour group. Of course all of us, as students of Russian language and history, were already well aware of the events of World War II, and we didn’t really need to have the horrors of the Nazi invasion further impressed upon us; but that wasn’t a major issue. It was the timing of the visit that proved objectionable. Because of inept scheduling, the cemetery visit took longer than planned; and by the time we arrived at the Hermitage, we had about half an hour left before closing to see it all. In the upshot, I didn’t get a good chance to tour the museum until 1972.
The Hermitage Museum (former Winter Palace) – Palace Square side
We were also given a tour of a vodka distillery; unfortunately, I wasn’t able to take any pictures there since I didn’t have a flash attachment for my camera. At the conclusion of the tour we were taken to a conference room with a very large table covered by a green felt tablecloth (these were ubiquitous in any kind of conference room in the Soviet Union). For each person in our group there was a place setting with several plates, silverware and five crystal glasses, one for each type of vodka we were to sample. The table was also copiously laden with zakuski – hors d’oeuvres – and many, many bottles of vodka. We understood, of course, that it would be considered rude and very gauche to excuse oneself from sampling the vodka. In the group were several underage college students and at least one teetotaler, a Mormon who was obliged by his religion to abstain from alcohol. I believe he coped with the situation by pretending to sip, then pouring the contents of his glass into a potted plant when he thought none of the staff was looking his way. But not everyone was able to get away with that, and some of the coeds, who weren’t used to imbibing the amounts of alcohol involved, came off rather badly, and practically had to be carried back to the bus.
St. Isaac’s Cathedral, with equestrian statue of Nicholas I in front
Emperor Alexander I initiated the construction of St. Isaac’s in 1818, but did not live to see its completion, since he died in 1825 and the church was not completed until 1858, in the reign of Alexander II. Alexander I did ensure, however, that St. Isaac’s was built in his favorite Empire style, which was a late phase of the Neoclassical style popular in Western Europe, ascendant especially in France. (“Empire” in this case refers to the French empire of Napoleon, not the Russian Empire.) An equestrian statue of Nicholas I stands in front of the cathedral, though it is difficult to make out in the picture above. In the Soviet period St. Isaac’s was turned into a museum, which it still remains, although Russian Orthodox services are held on holidays and other occasions.
Kazan’ Cathedral in St. Petersburg, July 1964
The Kazan Cathedral, or Cathedral of Our Lady of Kazan, was begun in 1801 and completed in 1811, just in time for the War of 1812. The architect modeled it on St. Peter’s Basilica in Rome, over the strenuous objections of the Russian Orthodox Church, but these went unheeded by Emperor Alexander I, who favored the Neoclassical/Empire style of architecture in fashion during the Napoleonic era. The Soviets converted it into a Museum of the History of Religion and Atheism, and that was what it was when I visited it in 1964. The anti-religious propaganda was jejune and pedestrian, and probably would have convinced few believers to renounce their faith. Following the revolution of 1991, the Kazan Cathedral was returned to the Russian Orthodox Church and is now the seat of the metropolitan of St. Petersburg.
Church of the Savior on the Blood on Griboedov Canal, St. Petersburg: site of the assassination of Alexander II
March 13, 1881, was one of those days when history seems to hold its breath. On that day, in St. Petersburg, capital of the Russian Empire, the terrorist society Narodaya Volya – the “People’s Will” – after several unsuccessful attempts, finally succeeded in assassinating the Emperor Alexander II, a few hours after he had signed a document which might have (and in the Tsar’s own opinion, would have) set Russia on a path to transformation from an autocracy into a constitutional monarchy. Alexander II’s son and successor, Alexander III, was of a much different mind; he immediately reversed course and embarked upon a program of iron-fisted repression. Another outcome of the assassination was the building of the Church of the Savior on Spilled Blood, on the exact spot on Griboedov Canal where the assassination took place. Intended as a memorial to the slain Tsar, the church was begun in 1883 and funded by donations from the Imperial family. Unlike the Baroque and Neoclassical structures which had dominated St. Petersburg ever since its founding by Peter the Great in 1703, the Church on the Blood was an explicit revival of the church architecture of pre-Petrine Muscovy, as embodied in St. Basil’s Cathedral in Moscow. It was finally completed in 1908, but never functioned as a public place of worship, only for conducting memorial services for Alexander II, as intended by the Imperial family. It suffered badly from looting and vandalism during the 1917 Revolution, and was closed afterward. During the Soviet period it was used for various secular purposes, such as a morgue for victims of the siege of Leningrad in World War II, and a storehouse after the war. It was not open to the public at the time I visited in 1964, but restoration began in 1970, and the church was reopened as a museum of mosaics in 1997.
We arrived in Greece toward evening, and immediately everyone in the car sensed a change of atmosphere. Maybe this was partly because we were out of the mountains and it was warmer, but there was more to it than that; the country had a more prosperous and welcoming look to it as well. As we had done the previous few nights in Yugoslavia, we pulled over to the side of the road and spread out our sleeping bags in the fields nearby. In the morning, when we awoke, we encountered some locals who invited us to stop for breakfast in their town, which was called Katerini.
Arrival in Katerini, Greece
It turned out that the people we met owned a bakery and a cafe. In fact, they owned the whole town. They treated us to breakfast and loaded us with goodies that lasted all the way to Athens. Here is Rob shaking hands with the cafe owner.
Hobnobbing with the Locals in Katerini
After breakfast we continued southward toward Athens, stopping for lunch and rest in a park in the shadow of Mount Olympus, the tallest mountain in Greece and, of course, the home of the gods. I didn’t see any gods (the guy in the striped shirt to the left of the tree is Alan, my roommate in Munich, who was from New York), but it was a great picnic spot.
Lunch in Mount Olympus National Park, Greece
South of Olympus, the road turned inland, but then encountered the coastline again at the narrow pass of Thermopylae, site of the most famous last stand in history. In 480 BC, King Xerxes of Persia invaded Greece with a gigantic army, aiming to crush the Greeks, who had been a thorn in his side for years, once and for all. The Greeks were forever fighting among themselves and it was only with difficulty that they managed to suspend their internecine quarrels to the extent of raising an army of 7,000 men, plus naval forces, to oppose the Persians. The Greeks, led by King Leonidas of Sparta, decided to meet the Persians at Thermopylae, where the narrowness of the road prevented the Persians from bringing their massive numbers to bear and permitted a small force to deny passage to a much larger one. This worked well for several days, until a Greek traitor led the Persians over a path through the mountains that enabled the Persians to take the Greeks in the rear and outflank them. Leonidas became aware of this in time to send the bulk of the Greek army away before the Persians trapped it; but he remained behind with 300 Spartans to hold the pass long enough for the others to get away. The 300 Spartans, along with 700 soldiers from the city of Thespiai, fought to the death. The Persian juggernaut rolled on south to Athens, which they occupied; but the Athenians had evacuated the city and burned it. The Persian conquest of all Greece seemed imminent, but then the Greek fleet, under Athenian command, attached and shattered the Persian fleet in the Battle of Salamis; and the following year, the Greeks got their act together and defeated the Persian army decisively at the Battle of Plataea, ending the Persian invasion.
Memorial to Leonidas and the 300 Spartans
Arriving in Athens, we wandered around looking for a place to stay. It was hard to find our way because we couldn’t read the street signs. I knew only the capital letters of the Greek alphabet, but unfortunately the Greeks, like everyone else, use lower case too. However, we soon found that if we stood on a street corner looking stupid, which is never hard for me to do, a crowd of Greeks would soon collect around us and help us figure out how to find what we needed. We needed an inexpensive place to stay, and with the help of people on the street we not only found one, but ended up in the penthouse.
Our hotel room in Athens
Well, OK, it wasn’t exactly a luxury hotel, and the penthouse didn’t have air conditioning, and the temperature was in the 90s, but on the other hand, we only paid a dollar per night apiece. It was a bargain. Near our hotel was this venerable little Greek Orthodox basilica.
Greek Orthodox Church near Our Hotel
For dinner, we found a nice little taverna nearby and ordered moussaka, a Greek specialty made with eggplant and ground meat. While enjoying our dinner, we made the acquaintance of a 14-year-old Greek girl who was dining at the next table with her family and wanted to practice her English (which was excellent). We were only too glad to take her up on that. She became our native guide, and the next day she and her brother took us to the beach near Piraeus.
On the Beach near Athens, Greece. Our party is at right of center.
This was my first view of the Aegean sea, famed in history and legend. Our hostess went diving for sea urchins, which are considered a delicacy in Greece (as in many other places, but I have never cared much for them), and she got some spines stuck in her foot.
Our hostess: The girl with Afro-style hair, center-front, and her little brother
Our Athenian hostess also helped with directions as how best to see the sights of the city. Of course the main stop had to be the Acropolis, the heart of ancient Athens. It was higher than I would have expected, and the view from the top was stunning.
Athens, from the Acropolis. The tall escarpment on the right is Mount Lycabettus, highest point in Athens at 900 feet. A cable car runs to the top.
On the south side of the Acropolis are the remains of the Theatre of Dionysus Eleuthereus, the birthplace of Greek tragedy, dating from the fifth century BC. Here is where the plays of Aeschylus, Sophocles, Euripides, and Aristophanes were first performed.
Theater of Dionysius Eleuthereus
The Propylaea is a monumental gateway constituting the principal entrance to the Acropolis. It was intended to provide a fitting approach to the Parthenon, which was in the final stages of construction when the Propylaea was begun in 437 BC. Work on the Propylaea was interrupted by the outbreak of the Peloponnesian War in 431 BC, and never resumed, but the structure was substantially complete by then.
The Propylaea – Gateway to the Acropolis
The Erechtheion was a temple to various gods, begun in 421 BC during a truce in the Peloponnesian War and completed in 406. It was named for a mythical king of Athens, Erechtheus. In a war with another city, Erechtheus was supposed to have slain a son of the sea-god Poseidon, but then was himself slain in revenge by Poseidon. Afterward, Poseidon became conflated with his victim, and, under the name Poseidon Erechtheus, was one of the gods to whom the Erechtheion was dedicated. It’s all very confusing.
The Erechtheion
The figures holding up the roof of the porch on the south side of the Erechtheion are the Caryatids, or Korai in classical Greek. In 1801 the British Ambassador to the Ottoman Empire, Thomas Bruce, 7th Earl of Elgin, claiming to have obtained permission from the Turkish authorities, removed one of the Caryatids and attempted to remove another, but only succeeded in wrecking it. He also took pieces of the Parthenon. He then loaded on shipboard and sent it to England; the ship was wrecked on the way, but after much trouble and expense, the marbles were recovered by divers. Elgin incurred considerable opprobrium for his activities, and eventually sold the marbles to the British Museum, where they remain today.
The Erechtheion with the Porch of the Caryatids at left
The crowning glory of the Athenian Acropolis is, of course the Parthenon, perhaps the most famous building in the world. It was built between 447 and 438 BC as part of a building program (which also included the Erechtheion and the Propylaea) instigated by Pericles, the great statesman of Athens’ Golden Age, to celebrate the Greek victory in the Persian Wars and the subsequent rise of Athens to predominance in Greece. The Parthenon was dedicated to Athena, patron goddess of the city, and originally contained a large statue of the goddess, covered in gold. Pictures of the exterior of the Parthenon are ubiquitous; you can find one easily on the Internet, so I’m not going to post one here. Instead I’ll post a couple pictures I took inside the Parthenon.
Interior of the Parthenon
The Parthenon survived various wars, revolutions, fires, earthquakes and other catastrophes for many centuries. The gold was stripped off the statue of Athena by a later ruler of Athens, Lachares, who used it to pay his troops in 296 BCE. In 276 AD Athens was sacked by pirates, who inflicted heavy damage on the Parthenon and other buildings on the Acropolis, but repairs were made. In the fifth century, when paganism became illegal in the Roman empire, the Parthenon was converted into a Christian church, and the statue of Athena was removed to Constantinople, where it was later destroyed. (Many replicas were made of it in antiquity, so we have a good idea of what it looked like.) After the Turks conquered Greece in the fifteenth century, they turned the Parthenon into a mosque. Nevertheless, the structure remained intact until 1687, when, during a war with Venice, the Turks fortified the Acropolis and used the Parthenon to store gunpowder and also as a shelter for local residents. The Venetians fired a mortar shell into the Parthenon and the gunpowder blew up, killing three hundred people, and causing the worst damage suffered by the Parthenon in its history. (The fact that any of it survived at all is testimony to how strongly it was built in the first place.) In 1801 Lord Elgin, as described above, plundered many of the sculptures and other pieces of the Parthenon which had been knocked off by the 1687 explosion, as well as others that weren’t. When Greece gained its independence from the Turks in 1830, efforts at restoration of the buildings on the Acropolis were begun, but these early attempts were generally ill-conceived and inept, and resulted in more harm than benefit. But since 1975, the Greek government has sponsored a more well-considered program to restore the Acropolis structures, with funding and technical help from the European Union. The Greek government has also held talks with the British about recovering the Elgin Marbles, though these have not yet borne fruit. When I visited the Parthenon in 1964, of course, the restoration program was far in the future, but it was still a grand sight.
Janet in the Parthenon
Janet, the girl in the picture above, was from Providence, Rhode Island. I kept in touch with her after the trip and when I was in Naval Officer Candidate School in Newport during the fall of 1964, she invited me for Thanksgiving dinner at her parents’ house in Providence. She picked me up in her Morgan roadster – a fairly uncommon car then, and quite rare nowadays – and brought me back afterward. It was a pleasant interlude in an otherwise rather dreary and arduous period, and I was very grateful to her for it.